Although his early work could be viewed as quite radical, as Professor of Sculpture at the Royal Academy he became closely linked with the establishment, and towards the end of his life upheld essentially conventional views on the role and function of art.".
This book examines the sculptures created during the Early Dynastic period (2900-2350 BC) of Sumer, a region corresponding to present-day southern Iraq. Featured almost exclusively in temple complexes, some 550 Early Dynastic stone statues of human figures carved in an abstract style have survived. Chronicling the intellectual history of ancient Near Eastern art history and archaeology at the intersection of sculpture and aesthetics, this book argues that the early modern reception of Sumer still influences ideas about these sculptures. Engaging also with the archaeology of the Early Dynastic temple, the book ultimately considers what a stone statue of a human figure has signified, both in modern times and in antiquity.
There is a real sense of rediscovery with this formidable gathering of modern British art that covers work from the birth of the Edwardian era through decades of experimentalism, through the two world wars. Beautifully, produced much of the art has not be
This masterpiece of animal anatomy contains 36 plates that reproduce Stubbs' etchings. Based on the artist's own dissections and outline views, the illustrations feature extensive explanatory text. Full reproduction of 1766 edition.