A photographic essay and documentation about the master artist-blacksmith Samuel Yellin representing the culmination of 19th-century wrought iron design and fabrication.
All the fascinating properties of iron and other metals can be creatively explored with 52 color plates and 717 b/w photos and drawings and detailed text. The author discusses the ironworking shop, forge and tools, including anvils, vises, hammers, tongs, punches, centrifugal blowers and machine tools. Forging procedures are explicitly shown.
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
The tenet of this book is provide a tool for artists/blacksmiths and metalworkers. It tells how to work metal: heating it, cutting it, upsetting it, drawing it out, twisting it, forge welding it and shaping and assembling it. It tells about metallurgy and tool making, metal finishes and corrosion, sources of information and supplies, charts and guidelines for many tasks. It explains the process of design, how to use the computer in metal design, how to set up a business and how to manage it. Providing an inspiration for all blacksmiths are portfolios of the wrought iron work of Martin Rose and Samuel Yellin, two of America's premier metalworkers of the past. To further inspire and to show the new focus of blacksmithing in the metal arts, six contemporary metalworkers show a series of demonstration pieces of their iron work. This 256 page book is bound with an improved binding system (Otabind) that allows the pages to lay flat.
Covers ironwork from roughly 1840 to 1930. Thus, it includes cast iron, which prevailed during the nineteenth century and hand wrought iron, which triumphed from about 1900 to 1930.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
This book gathers for the first time the story of Marie Zimmermann's life and work and puts a spotlight on one of the most singular makers of metalwork active in early 20th century America.
Master metalsmith Cyril Colnik (1871-1958) was an Austrian-born artist who parlayed a gold medal at the 1893 World's Columbian Exposition in Chicago into a sixty-year career creating marvelously intricate gates, balustrades, chandeliers, grilles, architectural ornaments, and other decor for public buildings and the mansions of the wealthy in the "German Athens" of America--Milwaukee, Wisconsin. Legend has it that beer baron Captain Frederick Pabst convinced Colnik to come to Milwaukee, pointing to the commissions the talented craftsman could get from wealthy industrialists and merchants. Colnik's artistry and technical mastery transformed metal into works of beauty and permanence for clients including Pabst, Charles Allis of Allis-Chalmers Inc., Herman Uihlein of Schlitz Brewing Co., Lloyd Smith of the A. O. Smith Corporation, and many others. Colnik's creations in iron, brass, and bronze can still be seen at the Pabst Mansion house museum, Milwaukee's City Hall, Mader's Restaurant, Wisconsin Memorial Park, and in many other older buildings around the city. The largest collection is in Milwaukee's Villa Terrace Decorative Arts Museum (formerly the mansion of the Smith family), where visitors can see both the wrought metalwork that Colnik created for the Smith home and a permanent exhibition of objects, photographs, and archival material by and about Colnik. The exhibition includes the tools of a blacksmith shop, complete with forge and anvil. Cyril Colnik, Man of Iron is the first book to document this metalsmith's masterworks. It includes a biographical essay on Colnik and chapters that showcase the riches of the Villa Terrace's Colnik collection and archives: photos of architectural features and collected objects at the Villa Terrace; examples of Colnik's sketches, blueprints, and photographs; a trove of photos from Colnik's personal collection that documented his work in now-unidentified homes and churches; and interior and exterior photographs of identifiable Milwaukee homes, businesses, and public buildings taken by Colnik, author Alan J. Strekow, and others. The book also includes an essay by present-day artisanal ironworker Daniel Nauman, a glossary of blacksmithing terms, a chronology of Colnik's life and achievements, and a bibliography.