How was the post-modernist project contested, subverted and assimilated in India? This book offers a personal account and an intellectual history of its reception and response. Tracing independent India’s engagement with Western critical theory, Paranjape outlines both its past and ‘post’. The book explores the discursive trajectories of post-modernism, post-colonialism, post-Marxism, post-nationalism, post-feminism, post-secularism — the relations that mediate them — as well as interprets, in the light of these discussions, core tenets of Indian philosophical thought. Paranjape argues that India’s response to the modernist project is neither submission, willing or reluctant, nor repudiation, intentional or forced; rather India’s ‘modernity’ is ‘unauthorized’, different, subversive, alter-native and alter-modern. The book makes the case for a new integrative hermeneutics, the idea of the indigenous ‘critical vernacular’, and presents a radical shift in the understanding of svaraj (beyond decolonisation and nationalism) to express transformations at both personal and political levels. A key intervention in Indian critical theory, this volume will interest researchers and scholars of literature, philosophy, political theory, culture studies and postcolonial studies.
Recent decades have seen the rise of a global beauty boom, with profound effects on perceptions of bodies worldwide. Against this background, Beauty and the Norm assembles ethnographic and conceptual approaches from a variety of disciplines and across the globe to debate standardization in bodily appearance. Its contributions range from empirical research to exploratory conversations between scholars and personal reflections. Bridging hitherto separate debates in critical beauty studies, cultural anthropology, sociology, the history of science, disability studies, gender studies, and critical race studies, this volume reflects upon the gendered, classed, and racialized body, normative regimes of representation, and the global beauty economy.
Examines the political worldview of courtly and royal women in India during the late colonial and post-Independence period. This book offers a history of the zenana, which served as the 'women's courts' or 'female quarters of the palace', where women lived behind pardah in seclusion.
In recent years, philosophical debate of the concept of beauty has seen a remarkable renaissance. The twelve essays presented in this book provide a broad basis for a thorough reassessment of the European traditions of beauty in the arts (fine arts, performing arts, media arts) and in literature and film, not as a return to some distant, and allegedly ideal past, but as a constructive means of realising the potential of the arts for the 21st century.
Anyone who knows India is aware of its sophisticated aesthetic philosophy and equally rich history of making everyday things beautiful. Yet, most Indians, and travellers to India, have also experienced the great contrast between its ingrained beauty and its contemporary ugliness. Towards Ananda examines the many reasons for such a paradox, with particular focus on the visual arts. Unlike most books on Indian art and aesthetics which emphasize the ‘glorious past’ of the classical traditions, this one is centred on the present and the future—on contemporary art and its place in the emerging global art world. The author explores ancient theories of aesthetics in the light of contemporary challenges, and journeys across the country to distil the complex forces which have shaped Indian aesthetics. He also gives us an overview of Western ideologies and art movements, and their conflict with Eastern perspectives. In the course of the narrative, the author illustrates the application of the aesthetic values of balance, rhythm, harmony and proportionality in art—as also in economics, development strategies, health, education, city planning, architecture, and product design. Though the primary focus is India, the issues discussed, of purpose and practice, content and context, market forces and institutions, extend to all societies that are becoming homogenized by globalization. A book that engages the reader both intellectually and emotionally, Towards Ananda is a seamless chain of ideas about the production and consumption of art in modern times. As an insider’s view of the art world, it offers valuable insights into how artists see, think and work. And since art can never be separate from the experience of reality, it is also a provocative commentary on the state and society that we are a part of.
