Scratchin' and Survivin'

Scratchin' and Survivin'

Author: Adrien Sebro

Publisher: Rutgers University Press

Published: 2023-11-10

Total Pages: 203

ISBN-13: 1978834853

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The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin’ and Survivin’ discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.


You Still Ghetto

You Still Ghetto

Author: Bertice Berry, Ph.D.

Publisher: St. Martin's Griffin

Published: 2013-08-13

Total Pages: 56

ISBN-13: 1466851651

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Still confused about what ghetto is...and what ghetto ain't? You know you're still ghetto if: -You're looking for a brother or sister who will pay your rent -You think you had a great workout because you shouted in church -You always eat before you go to a dinner party because "you never know what them people go" -You know what H.I.B. stands for (Hair I Bought) -You live on an island but you can't swim -You fish in the city Remember: Ghetto is not where you live. Ghetto is not about income or social status. Ghetto is a state of mind.


The Sitcoms of Norman Lear

The Sitcoms of Norman Lear

Author: Sean Campbell

Publisher: McFarland

Published: 2014-12-24

Total Pages: 209

ISBN-13: 1476602557

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Archie Bunker, George Jefferson, Maude--the television sitcom world of the 1970s was peopled by the creations of Norman Lear. Beginning in 1971 with the premier of All in the Family, Lear's work gave sitcoms a new face and a new style. No longer were families perfect and lives in order. Mostly blue-collar workers and their families, Lear's characters argued, struggled, uttered sometimes shocking opinions and had no problem contributing to--or at least, acknowledging--the turmoil so shunned by 1960s television. Significantly, not only did Lear address difficult issues, but he did so through successful programming. Week after week, Americans tuned in to see the family adventures of the Bunkers, the Jeffersons, and Sanford and Son. With a thorough analysis of his sitcoms, this volume explores Norman Lear's memorable production career during the 1970s. It emphasizes how Lear's shows reflected the political and cultural milieu, and how they addressed societal issues including racism, child abuse and gun control. The casting, production and behind-the-screen difficulties of All in the Family, Sanford & Son, Maude, Good Times, The Jeffersons and One Day at a Time are discussed. Each show is examined from inception through series finale. Interviews with some of the actors and actresses such as Rue McClanahan of Maude and Marla Gibbs from The Jeffersons are included.


Watching While Black Rebooted!

Watching While Black Rebooted!

Author: Beretta E. Smith-Shomade

Publisher: Rutgers University Press

Published: 2023-11-10

Total Pages: 259

ISBN-13: 1978830041

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Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means in an expanded U.S. televisual landscape. In this updated edition, media scholars return to television and digital spaces to think anew about what engages and captures Black audiences and users and why it matters. Contributors traverse programs and platforms to wrestle with a changing television industry that has exploded and included Black audiences as a new and central target of its visioning. The book illuminates history, care, monetization, and affect. Within these frames, the chapters run the gamut from transmediation, regional relevance, and superhuman visioning to historical traumas and progress, queer possibilities, and how televisual programming can make viewers feel Black. Mostly, the work tackles what the future looks like now for a changing televisual industry, Black media makers, and Black audiences. Chapters rethink such historically significant programs as Roots and Underground, such seemingly innocuous programs as Soul Food, and such contemporary and culturally complicated programs as Being Mary Jane and Atlanta. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black Rebooted sheds much-needed light on under examined demographics, broadens common audience considerations, and gives deference to the preferences of audiences and producers of Black-targeted programming.


