Davis (author, lecturer and theater critic) revisits the legendary talents and the often outrageous impresarios who brought them to Broadway. Beginning with Florenz Ziegfelds's Follies of 1907, he tells how other producers were soon drawn to the revue and how its zaniness and spectacle became funhouse mirrors to the Jazz Age itself. The revues' madness and extravagance were replaced with social satire and political comment in the following decades and, finally, were dimmed by the advent of television. The book contains many bandw photographs. Annotation copyrighted by Book News Inc., Portland, OR
Selected from the two most recent proceedings of the Cooperstown Symposium on Baseball and American Culture (2019 and 2021), this collection of essays explores subject matter centered both inside and beyond the ballpark. Fifteen contributors offer critical commentary on a range of topics, including controversial decisions on the field and in Hall of Fame elections; baseball's historical role as a rite of passage for boys; two worthy catchers who never received their due; the genesis and development of the minor leagues; and baseball's place in popular culture.
This volume is another example in the Routledge tradition of producing high-quality reference works on theater, music, and the arts. An A to Z encyclopedia of Broadway, this volume includes tons of information, including producers, writer, composers, lyricists, set designers, theaters, performers, and landmarks in its sweep.
"As the circus of the Blagojevich saga unfolded, Natasha Korecki was right at the center.... It was a seriocomedy suited to her enterprise and imagination, and she’s the one to write the book." —Roger Ebert "Natasha Korecki's chronicle of the Blagojevich saga was a cutting-edge lesson in how to blend old-fashioned reporting with new media." —Richard Roeper Chicago, Illinois, and America at large were captivated by the arrest, trial, and general public embarrassment of Illinois governor Rod Blagojevich. Only in Chicago is derived from the best of award-winning Chicago Sun-Times reporter Natasha Korecki's work on the Blagojevich scandal, weaving together years of reporting and never-before published details into one straightforward, fast-paced narrative. From the infamous audiotapes to Blagojevich's strange public relations campaign, this is one of the most bizarre true political tales ever told. Beyond the slew of backroom dealmakers who were sucked into the Blagojevich imbroglio, President Barack Obama himself--while never accused of any wrongdoing--was also interviewed by federal prosecutors. Now-mayor Rahm Emanuel's discussions with Blagojevich are included as well. The political figure who became most entangled with the scandal, however, was Congressman Jesse Jackson Jr., who is accused of offering Blagojevich $6 million for Obama's vacated Senate seat through an intermediary.
This handbook is the first to provide a systematic investigation of the various roles of producers in commercial and not-for-profit musical theatre. Featuring fifty-one essays written by international specialists in the field, it offers new insights into the world of musical theatre, its creation and its promotion. Key areas of investigation include the lives and works of producers whose work is part of a US and worldwide musical theatre legacy, as well as the largely critically-neglected role of the musical theatre producer in the making, marketing, and performance of musicals. Also explored are the shifting roles of producers in musical theatre and their popular portrayals, offering a reader-friendly collection for fans, scholars, students, and practitioners of musical theatre alike.
John Lahr’s stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr’s masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM’s classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm’s length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the construction—and destruction—of the performer, Notes on a Cowardly Lion is more than one man’s quest to understand his father; it is an extraordinary examination of a life in American show business.
