The first book designed specifically for men with erectile dysfunction to learn skills and techniques to rejuvenate their sex lives with women. In addition, the guide includes material on the psychology of setting up satisfying sexual experiences for both man and woman. Also includes ssential information on the art of oral sex, crystal clear descriptions of the female anatomy and how to use sex toys.
Lust and horror, two of the strongest feelings humans can experience, are combined in this anthology from Blood Bound Books. 21 short stories of pleasure and pain, divided by nothing more than a thin gray line. And the only thing more terrifying than the taboo kinks themselves, is the fact that maybe you can actually relate. Perhaps you'll see a bit of yourself within these pages. What's your pleasure, and how far would you go to achieve your steamy scream? "Many of the stories here are well-written and explore just about any major kink you could think of. I consider myself a fairly progressive fellow but at times I found myself raising a brow at what I had encountered. Make no mistake: that's very much a compliment. If you're into erotic horror or enjoy literature that pushes boundaries, you should add Steamy Screams to your personal library." - Matthew Politi of HorrorNews
After wandering into an alluring Halloween party that is said to go down in history, Quinn finds herself captivated by three masked men. As she immerses herself in a night of both pleasure and pain, she finally has the opportunity to bring her darkest fantasies to life. Or death. This is a Dark Romance/Suspense, RH Novella. Scream For Us contains mature and graphic content that is not suitable for all audiences. TRIGGER WARNINGS include: graphic sexually explicit scenes, physical assault, attempted sexual assault, violence, mentions of self harm/bullying, breath play/choking, knife play, fire play, blood/gore, voyeurism, mask kink, praise/degradation kink, and murder.
Scaederin Infiltration depicts the tail end of multiple conspiracies spanning an eighteen year period and how seemingly insignifi cant events are determing factors for the fate of three diff erent cultures. Th e secrets kept the lies told to protect the larger agendas. Th is book tells of love and confl ict at many levels, the reawakening of the spirit. Th e civil rights of two diff erent species are under the knife. A majority of the known galaxy under control by these Scaedreins while the other remaining galactic super powers sit with their hands tied unable to do anything at the moment. Th e story is intitially centerd around the fi rst three main characters whose exploits get them tangled in this web of deceit, betrayal, and cultural revolution. A twisting plot that grows while the characters move through corridors, tunnels, caves, and jungles. Th e questions of where, how, when and why the events are taking place depicted by other primary characters in the political world of the story; the Scaedrein Captain; the lead directors; the Jid commander and Tyagnoome. Th e mid way point is defi ned by a spear head off ensive designed to engage the enemy at three diff erent locations; but is it designed to fail? A connecting signifi cance to a larger piece of this story based deeply on the beliefs of others, but of the stories Ive read none have ever left me guessing as much as this book and I wrote it. Th is story is told by unheard voices sailing across the kintetic web of creation then decpicted by those who choose to listen, I am Puppet the pen is my master.
In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.
“For too long we have been encouraged to see culture as an affair of intellect, and reading as a solitary exercise. But the truth is different: literature and art are pathways of feeling, and our encounter with them is social, inscribing us in a larger community.... Through art we discover that we are not alone.” So writes the esteemed Brown University professor Arnold Weinstein in this brilliant, radical exploration of Western literature. In the tradition of Harold Bloom and Jacques Barzun, Weinstein guides us through great works of art, to reveal how literature constitutes nothing less than a feast for the heart. Our encounter with literature and art can be a unique form of human connection, an entry into the storehouse of feeling. Writing about works by Sophocles, Shakespeare, Dickens, Charlotte Brontë, Munch, Proust, O’Neill, Burroughs, DeLillo, Tony Kushner, Toni Morrison, and others, Weinstein explores how writers and artists give us a vision of what human life is really all about. Reading is an affair of the heart as well as of the mind, deepening our sense of the fundamental forces and emotions that govern our lives, including fear, pain, illness, loss, depression, death, and love. Provocative, beautifully written, essential, A Scream Goes Through the House traces the human cry that echoes in literature through the ages, demonstrating how intense feelings are heard and shared. With intellectual insight and emotional acumen, Weinstein reveals how the scream that resounds through the house of literature, history, the body, and the family shows us who we really are and joins us together in a vast and timeless community.
THE APOCALYPSE DE-CLASSIFIED CASE FILE WAS GATHERED BY THE APOCALYPSE RESISTANCE COUNTERINTELLIGENCE RECOUNTING THE COMING APOCALYPSE RECOUNTING PERSONAL NARRATIVE ACCOUNTINGS RECOUNTING THE APOCALYPSE CODEX KNOWN ONLY BY THE APOCALYPSE RESISTANCE REWRITING THE APOCALYPSE CODEX WRITTEN OUT IN 66 APOCALYPSE SCROLLS DISPLAYED INSIDE THE APOCALYPSE MUSEUM WHERE THE 66 APOCALYPSE SCROLLS ARE RE-WRITTEN BY THE APOCALYPSE RESISTANCE RE-WRITING HISTORY STORIES ALREADY WRITTEN BEFORE THE APOCALYPSE CODEX IS WRITTEN INTO STONE.
Is love best when it is fresh? For many, the answer is a resounding “yes.” The intense experiences that characterize new love are impossible to replicate, leading to wistful reflection and even a repeated pursuit of such ecstatic beginnings. Aaron Ben-Ze’ev takes these experiences seriously, but he’s also here to remind us of the benefits of profound love—an emotion that can only develop with time. In The Arc of Love, he provides an in-depth, philosophical account of the experiences that arise in early, intense love—sexual passion, novelty, change—as well as the benefits of cultivating long-term, profound love—stability, development, calmness. Ben-Ze’ev analyzes the core of emotions many experience in early love and the challenges they encounter, and he offers pointers for weathering these challenges. Deploying the rigorous analysis of a philosopher, but writing clearly and in an often humorous style with an eye to lived experience, he takes on topics like compromise, commitment, polyamory, choosing a partner, online dating, and when to say “I love you.” Ultimately, Ben-Ze’ev assures us, while love is indeed best when fresh, if we tend to it carefully, it can become more delicious and nourishing even as time marches on.
