Screening the Marquis de Sade
Screening the Marquis de Sade

Author: Lindsay Anne Hallam

Publisher: McFarland

Published: 2014-01-10

Total Pages: 221

ISBN-13: 0786488379

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Since their publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis of a wide array of film texts. By employing Sade's controversial body-oriented philosophy within film analysis, this book provides a new understanding of notions of pain, pleasure, and the representation of the transgressive body in film. Whereas many analyses have used theory to excuse and thus dilute the power of sexual and violent images, the author has here sought to examine cinematic representations of human relations as unflinchingly as Sade did in his novels.

Screening the Royal Shakespeare Company
Screening the Royal Shakespeare Company

Author: John Wyver

Publisher: Bloomsbury Publishing

Published: 2019-06-27

Total Pages: 289

ISBN-13: 1350006602

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No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company. Starting with Richard III filmed in the Shakespeare Memorial Theatre before World War One, the RSC's accomplishments continue today with highly successful live cinema broadcasts. The Wars of the Roses (BBC, 1965), Peter Brook's film of King Lear (1971), Channel 4's epic version of Nicholas Nickleby (1982) and Hamlet with David Tennant (BBC, 2009) are among their most iconic adaptations. Many other RSC productions live on as extracts in documentaries, as archival recordings, in trailers and in other fragmentary forms. Screening the Royal Shakespeare Company explores this remarkable history of collaborations between stage and screen and considers key questions about adaptation that concern all those involved in theatre, film and television. John Wyver is a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon, and is uniquely well-placed to provide a vivid account of the company's television and film productions. He contributes an award-winning practitioner's insight into screen adaptation's numerous challenges and rich potential.

Screening Justice
Screening Justice

Author: Steven Kohm

Publisher: Fernwood Publishing

Published: 2016-12-07T00:00:00Z

Total Pages: 462

ISBN-13: 1552668649

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What do Canadian films say about crime and justice in Canada? What purpose to Canadian crime films serve politically and culturally? Screening Justice is a scholarly exploration of films that focus on crime and justice in Canada. Crime films are pivotal for understanding and shaping Canadian sensibilities by setting out widely available templates for thinking about crime and justice in Canadian society. Spanning disciplines and examining films from across Canada, Screening Justice is the first comprehensive Canadian volume on crime films that takes up cultural criminology’s call for more critical scholarly analyses of the interplay between crime, culture and society.

120 Days of Sodom
120 Days of Sodom

Author: Marquis de Sade

Publisher: Simon and Schuster

Published: 2013-02-18

Total Pages: 640

ISBN-13: 1625585985

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The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.

Screening Modern Irish Fiction and Drama
Screening Modern Irish Fiction and Drama

Author: R. Barton Palmer

Publisher: Springer

Published: 2016-12-01

Total Pages: 272

ISBN-13: 331940928X

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This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O’Flaherty, Christy Brown, Edna O’Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland’s literary and cinematic establishments.

100 American Horror Films
100 American Horror Films

Author: Barry Keith Grant

Publisher: Bloomsbury Publishing

Published: 2022-03-24

Total Pages: 225

ISBN-13: 1839021446

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"[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and minor studios, examples of the different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody, as well as the different types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.