About the Author Raffaele Torella is Professor of Sanskrit at University of Rome “Sapienza”, where he has also taught for long Indian Philosophy and Religion, and Indology. Dr. Bettina Bäumer, Indologist from Austria and Professor of Religious Studies (Visiting Professor at several universities), living and working in Varanasi since 1967, is the author and editor of a number of books and over 50 research articles. Her main fields of research are non-dualistic Kashmir Śaivism, Indian aesthetics, temple architecture and religious traditions of Odisha, and comparative mysticism. She has been Coordinator of the Indira Gandhi National Centre for the Arts, Varanasi, and Fellow, Indian Institute of Advanced Study, Shimla. She has translated important Sanskrit texts into German and English. Dr. Bettina Bäumer, Indologist from Austria and Professor of Religious Studies (Visiting Professor at several universities), living and working in Varanasi since 1967, is the author and editor of a number of books and over 50 research articles. Her main fields of research are non-dualistic Kashmir Śaivism, Indian aesthetics, temple architecture and religious traditions of Odisha, and comparative mysticism. She has been Coordinator of the Indira Gandhi National Centre for the Arts, Varanasi, and Fellow, Indian Institute of Advanced Study, Shimla. She has translated important Sanskrit texts into German and English. About the Book The book, which partly derives from the papers offered at the first International Seminar on Utpaladeva (IIAS, Shimla 2013), is the first ever attempt at presenting a comprehensive portrait of one of the most important philosophers of premodern India, so far mainly taken into account as a mere predecessor of the great Abhinavagupta. Recent studies by R. Torella and others have shown the central importance of Utpaladeva in the elaboration of the Pratyabhijñā philosophy, and reduced the role of Abhinavagupta to that of his brilliant commentator. The contributors to the present volume have shown the multifarious aspects of Utpaladeva, not only an outstanding metaphysician and epistemologist, engaged in a strenuous critical dialogue above all with the Buddhist logicians, but also one of the most extraordinary mystical poets of India. For the first time his contribution to poetics and aesthetics has been duly highlighted. The book contains two appendices with the critical edition and translation by R. Torella of fragments from Utpaladeva’s long commentary (Vivr̥ti) on his Īśvarapratyabhijñā-kārikā and Vr̥tti, one of the most important works of Indian philosophy as a whole, so far deemed to be totally lost. This book should generate great interest among scholars of Sanskrit and philosophy for its uniqueness and should serve the curiosity of each and every scholarly reader of Kashmir Śaivism.
This comprehensive Gandhi reader provides an essential new reference for scholars and students of his life and thought. It is the only text available that presents Gandhi's own writings, including excerpts from three of his books--An Autobiography: The Story of My Experiments with Truth, Satyagraha in South Africa, Hind Swaraj (Indian Home Rule)-a major pamphlet, Constructive Programme: Its Meaning and Place, and many journal articles and letters along with a biographical sketch of his life in historical context and recent essays by highly regarded scholars. The writers of these essays--hailing from the United States, Canada, Great Britain and India, with academic credentials in several different disciplines--examine his nonviolent campaigns, his development of programs to unify India, and his impact on the world in the second half of the twentieth century and the beginning of the twenty-first. Gandhi's Experiments with Truth provides an unparalleled range of scholarly material and perspectives on this enduring philosopher, peace activist, and spiritual guide.
Spirituality played a key role in the construction of Indian modernity. While science has certainly been an agent of modernization in India and other non-Western countries, what makes Indian modernity somewhat special is that spiritual leaders have also been instrumental in the process. Moreover, leading Indian scientists and spiritualists have recognized the immense potential for dialogue between the two disciplines. Post-colonial India, with its ready access to a holistic spirituality and significant achievements in science and technology, is a fertile site for such a dialogue. Each of the book’s four sections addresses specific themes: (1) The tension not just between science and spirituality, but also between the East and West; (2) how some key figures in India became carriers of modern consciousness, and explored the relationship between science and spirituality in the very process of trying to reform their society; (3) significant areas of research in which science and spirituality are both deeply implicated; and (4) the relationship of both scientific and spiritual practice with gender and social justice.
What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.
The narrators in this volume include a Navy veteran turned computer programmer analyst, a dutiful housewife bored by her humdrum life, a young schoolboy eager to learn yoga and a purposeless college graduate with an unhealthy lifestyle.
