Renowned for their elaborate mating displays, sandhill cranes also use body language to announce intent, establish dominance, show arousal, preserve the nest territory and bond male and female pairs. This beautifully photographed reference guide - the result of years of field research by Christy and George Happ - provides a handy dictionary to the meanings of their complicated displays.
With Paul Johnsgard, we follow the annual migration of the sandhill cranes from the American Southwest to their Alaskan mating grounds and then home again. It is a flight unaltered in nearly ten million years. By presenting various cycles of the migration in four time periods from 1860 to 1980, Johnsgard, a prominent naturalist, is able toøshow how man's encroachments have imperiled the flocks. In each section there is interaction between a child and an adult brought about by some ritual event in the migration of the cranes. The story is enriched by the author's exquisite illustrations, by Zuni prayers, and by Eskimo and Pueblo legends.
A look at the natural history, biology, and conservation issues faced by cranes in North America, featuring beautiful photos. Accompanied by the stunning photography of Thomas D. Mangelsen, A Chorus of Cranes details the natural history, biology, and conservation issues surrounding the abundant sandhill crane and the endangered whooping crane in North America. Author Paul A. Johnsgard, one of the leading authorities on cranes and crane biology, describes the fascinating social behaviors, beautiful natural habitats, and grueling seasonal migrations that have stirred the hearts of people as far back as medieval times and garnered the crane a place in folklore and mythology across continents. Johnsgard has substantially updated and significantly expanded his 1991 work Crane Music, incorporating new information on the biology and status of these two North American cranes and providing abbreviated summaries on the other thirteen crane species of the world. The stories of these birds and their contrasting fates provide an instructive and moving history of bird conservation in North America. A Chorus of Cranes is a gorgeous and invaluable resource for crane enthusiasts, birders, natural historians, and conservationists alike. The University Press of Colorado gratefully acknowledges the generous support of the Iain Nicholson Audubon Center at Rowe Sanctuary, Audubon Nebraska, Ron and Judy Parks, Wagon Tongue Creek Farm, and the Trull Foundation toward the publication of this book. “In this glorious book, Paul Johnsgard and Tom Mangelsen have captured the very essence of these ancient birds—their beauty, grace of movement, and fascinating lives. It is a must for crane lovers, birders, and all who love the natural world.” —Jane Goodall “Johnsgard is the world’s leading synthesizer of our knowledge of birds and the presenter of such varied and complex information to both professional and lay audiences. He has made an enormous contribution to our planet . . . In his latest book, A Chorus of Cranes, the splendor of Johnsgard’s lyrical style is matched by incomparable images from one of the world’s best-known photographers, and fellow Nebraskan, Tom Mangelsen.” —George Archibald, Co-Founder and Senior Conservationist, International Crane Foundation
Before he becomes dinner for a stray cat, the orphaned chick Shadow gets rescued by members of the International Crane Foundation in Baraboo, Wisconsin. When the little crane heals, it's time for him to return to the wild. So Shadow comes to live with the Joneses. Every year Sandhill cranes nest and feed in the marsh out back of their dairy farm. Told in the voice of a young daughter in the Jones family, this true story will appeal to children and adults interested in learning more about Sandhill cranes, the work of the International Crane foundation, and farm life in Wisconsin. Shadow is based on a real rescue bird from the International Crane Foundation.
In a career defined by an allegiance to the truth, Charles Bowden's reporting continually unearthed the gritty realities behind high-profile hype, including the doomed War on Drugs. His daring expeditions to Ciudad Ju rez, which resulted in such books as his bestseller Murder City, left him with haunting images of ruthless drug lords and their prey. In Jericho, an unpublished work brought to light after Bowden's death in 2014, he captures the monumental corruption and addiction to power that fuel Mexico's drug cartels--and that have fueled much of humanity's suffering throughout the ages. Interspersed with scenes from the battle of the walled city of Jericho, which in Bowden's eyes is not a story of inspiring strength but of bloodthirsty plunder, the world of El Sicario ("the hitman") unfolds in brutal detail. Bucolic settings such as the Falcon International Reservoir become the site of an unsolved murder as Bowden examines why the high murder rate in Ju rez has yet to spill across the border. Yet, recalling his younger days in Louisiana and retracing the atrocities of racism in America, Bowden reveals a history where greed knows no borders, while undaunted voices (including his own) relentlessly expose its perpetrators.
From the New York Times bestselling author of The Genius of Birds, a radical investigation into the bird way of being, and the recent scientific research that is dramatically shifting our understanding of birds -- how they live and how they think. “There is the mammal way and there is the bird way.” But the bird way is much more than a unique pattern of brain wiring, and lately, scientists have taken a new look at bird behaviors they have, for years, dismissed as anomalies or mysteries –– What they are finding is upending the traditional view of how birds conduct their lives, how they communicate, forage, court, breed, survive. They are also revealing the remarkable intelligence underlying these activities, abilities we once considered uniquely our own: deception, manipulation, cheating, kidnapping, infanticide, but also ingenious communication between species, cooperation, collaboration, altruism, culture, and play. Some of these extraordinary behaviors are biological conundrums that seem to push the edges of, well, birdness: a mother bird that kills her own infant sons, and another that selflessly tends to the young of other birds as if they were her own; a bird that collaborates in an extraordinary way with one species—ours—but parasitizes another in gruesome fashion; birds that give gifts and birds that steal; birds that dance or drum, that paint their creations or paint themselves; birds that build walls of sound to keep out intruders and birds that summon playmates with a special call—and may hold the secret to our own penchant for playfulness and the evolution of laughter. Drawing on personal observations, the latest science, and her bird-related travel around the world, from the tropical rainforests of eastern Australia and the remote woodlands of northern Japan, to the rolling hills of lower Austria and the islands of Alaska’s Kachemak Bay, Jennifer Ackerman shows there is clearly no single bird way of being. In every respect, in plumage, form, song, flight, lifestyle, niche, and behavior, birds vary. It is what we love about them. As E.O Wilson once said, when you have seen one bird, you have not seen them all.
“A noted naturalist explores the centrality of home in the lives of humans and other animals . . . A special treat for readers of natural history” (Kirkus Reviews). Every year, many species make the journey from one place to another, following the same paths and ending up in the same places. Every year since boyhood, the acclaimed scientist and author Bernd Heinrich has done the same, returning to a beloved patch of western Maine woods. Which led him to wonder: What is the biology in humans of this primal pull toward a particular place, and how is it related to animal homing? In The Homing Instinct, Heinrich explores the fascinating mysteries of animal migration: how geese imprint true visual landscape memory; how scent trails are used by many creatures to locate their homes with pinpoint accuracy; and how even the tiniest of songbirds are equipped for solar and magnetic orienteering over vast distances. And he reminds us that to discount our human emotions toward home is to ignore biology itself. “A graceful blend of science and memoir . . . [Heinrich’s] ability to linger and simply be there for the moment when, for instance, an elderly spider descends from a silken strand to take the insect he offers her is the heart of his appeal.” —Julie Zickefoose, The Wall Street Journal “Deep and insightful writing.” —David Gessner, The Washington Post
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
"Delight in North America's most uniquely beautiful birds. Breathtaking photographs and engaging content portray the lives of these stately, striking, stealthy birds"--Back cover.
