Karuna is an unusual book that unites scientific and spiritual knowledge, and presents a novel literary technique – Meditagination – through which the readers meditate while reading and imagining. This technique assists in the internal adjustments that re-establish the flow of life. Presented herein are 38 meditaginations focused on matters concerned with human development, such as: recovering from sexual abuse, exploring past lives, developing healthier relationships, self-compassion and addictions, abundance as a natural flow, self-exorcism, ascension of the kundalini, the power of language, and affinity with money. All the meditaginations work as a unique portal for the renovation of the heart, the integration of the mind, and help promote a blissful experience on this planet. This is a must-have book for anyone who wants to reshape their inner and outer worlds.
Narrating a Psychology of Resistance analyzes first-hand testimony from the Movimiento Autónomo de Mujeres in Nicaragua - a coordinated mobilization of women that has weathered unremitting power differentials characterized by patriarchy and capitalism - to examine the psychology of resistance in order to revolutionize societies who have suffered under brutal regimes.
This book is based on principles of positive psychology (e.g., virtues and character strengths) and linguistics (e.g., seven types of semantics and inferential linguistics). With these foundations, the authors have created a scientifically structured framework for children's literature. Give free rein to the imagination of your children, grandchildren, nephews, godchildren and other children, including the one that still lives inside you! Immerse yourself in a world of adventure, kindness, love, and valuable life lessons with this enchanting collection of 10 tales. It’s the perfect book to create positive moments at bedtime or any other time of the day! Guided by the positive characteristics of animals, each tale is a delightful journey that encourages the expression of virtues and positive character strengths, as well as creativity and humanity! With their colorful illustrations and enchanting tales, this book will also captivate adults and encourage them to express the best of the child that still lives within them! Let yourself be enchanted!
The revolutionary movements that emerged frequently in Latin America over the past century promoted goals that included overturning dictatorships, confronting economic inequalities, and creating what Cuban revolutionary hero Che Guevara called the "new man." But, in fact, many of the "new men" who participated in these movements were not men. Thousands of them were women. This book aims to show why a full understanding of revolutions needs to take account of gender. Karen Kampwirth writes here about the women who joined the revolutionary movements in Nicaragua, El Salvador, and the Mexican state of Chiapas, about how they became guerrillas, and how that experience changed their lives. In the last chapter she compares what happened in these countries with Cuba in the 1950s, where few women participated in the guerrilla struggle. Drawing on more than two hundred interviews, Kampwirth examines the political, structural, ideological, and personal factors that allowed many women to escape from the constraints of their traditional roles and led some to participate in guerrilla activities. Her emphasis on the experiences of revolutionaries adds a new dimension to the study of revolution, which has focused mainly on explaining how states are overthrown.
The internationally acclaimed author of The House on Mango Street and winner of the PEN/Nabokov Award for Achievement in International Literature gives us a deeply moving tale of loss, grief, and healing: a lyrically told, richly illustrated fable for grown-ups about a woman’s search for a cat who goes missing in the wake of her mother’s death. The word “orphan” might not seem to apply to a fifty-three-year-old woman. Yet this is exactly how Sandra feels as she finds herself motherless, alone like “a glove left behind at the bus station.” What just might save her is her search for someone else gone missing: Marie, the black-and-white cat of her friend, Roz, who ran off the day they arrived from Tacoma. As Sandra and Roz scour the streets of San Antonio, posting flyers and asking everywhere, “Have you seen Marie?” the pursuit of this one small creature takes on unexpected urgency and meaning. With full-color illustrations that bring this transformative quest to vivid life, Have You Seen Marie? showcases a beloved author’s storytelling magic, in a tale that reminds us how love, even when it goes astray, does not stay lost forever.
This illustrated exhibition catalogue includes the work of nine photographers and video artists who are on the cutting edge of the Cuban art scene: Tania Bruguera, Raúl Cordero, Carlos Garaicoa, Luis Gómez, Ernesto Leal, Elsa Mora, René Peña, Manuel Piña, and Sandra Ramos. Although their images reflect very specific experiences, this specificity infuses their work with universal relevance, dramatizing how art can, through images that are both poetic and provocative, address universal issues of personal identity, dislocation, and place. Also included are essays by guest curator Helaine Posner and art critic Eugenio Valdés Figueron that examine each of the featured artist's works.