There Goes My Social Life

There Goes My Social Life

Author: Stacey Dash

Publisher: Simon and Schuster

Published: 2016-06-06

Total Pages: 155

ISBN-13: 1621574318

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Stacey Dash didn't have the ideal American childhood. Growing up in the South Bronx, her friends were the hustlers, hookers, and gang members who struggled in the face of futility, who sold drugs instead of living on food stamps, who settled matters with fists, knives, and guns because it seemed their only option, who stood tall against broken dreams. Dash's rough upbringing shaped the rest of her life—her relationships, her politics, even her faith. She has seen how conservative and liberal policies play out in the real world, and her experiences have made her the proud conservative she is today. That's why Stacey Dash, a Fox News contributor and Hollywood actress best known for starring in the 1995 classic Clueless, is now telling her story. Amidst all the heated racial rhetoric and the divisive language that flows from T.V., the Internet, self-appointed black spokespeople, and even President Obama, Dash feels compelled to speak out and say something true about race, politics, and America.


Work and Labor in American Popular Culture

Work and Labor in American Popular Culture

Author: Jason Russell

Publisher: Taylor & Francis

Published: 2024-04-05

Total Pages: 66

ISBN-13: 1040042279

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Crisis and decline in the working class were frequent themes in American popular culture during the 1970s. In contrast, more positive narratives about America’s managerial and professional class appeared during the 1980s. Focusing on these two key decades, this book explores how portrayals of social class and associated work and labor issues including gender and race appeared in specific films, television shows, and music. Comparing and contrasting how forms of popular media portrayed both unionized and non-unionized workers, the book discusses how workers’ perceptions of themselves were in turn shaped by messages conveyed through media. The book opens with an introduction which outlines the historical context of the immediate post-war period and the heightened social, political, and economic tension of the Cold War era. Three substantial chapters then explore film, television, and music in turn, looking at key works including Star Wars, Coming Home, 9 to 5, Good Times, The Mary Tyler Moore Show, and the music of Bruce Springsteen and rap artists. Drawing on both primary and secondary sources, the book is principally situated within wider labor and working-class history research, and the relatively new history of capitalism historical sub-field. This book is vital reading for anyone interested in issues around labor and work in the media, labor history, and popular culture history during two key decades in modern American history.


Colored Television (A GMA Book Club Pick)

Colored Television (A GMA Book Club Pick)

Author: Danzy Senna

Publisher: Penguin

Published: 2024-09-03

Total Pages: 289

ISBN-13: 0593544374

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A GOOD MORNING AMERICA BOOK CLUB PICK “A laugh-out-loud cultural comedy… This is the New Great American Novel, and Danzy Senna has set the standard.” –LA Times “Funny, foxy and fleet…The jokes are good, the punches land, the dialogue is tart.” –Dwight Garner, The New York Times A brilliant take on love and ambition, failure and reinvention, and the racial-identity-industrial complex from the bestselling author of Caucasia Jane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel—a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” Finally, some semblance of stability and success seems to be within her grasp. But things don’t work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane—until they go terribly wrong. Funny, piercing, and page turning, Colored Television is Senna’s most on-the-pulse, ambitious, and rewarding novel yet.


The Privileged Poor

The Privileged Poor

Author: Anthony Abraham Jack

Publisher: Harvard University Press

Published: 2019-03-01

Total Pages: 289

ISBN-13: 0674239660

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An NPR Favorite Book of the Year “Breaks new ground on social and educational questions of great import.” —Washington Post “An essential work, humane and candid, that challenges and expands our understanding of the lives of contemporary college students.” —Paul Tough, author of Helping Children Succeed “Eye-opening...Brings home the pain and reality of on-campus poverty and puts the blame squarely on elite institutions.” —Washington Post “Jack’s investigation redirects attention from the matter of access to the matter of inclusion...His book challenges universities to support the diversity they indulge in advertising.” —New Yorker The Ivy League looks different than it used to. College presidents and deans of admission have opened their doors—and their coffers—to support a more diverse student body. But is it enough just to admit these students? In this bracing exposé, Anthony Jack shows that many students’ struggles continue long after they’ve settled in their dorms. Admission, they quickly learn, is not the same as acceptance. This powerfully argued book documents how university policies and campus culture can exacerbate preexisting inequalities and reveals why some students are harder hit than others.