"One of the most beautiful regions of the California coast, Santa Barbara also has one of America’s most affluent and stylish demographics. Possessing the most summery, mild, seductive climate in the country, Santa Barbara has been an elegant and chic style destination since the turn of the last century, when wealthy East Coast families wintered there. The first book to take readers inside the mansions and estates of Santa Barbara today, Santa Barbara Living features the houses and gardens that make Santa Barbara a rarified version of the American Dream"--From the publisher.
The architectural identity of the wealthy southern California town Santa Barbara is explored with emphasis on the architects who designed its major buildings, estates and historic homes. 200 illustrations.
An exclusive look at the exquisite residential gardens of the American Riviera. Private Gardens of Santa Barbara is an invitation into eighteen distinctive private, and beautiful gardens; large estates, modest homes, and surf retreats run the gamut from sublime and naturalistic to bold and urban. What they have in common, however, is what makes them truly inspiring. Showcased through 190 stunning images in more than 250 pages in this elegant coffee table book format, each beautiful landscape represents a widely varied garden style developed in response to the unique character of each site, the architecture, and the larger environment; and adapted to the lifestyle, personality, and practical needs of the individuals and families who live there. In a career that spans over 30 years, Margie Grace, principal of Grace Design Associates, has established herself as an expert in sustainable landscape design and advocate for environmentally sensitive gardens. These gardens offer endless inspiration for sustainable home garden design, created with water-smart, maintenance-smart, and fire-smart priorities in mind, with high habitat value and plants well adapted to the Southern California climate of Santa Barbara.
Following a devastating earthquake in 1925 that destroyed most of Santa Barbara’s significant buildings, the city became the first in the country to have a controlled building plan that encouraged a unified style using elements of Spanish colonial architecture. With airy broad patios, thick adobe walls, and warm-colored tile roofs, Californian architecture is beautifully distinctive. The product of many architects, it combines the harmony and color of Spanish colonial style with some of the best of American architecture. It is inspired by the play of sunshine on light surfaces as well as the contrast of deep shadows. Here, where gardens are so much a part of the house, the homes have become part of the garden. In 1929, H. Philip Staats presented 231 photos and plans of the rebuilt Santa Barbara: its public and commercial buildings, homes, interiors, and gardens. This book contains that collection, and is meant to serve as an inspiration for those planning and decorating in the Hispanic styles.
Diana Markosian's Santa Barbara brings together staged scenes, film stills, and family pictures in an innovative and compelling hybrid of personal and documentary storytelling. In 1996, following the collapse of the Soviet Union, Markosian's mother, Svetlana, placed a classified ad in a Los Angeles newspaper: "I want to see America, and meet a kind man who can show me the country," she wrote. One man who responded was from Santa Barbara, California, and their correspondence led to Svetlana becoming a mail-order bride, fleeing her increasingly dreary prospects in post-Soviet Moscow with seven-year-old Markosian and her older brother in tow. This book is a retelling of the family's first years in the US, imagined as an episode from the soap opera Santa Barbara--the first American show allowed on Russian television in the 1990s. For many families, including Markosian's, this soap opera symbolized the opportunities of America and the West; for her project, Markosian wrote a script in collaboration with one of the original Santa Barbara writers and hired actors to reenact moments from her personal history. A major exhibition of this work, including a three-channel film presentation, will open at Rencontres d'Arles in July 2020, in advance of a fall 2020 exhibition at the San Francisco Museum of Modern Art.
A “brilliant and fascinating” (Eben Alexander, MD, author of Proof of Heaven) exploration—rich with powerful personal stories and convincing research—of the many ways the living can and do accompany the dying on their journey into the afterlife. In 2000, end-of-life therapist William Peters was volunteering at the Zen Hospice Project in San Francisco when he had an extraordinary experience as he was reading aloud to a patient: he suddenly felt himself floating midair, completely out of his body. The patient, who was also aloft, looked at him and smiled. The next moment, Peters felt himself return to his body…but his patient never regained consciousness and died. Perplexed and stunned by what had happened, Peters began searching for other people who’d shared similar experiences. He would spend the next twenty years gathering and meticulously categorizing their stories to identify key patterns and features of what is now known as the “shared crossing” experience. The similarities, which cut across continents and cultures and include awe-inspiring visual and sensory effects, and powerful emotional aftershocks. The book is filled with “moving and tender” (Jack Kornfield, PhD, author of A Path with Heart) tales of spouses seeing their loved ones reach the other side after decades together and bereaved parents who share their children’s entry into the afterlife. Applying rigorous research, Peters digs into the effects of these shared crossing experiences impart—liberation at the sight of a loved one finding joy, a sense of reconciliation if the relationship was fraught—and explores questions like: What can explain these shared death experiences? How can we increase our likelihood of having one? What do these experiences tell us about what lies beyond? And, most importantly, how can they help take away the string of death and better prepare us for our own final moments? How can we have both a better life and a better death?
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
A vibrantly illustrated exploration of the creative, inclusive, and inspiring movement happening in today’s Southern interior design The American South is a place steeped in history and tradition. We think of sweet tea, thick drawls, and even thicker summer air. It is also a place with a fraught history, complicated social norms, and dated perspectives. Yet among the makers and artists of the South, there is a powerful movement afoot. Alyssa Rosenheck shines a much-needed spotlight on a burgeoning community of people who are taking what’s beloved, inherent, and honored in the South and making it their own. The New Southern Style tours more than 30 homes and includes interviews with the designers, artists, and creative entrepreneurs who are reinventing Southern design and culture. This beautifully illustrated book is sure to inspire the home and soul.
"A comprehensive, thoroughly researched, and deeply felt guide to one of the world's most beautiful and varied regions. Santa Barbara and the neighboring counties of San Luis Obispo and Ventura comprise a transitional zone where the plants and animals of Northern California mix with those of the south, creating diverse and dynamic habitats. Lucid explications of the geological and ecological forces that continue to shape and reshape the area are interspersed with personal accounts, as the author delights in the salty breath of a two-hundred-ton whale near the Channel Islands, the antics of beach hoppers along the shoreline, the explosion of wildflowers on the Carrizo Plain, memories of exploring the chaparral with her father, excursions into oak woodlands, and hikes to lofty peaks and canyons cloaked with pinyon pine and juniper. Enhanced with ample, specially commissioned photographs, maps, and charts, this book will broaden our understanding and deepen our enjoyment of a unique and constantly surprising region."--Back cover.
