Commissioned to paint a vast canvas celebrating the triumphant Battle of Lepanto, the free-spirited Galactia creates instead a breathtaking scene of war-torn carnage. In her fierce determination to stay true to herself, she alienates the authorities and faces incarceration. Her younger lover Carpeta is approached to take over and seizes the assignment for himself. Howard Barker's Scenes from an Execution makes sixteenth-century Venice the setting for a fearless exploration of sexual politics and the timeless tension between personal ambition and moral responsibility, between the patron's demands and the artist's autonomy. Art is opinion, and opinion is the source of all authority. This edition includes a new essay by Howard Barker, entitled The Sunless Garden of the Unconsolled: Some Destinations Beyond Catastrophe
This House explores Westminster and the 1974 hung parliament through a combination of dialogue, comedy and political comment; and historical and contemporary concerns.
Manet and the Execution of Emperor Maximillian ISBN 0-87070-423-0 / 978-0-87070-423-9 Paperback, 7.5 x 9.25 in. / 120 pgs / 35 color and 45 b&w. / U.S. $29.95 CDN $36.00 November / Nonfiction and Criticism
Howard Barker, author of over thirty plays, has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays include The Castle, Scenes from an Execution and The Possibilities. All of his plays are emotionally highly charged, intellectually stimulating and far removed from the theatrical conventions of what he terms 'the Establishment Theatre'. These fragments, essays, thoughts and poems on the nature of theatre likewise reject the constraints of 'objective' academic theatre criticism. They explore the collision (and collusion) of intellect and artistry in the creative act. This book is more than a collection of essays: it is a cultural manifesto for Barker's own 'Theatre of Catastrophe'.
A riveting, artfully written memoir of a lawyer's life as he races to prevent death row inmates from being executed. Near the beginning of The Autobiography of an Execution, David Dow lays his cards on the table. "People think that because I am against the death penalty and don't think people should be executed, that I forgive those people for what they did. Well, it isn't my place to forgive people, and if it were, I probably wouldn't. I'm a judgmental and not very forgiving guy. Just ask my wife." It this spellbinding true crime narrative, Dow takes us inside of prisons, inside the complicated minds of judges, inside execution-administration chambers, into the lives of death row inmates (some shown to be innocent, others not) and even into his own home--where the toll of working on these gnarled and difficult cases is perhaps inevitably paid. He sheds insight onto unexpected phenomena-- how even religious lawyer and justices can evince deep rooted support for putting criminals to death-- and makes palpable the suspense that clings to every word and action when human lives hang in the balance.
Visited by a high-powered attorney who has initiated a clemency petition on her behalf and who is also the mother of her victim, death-row inmate Noa is slowly persuaded to share the events surrounding the murder in spite of her reluctance to reveal the whole story or have her life extended.
This volume focuses on a feature of executions that was unique to Renaissance Italy: the presence in prisons and on scaffolds of laymen, gathered in confraternities called "conforterie," who worked with prisoners to prepare them spiritually and psychologically for execution. The book includes both primary sources and a series of essays that expand on the theatrical, artistic, theological, musical, and historical contexts of comforting.
NATIONAL BESTSELLER • WINNER OF THE 2023 EDGAR AWARD FOR BEST NOVEL • NEW YORK TIMES BEST CRIME NOVEL OF THE YEAR “Defiantly populated with living women . . . beautifully drawn, dense with detail and specificity . . . Notes on an Execution is nuanced, ambitious and compelling.” —Katie Kitamura, NEW YORK TIMES BOOK REVIEW (Editors' Choice) "A searing portrait of the complicated women caught in the orbit of a serial killer. . . . Compassionate and thought-provoking." –BRIT BENNETT, #1 New York Times bestselling author of The Vanishing Half Recommended by New York Times Book Review • Los Angeles Times • Washington Post • Entertainment Weekly • Esquire • Good Housekeeping • USA Today • Buzzfeed • Goodreads • Real Simple • Marie Claire • Rolling Stone • Business Insider • Bustle • PopSugar • The Millions • The Guardian • and many more! In the tradition of Long Bright River and The Mars Room, a gripping and atmospheric work of literary suspense that deconstructs the story of a serial killer on death row, told primarily through the eyes of the women in his life—from the bestselling author of Girl in Snow. Ansel Packer is scheduled to die in twelve hours. He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake. Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men. "Poetic and mesmerizing . . . Powerful, important, intensely human, and filled with a unique examination of tragedy, one where the reader is left with a curious emotion: hope." —USA TODAY “A profound and staggering experience of empathy that challenges us to confront what it means to be human in our darkest moments. . . . I relished every page of this brilliant and gripping masterpiece."—ASHLEY AUDRAIN, New York Times bestselling author of The Push
Seminar paper from the year 2015 in the subject Cultural Studies - Miscellaneous, grade: 3,0, University of Rostock, language: English, abstract: In the late 1980s and the 1990s, the time Stephen King was working on his serial novels and movie 'The Green Mile', the newspapers reported of many execution errors comparable to Kemmler's execution. Stephen King was presumably concerned by these horrible incidents so that these reports may have influenced his writing. The thought that this movie was made to enlighten and arouse the public, raises the question in which way these three executions in the movie resemble to authentic executions that took place over the years in the United States of America. To respond to this question this paper will give a summary of the movie 'The Green Mile' followed by descriptions of the three execution scenes. In the last part the three executions will be compared to real executions that took place in the USA and are discussed with regard to how accurate they are to reality. The thought of executing a person through electricity has its origin in the late 19th century. During that time technology developed very fast and people were fascinated by electricity. However, installing electrical items like street lights caused many fatal accidents. The number of deaths increased rapidly in the 1880s. Apparently the victims died within seconds without physical pain and visible marks of external forces on the bodies. Soon people thought that power generators might be useful for executions. David Hill, Governor of New York, engaged a three-member committee to proof if electricity is suitable for executions. After three years of research the result was that electrocutions caused a painless and instant death. It was seen as the most human and practical method to enforce the death penalty. The first electric chair was built in New York in 1888 (DPIC). Only two years later William Kemmler was the first person who got executed by electrocution in th
