The forty-five tunes in this collection represent the vast repertoire of traditional Scottish fiddle music dating back to the 1700s.There is a long history of music shared between fiddle, bagpipe and song. Included are laments, airs, marches, strathspeys, reels and jigs. the music has been edited and arranged for viola along with guitar chords if desired for accompaniment. the tunes are presented in sets of three or four for solo performance.
As part of the Mel Bay Encyclopedia Series, the purpose of this book is to offer fiddlers direct access to the gems of the genre. Composers represented in this volume span a three hundred year period including works by: Patrick MacDonald, Adam Craig, Capt. Charles Duff, Simon Fraser, Robert and Joseph Lowe, Robert MacIntosh, William Marshall, and J. Scott Skinner. Ms. Rideout's original compositions are also included. the tunes are listed in order by key signature to enable the fiddler to put sets together for performance, competition or session playing. This book contains extra marches and strathspeys unique to Scottish fiddling. the end of the book is dedicated to solo numbers consisting of piobaireachd (pibroch) and slow airs. the Scottish Fiddle Encyclopedia is an essential tune book for musicians interested in developing a deeper appreciation for genuine traditional Scottish fiddle music.
This collection contains twenty-four pieces from 18th and 19th century Scotland. Included are airs and dance tunes originally for voice or fiddle. These duet arrangements are perfect for student and teacher as well as viola colleagues. the music is presented in sets of two or three tunes ready for performance. the traditional music of Scotland has unique and beautiful qualities and is fun to play.
This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs, reels, hornpipes, slip jigs, strathspeys, waltzes and airs. the harmonies are written so that various combinations from solo instrument with piano, to duets and trios, to full string quartet/orchestra are possible. the viola book includes melody (solo) viola, viola harmony, third violin, and full score including violin, viola and cello parts with piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin, Viola and Cello/Bass) are written as ensemble books, so they can be played as solo books or together as ensemble.
The twenty-five pieces in this collection date back to 18th and 19th century Scotland. Included are song and fiddle airs, strathspeys, reels, jigs, a hornpipe and the sword dance. the pieces are arranged for viola and cello with guitar chords. Since the viola generally has the melody, the pieces can also be played by solo viola. the music of Scotland is unique. the airs have their own special beauty, and the dances are fun to play with lively tempos, dotted rhythms, and sudden key changes. This music has been the pleasure of country fiddler and pipers. Now violists and cellists, and their listeners, can feel themselves transported to the Lowlands and Highlands of Scotland.Twenty-five pieces dating back to 18th and 19th century Scotland.Includes song and fiddle airs, strathspeys, reels, jigs, a hornpipe and the sword dance.Since the viola generally has the melody, the pieces can also be played by solo viola, and guitar chords are included.The airs have a special beauty and the dances are fun to play, with lively tempos, dotted rhythms, and sudden key changes.
This meticulously researched anthology presents detailed biographies and transcriptions, including bowing, ornamentation, and accentuation of 39 fiddle tunes as played by 25 Newfoundland fiddlers from locations throughout the island. For unparalleled authenticity, the author’s live field recordings of each tune are available online, offering a unique perspective of the various types of tunes and techniques favoured by past and present Newfoundland fiddlers. Newfoundland, a former British colony, possesses a rich and varied cultural heritage due to its history of unique settlement patterns. Beginning in the 16th century, European migrants from Ireland, Scotland, West-Country England, and France settled on the island, bringing with them their various cultural practices, including their fiddles! This collection provides insight to the backgrounds, geographical locations, and musical preferences of the individual players, and how music-making and the role and status of Newfoundland fiddlers have evolved over time. The tunes included here vary from original compositions and revival collectors’ treasures, to reinterpreted versions of timeless Irish, Scottish, and French tunes. Together, they form a part of the modern-day Newfoundland fiddling tradition. This book will delight fiddle players and any musician who wishes to further enhance their repertoire and technique, or simply learn more about the island of Newfoundland and its music. Includes access to online audio.
This book presents the most widely played fiddle tunes in easy-to-read arrangements for viola. The viola edition features the same tunes in the same keys as the author’s original The Fiddlin’ Workshop and The Fiddlin' Workshop for Cello, so all three instruments could conceivably jam together. Designed for beginning through intermediate players, the arrangements progress in difficulty with each tune. A few tunes are presented in both easier and more challenging versions. In addition to helpful hints on fingerings and bowing, this collection contains suggested guitar accompaniment chords and a bit of fiddlin’ history and related folklore. Includes access to an excellent online audio recording of the book’s tunes and variations.
New from the Philharmonic series, this collection is an absolutely perfect way to introduce Celtic fiddling to your youngest string players! Eleven tunes from the Celtic fiddling tradition are presented first in a simplified, very easy "Basic" version of the tune printed with note names in the note heads. The tune is also presented in an "Advanced," but still accessible version of the tune. Lyrics are included where applicable.
This collection contains twenty-four pieces from 18th and 19th century Scotland. Included are airs and dance tunes originally for voice or fiddle. These duet arrangements are perfect for student and teacher as well as violin colleagues. the music is presented in sets of two or three tunes ready for performance. the traditional music of Scotland has unique and beautiful qualities and is fun to play.