As an operative for Mitchell Security, Colt has spent much of his adult life being someone else. Presently, he's undercover as a bartender at a strip club to prove that its owner is part of a sex-trafficking ring. On his way home late one night, someone tries to kill him. Only Sax Lowe's fast actions save him -- which would be well and good, if Colt and Mitchell didn't suspect the whole thing was a set-up engineered by Sax as a way to insert himself into Colt's life. Sax is a freelance photographer who often uses his job as a cover while working for the FBI. If he hadn't been following Colt, as part of his present assignment, he wouldn't have been around to save his life. A fortuitous event as it gave him a reason to stop by the bar the Bureau suspected was the center of a sex-trafficking ring. Things escalate when Colt has a chance to obtain the final proof he needs to bring down the club's owner and the man's cohorts. When Colt and Sax's paths collide, again, the result is a surprise to both of them. Even more surprising, once the dust clears, is Sax's suggestion they work off their tensions in bed. Things don't go quite as planned, however ... But then, that's often the case for men whose jobs require them to be someone other than themselves.
The debate between divine action, or faith, and natural selection, or science, is garnering tremendous interest. This book ventures well beyond the usual, contrasting American Protestant and atheistic points of view, and also includes the perspectives of Jews, Muslims, and Roman Catholics. It contains arguments from the various proponents of intelligent design, creationism, and Darwinism, and also covers the sensitive issue of how to incorporate evolution into the secondary school biology curriculum. Comprising contributions from prominent, award-winning authors, the book also contains dialogs following each chapter to provide extra stimulus to the readers and a full picture of this ?hot? topic, which delves into the fundamentals of science and religion.
Picturing Cuba explores the evolution of Cuban visual art and its links to cubanía, or Cuban cultural identity. Featuring artwork from the Spanish colonial, republican, and postrevolutionary periods of Cuban history, as well as the contemporary diaspora, these richly illustrated essays trace the creation of Cuban art through shifting political, social, and cultural circumstances. Contributors examine colonial-era lithographs of Cuba’s landscape, architecture, people, and customs that portrayed the island as an exotic, tropical location. They show how the avant-garde painters of the vanguardia, or Havana School, wrestled with the significance of the island’s African and indigenous roots, and they also highlight subversive photography that depicts the harsh realities of life after the Cuban Revolution. They explore art created by the first generation of postrevolutionary exiles, which reflects a new identity—lo cubanoamericano, Cuban-Americanness—and expresses the sense of displacement experienced by Cubans who resettled in another country. A concluding chapter evaluates contemporary attitudes toward collecting and exhibiting post-revolutionary Cuban art in the United States. Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island’s people, culture, and history. Contributors: Anelys Alvarez | Lynnette M. F. Bosch | María A. Cabrera Arús | Iliana Cepero | Ramón Cernuda | Emilio Cueto | Carol Damian | Victor Deupi | Jorge Duany | Alison Fraunhar | Andrea O’Reilly Herrera | Jean-François Lejeune | Abigail McEwen | Ricardo Pau-Llosa | E. Carmen Ramos
The story of the women's movement in Nicaragua is a fascinating tale of resistance, strategy, and faith. From its birth in 1977 under the Somoza dictatorship through the Sandinista revolution to the fall of the Chamorro government, the Nicaraguan women's movement has navigated revolutionary upheaval, profound changes in government, and rapidly shifting definitions of women's roles in society. Through it all, the movement has surged, regressed, and persevered, entering the twenty-first century a powerful and influential force, stretching from the grassroots to the national level.How did women in an economically underdeveloped Central American country, with little history of organizing, feminism, or democracy, succeed in creating networks, organizations, and campaigns that carved out a gender identity and challenged dominant ideologies (both revolutionary and conservative)? In Still Fighting, Katherine Isbester seeks to understand. She analyzes the complex and rich case of Nicaragua in order to learn more about the dynamics of social movements in general and women's organizing in particular. Social movement theory offers Isbester an analytic tool to explain the extraordinary evolution of the Nicaraguan movement. She theorizes that a sustainable movement is composed of three elements: a focused goal, a mobilization of resources, and an identity. The lack of any one of these weakens a social movement. Isbester shows how this theory is borne out by the experience of the Nicaraguan women's movement over the past thirty years. She demonstrates, for example, how the revolutionary government of the 1980s co-opted the women's movement, crippling its ability to create an autonomous identity, choose it own goals, and mobilize resources independent of the state. Hence, it lost legitimacy, membership, and influence. She traces the movement's resurgence in the 1990s, the result of its redefinition as an autonomous movement organized around an identity of care. Still Fighting combines social theory with field research, leading a new wave of scholarship on women in Latin America. Isbester interviewed more than a hundred key participants in the women's movement, in addition to members of the National Assembly, male leaders of other social movements, and women outside the movement. In Nicaragua, she was witness to much political organizing, enabling her to reveal the organic intricacy, as well as the historical path, of a social movement. Still Fighting will be an important book for a broad range of students and professionals in the areas of social movements, social change, gender, politics, and Latin America.
