Flamboyant hues and a bold mixed-media style make for a stunning visual tribute to the city of San Antonio. Quotes and captions accompany over 80 full-color reproductions of paintings by W.B. Thompson, depicting the old Catholic missions, cobblestone lined Paseo del Rio, and the Governor's Palace, labeled "the most beautiful building in San Antonio" by "National Geographic."
San Antonio is in the national spotlight as one of the fastest growing and most dynamic emerging major cities in America. Yet local lore has it that every Texan has two hometowns—his own and San Antonio. The Alamo City's charm, colorful surroundings, and diverse cultures combine to make it one of the most interesting places in Texas and the nation. In San Antonio Uncovered, Mark Rybczyk examines some of the city's internationally known legends and lore (including ghost stories) and takes a nostalgic look at landmarks that have disappeared. He also introduces some of the city’s characters and unusual features, debunks local myths, and corrects common misconceptions. Rybczyk embraces San Antonio's peculiarities by chronicling the cross-country journey of the World’s Largest Boots to their home in front of North Star Mall; the origins of the Frito corn chip and chewing gum; the annual Cornyation of King Anchovy; and Dwight Eisenhower's stint as the football coach at St Mary’s University. This completely updated, new edition of San Antonio Uncovered highlights San Antonio as a modern, thriving city with the feel of a small town that sees beauty in the old and fights to save it, even something as seemingly insignificant as an old Humble Oil Station; and its diverse inhabitants as those who appreciate the blending of the old and the new at the Tobin Center and fight to save what’s left of the Hot Wells Hotel.
The COVID-19 pandemic has disproportionately affected communities of color while highlighting the prevalence of structural racism in the United States. This crucial collection of essays, written by leading scholars from the fields of communications, political science, health, philosophy, and geography, explores the manifold ways in which the COVID-19 pandemic has impacted upon Black, Latinx, and Indigenous communities and the way we see race relations in the United States. The COVID-19 pandemic has exposed the significance of U.S. health inequalities, which the World Health Organization defines as "avoidable [and] unfair." It has also highlighted structural racism, specifically, institutions, practices, values, customs, and policies that differentially allocate resources and opportunities so as to increase inequity among racial groups. Navarro and Hernandez therefore argue that the COVID-19 pandemic has unleashed a race war in America that has further marginalized communities of color by limiting access to resources by different racial and ethnic minorities, particularly women within these communities. Moreover, the systemic policies of the past that upheld or failed to address the unequal social conditions affecting Blacks, Latinxs, and other minorities have now been magnified with COVID-19. The volume concludes by offering recommendations to prevent future humanitarian crises from exacerbating racial divisions and having a disproportionate impact upon ethnic minorities. This timely volume will be of great interest to those interested in the study of race and the social impacts of the COVID-19 pandemic in the United States.
In its exhilarating rebound into three dimensions, color is asserting itself with a forcefulness not seen since the 1960s. The sculptures in Chromaform: Color in Sculpture are not merely colored but are of and about color as much as they are about materials and space, the more traditional concerns of sculptors. Whether applied, stained, cast, or found, color plays an essential role in all this work, which cares as much for the decorative and sexual as it does for the formal potential of color. Sculpture in the 1990s, as the artists seen here make evident, embraces the perceptual union of color and form. Addressing the formal, conceptual, and metaphorical functions of color in sculpture, the works in this book reveal diverse results, limitless possibilities, and a shift toward a more interdisciplinary art.
Over a period of some twenty years, Mexican-born artisan Dionicio Rodríguez created imaginative sculptures of reinforced concrete that imitated the natural forms and textures of trees and rocks. He worked in eight different states from 1924 through the early 1950s but spent much of his early career in San Antonio, where several of his creations have become beloved landmarks. More than a dozen of Rodríguez’s works have been included on the National Register of Historic Places. Patsy Pittman Light has spent a decade documenting the trabajo rústico (“rustic work”) of Rodríguez, along with its antecedents in Europe and Mexico, and the subsequent work of those Rodríguez trained in San Antonio. Rodríguez’s unique and unusual art will fascinate those new to it and delight those to whom it is familiar. San Antonio sites such as the bus stop on Broadway, the faux bois bridge in Brackenridge Park, and the “rocks” on the Miraflores Gate at the San Antonio Museum of Art, along with the Old Mill at T. R. Pugh Memorial Park in North Little Rock and Memorial Park Cemetery in Memphis, are just a few of the locations covered in this volume celebrating the life and work of a Latino artisan. Students and devotees of Texas and Southwestern art will welcome this book and its long-overdue appreciation of this artist. Additionally, this book will commend itself to those interested in Latino studies, art history, and folklore.
By the same artists that brought you the national best seller "Ocean Animal Patterns," also from Blue Star! This adult coloring book has 30 cosmic patterns, featuring whimsical, imaginative renditions of heavenly bodies, extraterrestrial life forms and space odysseys on soaring rocket ships. Designs range in complexity from beginner to expert-level. Provides hours and hours of stress relief, mindful calm, and fun, creative expression. Join millions of adults all around the world who are rediscovering the simple relaxation and joy of coloring!
