There is an extraordinary range of material in this anthology, from Lincoln’s Gettysburg address to a contemporary account of a visit from the Ku Klux Klan. The primary sources reproduced are both visual and written, and the secondary materials present a remarkable breadth and quality of relevant scholarship. Contains an extensive selection of writings and illustrations on the American Civil War Reflects society and culture as well as the politics and key battles of the Civil War Reproduces and links primary and secondary sources to encourage exploration of the material Includes editorial introductions and study questions to aid understanding
This book provides historians and genealogists with a one-stop guide to every Civil War–related manuscript collection stored in Georgia’s many repositories. With this guide in hand, researchers will no longer spend countless hours pouring through online catalogs, emailing archivists, and wondering if they have exhausted every lead in their pursuit of firsthand information about the war and the experiences of those who lived through and were impacted by it. In assembling the first state-specific bibliography to be compiled since the Indiana and Illinois bibliographies were assembled for the Civil War Centennial in the 1960s, David Slay has expanded the scope of this survey to include works relating to women, African Americans, and social history, as well as the letters and diaries of soldiers who fought in the war, reflecting society’s evolving understanding and interest in this defining period of American life. In addition, this compilation is not confined to material produced from 1861 to 1865, but also includes collections spanning the lives of prominent Civil War figures, making it an invaluable source for biographers. Organized by institution, Georgia Civil War Manuscript Collections has many time-saving features, all designed to increase efficiency of research. Each collection description contains the title and catalog number used in the holding institution. Where possible, collection descriptions have been improved upon, providing the researcher with information beyond what is listed in the holding institution’s card catalog and finding aid. It also cross-references duplicate collections that are held in two or more institutions as microfilm or photocopies. Simply put, Georgia Civil War Manuscript Collections takes the mystery out of Civil War research in Georgia.
The Centennial decade was an era of ambivalence, the United States still unresolved about the incomprehensible damage it had wrought over four years of Civil War, and why. Philadelphia’s 1876 Centennial Exhibition -- a spectacular international event celebrating one hundred years of American strength, unity, and freedom -- took place in the immediate wake of this trauma of war and the failures of Reconstruction as a means to restore power and patriotism in the nation’s struggle to rebuild itself. The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. This careful consideration of the visual record exposes the complexities of the war’s impact on Americans and clarifies how the Centennial art exhibition affected a nation still finding its direction at a critical moment in its history.
Although Scarlett O'Hara's is a fictional character developed by a skilful author, there were some real Southern women who truly possessed legendary strengths. One such woman is Mary Sullivan, a 19th century woman with an iron will, persuasive Southern charm, and motives that were selfless in contrast to Scarlett's entirely selfish ones. Sullivan deserves recognition for her contribution to the South and to all of American society as the role of women changed dramatically in the 19th and 20th centuries.. In 1860, Sullivan was a strikingly beautiful, twenty-four-year-old woman, endowed with allure and social graces born of her prominent Virginia lineage and rich Southern culture. A benevolent agent for the needs of children and a supporter of education for underprivileged youth in Appalachia, Sullivan was a committed humanitarian throughout her life. Sullivan lived two different kinds of life in one lifetime. Her adult life was spent in New York City during a period of American history unsurpassed for violence and change, but Sullivan's daring exploits in Virginia during the Civil War and her efforts on behalf of Southern Reconstruction are fascinating stories that show the passionate personality of a determined woman. Sullivan's greatest, though least acknowledged, gift to human kind is her legacy to Appalachia that has extensive regional significance - one hundred years of helping young adults with few financial resources receive scholarship money to complete their education.
The legislative attack on public sector unionism that gave rise to the uproar in Wisconsin and other union strongholds in 2011 was not just a reaction to the contemporary economic difficulties faced by the government. Rather, it was the result of a longstanding political and ideological hostility to the very idea of trade unionism put forward by a conservative movement whose roots go as far back as the Haymarket Riot of 1886. The controversy in Madison and other state capitals reveals that labor's status and power has always been at the core of American conservatism, today as well as a century ago. The Right and Labor in America explores the multifaceted history and range of conservative hostility toward unionism, opening the door to a fascinating set of individuals, movements, and institutions that help explain why, in much of the popular imagination, union leaders are always "bosses" and trade union organizers are nothing short of "thugs." The contributors to this volume explore conservative thought about unions, in particular the ideological impulses, rhetorical strategies, and political efforts that conservatives have deployed to challenge unions as a force in U.S. economic and political life over the century. Among the many contemporary books on American parties, personalities, and elections that try to explain why political disputes are so divisive, this collection of original and innovative essays is essential reading.
In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.