'A Scotsman's Odyssey' is a riveting account of four decades of sea adventures and exploration, written so vividly you can feel the salt spray in your face.Ian's maritime chronicle has something for everyone. His love of sailing has taken him to out-of-the-way places ranging from the sub-arctic Faroes Islands to the remote Barrier Reef islands in tropical Australia. 'A Scotsman's Odyssey' is a book as much about voyaging in the imagination as on the waves. It inspires cruising yachtsmen and yachtswomen to sail beyond their native shores, young readers to seize opportunities to sail on Ocean Youth Trust voyages, armchair sailors to journey to northern Europe and ancient Venetian ports in Greece and Croatia. Nature lovers will enjoy Ian's encounters with basking sharks, dolphins, killer and humpbacked whales, and even salt-water crocodiles.
Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism.
Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folksingers.” Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets. Please see the listing for the print edition to view the table of contents for this title.
The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.” Building on the work of The Handbook of Texas Music that was published in 2003 and in partnership with the Texas Music Office and the Center for Texas Music History (Texas State University-San Marcos), The Handbook of Texas Music, Second Edition, offers completely updated entries and features new and expanded coverage of the musicians, ensembles, dance halls, festivals, businesses, orchestras, organizations, and genres that have helped define the state’s musical legacy. · More than 850 articles, including almost 400 new entries· 255 images, including more than 170 new photos, sheet music art, and posters that lavishly illustrate the text· Appendix with a stage name listing for musicians Supported by an outstanding team of music advisors from across the state, The Handbook of Texas Music, Second Edition, furnishes new articles on the music festivals, museums, and halls of fame in Texas, as well as the many honky-tonks, concert halls, and clubs big and small, that invite readers to explore their own musical journeys. Scholarship on many of the state’s pioneering groups and the recording industry and professionals who helped produce and promote their music provides fresh insight into the history of Texas music and its influence far beyond the state’s borders. Celebrate the musical tapestry of Texas from A to Z!
Focusing on Scotland, this collection draws together the three main strands of Anne Crowther's academic research - welfare, medicine and legal history - and reflects the range of her historical scholarship. Based on original research, the essays in this book examine important developments in key Scottish institutions, question enduring myths about the nature of Scottish legal and medical practice, and explore the intersections between medicine, the law and public policy.
What did early Scottish gardens look like? How did these gardens relate to the house and how did passing time affect their development? Where did the plant stock come from: herbs, shrubs, annuals and perennials, from the thistle to the rose? Did the gardens match the richly embellished interiors of Scots aristocrats and merchants, particularly after the Reformation? Evocative and tantalising remains of 'missing gardens' such as earthworks, stone walls, doocots, date stones, terracing, traceries of paths, sundials, a few ancient yews, and gardens themselves - Culross, Edzell, Pitmedden, Kinross -fire the imagination as Sheila Mackay guides the reader on a personal tour of the 16th, 17th and 18th-century gardens of Scotland.Contrary to popular belief within British garden history, designed landscapes have played a vital role in the lives of aspiring Scots from the 16th century, with paintings from the time depicting elaborate gardens to match houses and interiors that reflected status, wealth and a sense of self-esteem. In her exploration of these gardens - from Arthur's Seat in 1500 to The Hermitage in 1750 - Sheila Mackay reveals the dramatic developments that occurred during this period.This is a history peopled with the characters of the time, and includes extracts from songs, poems, and paintings of gardens throughout the period. Imaginative reconstructions of gardens for the people of the time - a 16th-century garden for the calligrapher Esther Inglis and a 17th-century landscape for the portrait painter George Jamesone - and the creative re-design of the ground of the Pleasaunce at Edzell Castle in light of contemporary European developments enhance the sense of the inspired designs of the time.An evocative picture is painted of these gardens and it is hoped that this will inspire the reader to make their own distinctive maps and undertake their own explorations of the gardens of Scotland.Key Features:*Illustrated with over 90 photograph
Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.
This book provides an appealing and informative overview of the outstanding landforms and landscapes of Scotland. Scotland is internationally renowned for the diversity of its geology, landforms and landscapes. The rock record spans most of geological time, from the Archaean to the Palaeogene, and represents the outcome of tectonic plate movements, associated geological processes, and sea-level and climate changes. Scotland incorporates primeval gneiss landscapes, the deeply eroded roots of the Caledonian mountain chain, landscapes of extensional tectonics and rifting, and eroded remnants of volcanic complexes that were active when the North Atlantic Ocean opened during the Palaeogene. The present relief reflects uplift and deep weathering during the Cenozoic, strongly modified during successive episodes of Pleistocene glaciation. This striking geodiversity is captured in this book through 29 chapters devoted to the evolution of Scotland’s scenery and locations of outstanding geomorphological significance, including ancient palaeosurfaces, landscapes of glacial erosion and deposition, evidence of postglacial landscape modification by landslides, rivers and wind, and coastal geomorphology. Dedicated chapters focus on Ice Age Scotland and the associated landscapes, which range from alpine-type mountains and areas of selective glacial erosion to ice-moulded and drift-covered lowlands, and incorporate accounts of internationally renowned sites such as the ‘Parallel Roads’ of Glen Roy, the Cairngorm Mountains and the inselbergs of Assynt. Other chapters consider the record of postglacial rock-slope failures, such as the famous landslides of Trotternish on Skye, and the record of fluvial changes since deglaciation. The sea-level history of Scotland is addressed in terms of its raised and submerged shorelines, while several chapters discuss the contrasting coastal landscapes, which range from the spectacular sea cliffs of Shetland and Orkney to the beaches and dunes of eastern Scotland. The role of geoconservation in preserving Scotland’s outstanding geomorphological heritage is outlined in the final chapter. The book offers an up-to-date and richly illustrated reference guide for geomorphologists, other Earth scientists, geographers, conservationists, and all those interested in geology, physical geography, geomorphology, geotourism, geoheritage and environmental protection.
An authoritative survey of Scottish social and political history from 1707 to the present day. This fourth edition brings the story and historiography of Scottish society and politics up to date.
