In a unique collection of essays that covers the expanse of the Arab popular protest movements, this volume offers spirited contributions that elucidate the remarkable variation and context behind the fourth estate's engagement with these mass protests.
Using the same musical sense of language she applies to her translations, Nancy Naomi Carlson masterfully interprets herself in An Infusion of Violets. The sometimes erotic, sometimes melancholy landscapes she creates as the self-appointed sitar's "ragged throat, pitched / between here and when, / caught in quartertones," take our breath away. Carlson describes an interior world where tears can produce "so much salt a body floats away," where "music tuned to loss descends with rain," and where hope is placed in the "kill-cure." Here we encounter Carlson's ex-husbands and luminaries such as Rachmaninoff and Monet, among others. Filled with striking images and sensuous language, An Infusion of Violets is an evocative mix of formal and free-verse poems.
Quinn looks for his missing dog Barley in Central Europe, while Barley looks for Quinn. Friendly strangers help the two along the way, as they encounter strange creatures, troublesome squirrels, and wondrous landscapes. In takes a journey through half a dozen countries for the two friends to find the true meaning of home.
Few of us have had the opportunity to visit Djibouti, the small crook of a country strategically located in the Horn of Africa, which makes The Nomads, My Brothers, Go Out to Drink from the Big Dipper all the more seductive. In his first collection of poetry, the critically acclaimed writer Abdourahman A. Waberi writes passionately about his country's landscape, drawing for us pictures of "desert furrows of fire" and a "yellow chameleon sky." Waberi's poems take us to unexpected spaces--in exile, in the muezzin's call, and where morning dew is "sucked up by the eye of the sun--black often, pink from time to time." Translated by Nancy Naomi Carlson, Waberi's voice is intelligent, at times ironic, and always appealing. His poems strongly condemn the civil wars that have plagued East Africa and advocate tolerance and peace. In this compact volume, such ideas live side by side as a rosary for the treasures of Timbuktu, destroyed by Islamic extremists, and a poem dedicated to Edmond Jabès, the Jewish writer and poet born in Cairo. "With Waberi, the juxtapositions--surprising, provocative, and original--form a good part of the thrill themselves."--Words Without Borders
Cargo Hold of Stars is an ode to the forgotten voyage of a forgotten people. Khal Torabully gives voice to the millions of indentured men and women, mostly from India and China, who were brought to Mauritius between 1849 and 1923. Many were transported overseas to other European colonies. Kept in close quarters in the ship's cargo hold, many died. Most never returned home. With Cargo Hold of Stars, Torabully introduces the concept of 'Coolitude' in a way that echoes Aimé Césaire's term 'Negritude, ' imbuing the term with dignity and pride, as well as a strong and resilient cultural identity and language. Stating that ordinary language was not equipped to bring to life the diverse voices of indenture, Torabully has developed a 'poetics of Coolitude' a new French, peppered with Mauritian Creole, wordplay, and neologisms--and always musical. The humor in these linguistic acrobatics serves to underscore the violence in which his poems are steeped. Deftly translated from the French by Nancy Naomi Carlson, Cargo Hold of Stars is the song of an uprooting, of the destruction and the reconstruction of the indentured laborer's identity. But it also celebrates setting down roots, as it conjures an ideal homeland of fraternity and reconciliation in which bodies, memories, stories, and languages mingle--a compelling odyssey that ultimately defines the essence of humankind.
The poems in this new volume by Abdourahman A. Waberi are introspective and inquisitive, reflecting a deep spiritual bond--with words, with the history of Islam and its great poets, with the landscapes those poets walked, among which Waberi grew up. The sage yearns here for the simplicity of each individual moment to somehow become eternal, for the histories and people that are part of him--his mother, his wife, his unborn child, the sacred texts that ground his being--to come together harmoniously within him, and to emerge through his words. Lyrical and personal, but with powerful historical and cultural resonances, these poems are the work of a master at the height of his powers.
Winner of the 2002 Robert Phillips Poetry Chapbook Prize. Offering up sensuous language, which is sometimes memorably formal and always musical, Nancy Naomi Carlson manages an eerie, provocative blend of poems about the different bodies of love a woman may inhabit. When she writes in Sari-Covered Nights that My five mouths roll their uvulas, / guttural as high winds crossing desert dunes, she speaks not only of the multiple lives we must recognize in ourselves, but also of the poet's need and obligation to render many possibilities at once. --Stephen Corey.