The saxophone is arguably the most iconic of all instruments, but with its graceful form and soulful tone it's easy to forget that it's still a machine. It's a complicated machine, too, and even a slight fault in the mechanism can affect the way it feels and plays. This innovative manual explains clearly and simply how the mechanism functions and what can be done to maintain it, as well as to improve its performance with professional set-up techniques, with few or no specialist tools. This manual is essential reading for everyone who plays the saxophone.
For beginner saxophone players. Takes you from beginner to professional level in all styles & techniques as well as teaching music theory and improvisation in an interesting and practical way. Each new technique is introduced individually and then consolidated with complete solos or pieces.
According to Larry Teal, the best method of learning to play the saxophone is to study with a competent teacher. Teal's studies were mostly of instruments other than the saxophone, but as a student at a Chautauqua summer session, he came under the influence of Georges Barrère, the eminent French flutist. He played bass clarinet with the Detroit Symphony, but he continued to be absorbed by the saxophone. As a result of his acquired expertise and growing reputation, he was appointed to a full-time faculty position as a saxophone teacher by the University of Michigan -- the first ever to receive such an appointment from a major university. During his 21-year tenure, he attracted students from all over, thus exerting an ever widening influence on saxophone teaching and performing.
Featuring step-by-step instructions and extensive color photography, explains how the instrument works, how its mechanism functions and what can be done to maintain it and improve its performance by using professional set-up techniques with few or no specialist tools. Packed with advice, tips and tweaks, this manual is essential reading for everyone who plays the clarinet.
For beginner rock saxophone players. Covers a variety of classic sounds, rhythms and techniques essential to Rock playing. Also contains lessons on transposing, playing in all keys and improvisation.
Teachers and students of the saxophone will become better instructors and players as a result of following A Practical Guide for Teaching the Saxophone to Beginners. A storehouse of valuable information, gleaned from professional study and over thirty years of teaching, this book has been endorsed by one of the world’s foremost teachers and performers of the saxophone, Dr. Frederick L. Hemke. Written with future teachers in mind, this book describes the many facets of the technical side of playing the saxophone, guiding teachers and players of the saxophone to good tone quality and proper technique so that the beautiful capacity of this instrument can be shared with everyone who listens. Intended for students in a university woodwind techniques class, band directors, and saxophonists or musicians from any background who find themselves teaching the saxophone, this guide should also be helpful to anyone who plays the saxophone, at any level or in any style; the points addressed are universal to the instrument. Covering areas such as, proper embouchure formation and how to approach tonguing to achieve various articulations, the book also discusses such topics as reed selection and adjustment, understanding and controlling the innate tuning tendencies and mastering the upper and lower registers. It also covers common problems arising with the mechanism and how to perform repairs, as well as proper routine care and maintenance. The book details dealing with the saxophone in a school band setting, as well as doing remedial work with experienced players and teaching the ever-growing adult student market. A Practical Guide for Teaching the Saxophone to Beginners is comprehensive in addressing all major areas of learning the saxophone. Written by someone with such high music credentials and experience, and appropriate for both saxophone students and teachers, it should be a required reading for any woodwind techniques class in a university music program, and in the library of every student of the saxophone.
