The '60s--the music, the clothes, the political and sexual idealism, the experimentation with drugs, the hunger for peace, creativity, and sharing--were a watershed in the way America sees itself. Hippie culture was at the very zenith of that watershed, and Taos was its beating heart, a Mecca that beckoned young pilgrims from all over the country. Iris Keltz was one of those pilgrims who came to Taos in the '60s. She stayed to become a folk historian of the tribe.
This book explains how, and why, hippies, Quakers, Black Panthers, movie stars, housewives, and labor unions, to name a few, supported Indian demands for greater political power and separate cultural existence in the modern United States.
Kopecky's journals take us back to the beginnings of New Buffalo, one of the most successful of the communes that dotted the country in the 1960s and 1970s, where he and his comrades encountered magic, wisdom, a mix of people, the Peyote Church, planting, and hard winters.
VOLUME TWOThe second in a series of books which reflect the art and People of Northern New Mexico, la Puerta, Taos Vol. 2 is a full color collection which depicts the varied and writers of this famous "art colony" town--past and present. This volume features photo portraits from "The 100 Taosenos Project" by Jaap Vanderplas, images from award winning Taos photographer Megan Bowers, and photo/art by Gail Russell. Stories by internationally acclaimed Tewa "cool" guy Robert Mirabal, John Nichols and Barbara Waters, poetry from the infamous Taos Poetry Circus veterans including Amalio Maduena, Bill Nevins and nila northSun.
Gathers columns from the Chicano newspaper "El Grito del Norte," where the author's fierce but hopeful voice of protest combined anger and humor to stir her fellow Chicanos to action as she drew upon her own experiences as a Chicana.
Part of the “Longman Topics” reader series, The Counterculture Reader provides a fascinating look at American culture in the 60's . This brief collection of readings presents an engaging and informed overview of the counterculture movement, challenging students to understand “what happened and why.” Brief apparatus helps students read and write more thoughtfully about the idea of counterculture and think critically about its effects on contemporary culture. “Longman Topics” are brief, attractive readers on a single complex, but compelling, topic. Featuring about 30 full-length selections, these volumes are generally half the size and half the cost of standard composition readers.
Between 1970 and 1974 ten million Americans abandoned the city, and the commercialism, and all the inauthentic bourgeois comforts of the Eisenhower-era America of their parents. Instead, they went back to the land. It was the only time in modern history that urbanization has gone into reverse. Kate Daloz follows the dreams and ideals of a small group of back-to-the-landers to tell the story of a nationwide movement and moment. And she shows how the faltering, hopeful, but impractical impulses of that first generation sowed the seeds for the organic farming movement and the transformation of American agriculture and food tastes. In the Myrtle Hill commune and neighboring Entropy Acres, high-minded ideas of communal living and shared decision-making crash headlong into the realities of brutal Northern weather and the colossal inconvenience of having no plumbing or electricity. Nature, it turns out, is not always a generous or provident host--frosts are hard, snowfalls smother roads, and small wood fires do not heat imperfectly insulated geodesic domes. Group living turns out to be harder than expected too. Being free to do what you want and set your own rules leads to some unexpected limitations: once the group starts growing a little marijuana they can no longer call on the protection of the law, especially against a rogue member of a nearby community. For some of the group, the lifestyle is truly a saving grace; they credit it with their survival. For others, it is a prison sentence. We Are As Gods (the first line of the Whole Earth Catalog, the movement’s bible) is a poignant rediscovery of a seminal moment in American culture, whose influence far outlasted the communities that took to the hills and woods in the late '60s and '70s and remains present in every farmer’s market, every store selling Stonyfield products, or Keen shoes, or Patagonia sportswear.
