Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 3

Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 3

Author: Florian Stuber

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 611

ISBN-13: 1040245633

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This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.


Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 2

Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 2

Author: Florian Stuber

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 303

ISBN-13: 1040249817

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This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.


Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 1

Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 1

Author: Florian Stuber

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 484

ISBN-13: 1040245625

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This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.


Reason and Religion in Clarissa

Reason and Religion in Clarissa

Author: E. Derek Taylor

Publisher: Routledge

Published: 2017-11-30

Total Pages: 272

ISBN-13: 135115074X

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What distinguishes Clarissa from Samuel Richardson's other novels is Richardson's unique awareness of how his plot would end. In the inevitability of its conclusion, in its engagement with virtually every category of human experience, and in its author's desire to communicate religious truth, E. Derek Taylor suggests, Clarissa truly is the Paradise Lost of the eighteenth century. Arguing that Clarissa's cohesiveness and intellectual rigor have suffered from the limitations of the Lockean model frequently applied to the novel, Taylor turns to the writings of John Norris, a well-known disciple of the theosophy of Nicolas Malebranche. Allusions to this first of Locke's philosophical critics appear in each of the novel's installments, and Taylor persuasively documents how Norris's ideas provided Richardson with a usefully un-Lockean rhetorical grounding for Clarissa. Further, the writings of early feminists like Norris's intellectual ally Mary Astell, who viewed her arguments on behalf of women as compatible with her conservative and deeply held religious and political views, provide Richardson with the combination of progressive feminism and conservative theology that animate the novel. In a convincing twist, Taylor offers a closely argued analysis of Lovelace's oft-stated declaration that he will not be 'out-Norris'd' or 'out-plotted' by Clarissa, showing how the plot of the novel and the plot of all humans exist, in the context of Richardson's grand theological experiment, within, through, and by a concurrence of divine energy.


Samuel Richardson's Published Commentary on Clarissa, 1747-1765

Samuel Richardson's Published Commentary on Clarissa, 1747-1765

Author: Florian Stuber

Publisher: Routledge

Published: 1998-02

Total Pages: 500

ISBN-13: 9781138756847

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This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.


The Afterlife of Used Things

The Afterlife of Used Things

Author: Ariane Fennetaux

Publisher: Routledge

Published: 2014-10-03

Total Pages: 290

ISBN-13: 1317744985

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Recycling is not a concept that is usually applied to the eighteenth century. “The environment” may not have existed as a notion then, yet practices of re-use and transformation obviously shaped the early-modern world. Still, this period of booming commerce and exchange was also marked by scarcity and want. This book reveals the fascinating variety and ingenuity of recycling processes that may be observed in the commerce, crafts, literature, and medicine of the eighteenth century. Recycling is used as a thought-provoking means to revisit subjects such as consumption, the new science, or novel writing, and cast them in a new light where the waste of some becomes the luxury of others, clothes worn to rags are turned into paper and into books, and scientific breakthroughs are carried out in old kitchen pans.


Double Vision

Double Vision

Author: Darby Lewes

Publisher: Lexington Books

Published: 2008

Total Pages: 300

ISBN-13: 9780739125694

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Tremendous philosophical, social, technological, and aesthetic revolutions overwhelmed those living in the eighteenth and nineteenth centuries. This volume examines the manner in which writers employed the metaphor of the literary palimpsest to respond to the resulting disorie...


The Eighteenth-Century Novel and the Secularization of Ethics

The Eighteenth-Century Novel and the Secularization of Ethics

Author: Carol Stewart

Publisher: Routledge

Published: 2016-03-23

Total Pages: 274

ISBN-13: 1317034503

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Linking the decline in Church authority in the late seventeenth and early eighteenth centuries with the increasing respectability of fiction, Carol Stewart provides a new perspective on the rise of the novel. The resulting readings of novels by authors such as Samuel Richardson, Sarah Fielding, Frances Sheridan, Charlotte Lennox, Tobias Smollett, Laurence Sterne, William Godwin, and Jane Austen trace the translation of ethical debate into secular and gendered terms. Stewart argues that the seventeenth-century debate about ethics that divided Latitudinarians and Calvinists found its way into novels of the eighteenth century. Her book explores the growing belief that novels could do the work of moral reform more effectively than the Anglican Church, with attention to related developments, including the promulgation of Anglican ethics in novels as a response to challenges to Anglican practice and authority. An increasingly legitimate genre, she argues, offered a forum both for investigating the situation of women and challenging patriarchal authority, and for challenging the dominant political ideology.


Illuminating Letters

Illuminating Letters

Author: Paul C. Gutjahr

Publisher: Univ of Massachusetts Press

Published: 2010-02-04

Total Pages: 214

ISBN-13: 9781558497627

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What do we read when we read a text? The author's words, of course, but is that all? The prevailing publishing ethic has insisted that typography?the selection and arrangement of type and other visual elements on a page?should be an invisible, silent, and deferential servant to the text it conveys. This book contests that conventional point of view. Looking at texts ranging from the King James Bible to contemporary comic strips, the contributors to Illuminating Letters examine the seldom considered but richly revealing relationships between a text's typography and its literary interpretation. The essays assume no previous typographic knowledge or expertise; instead they invite readers primarily concerned with literary and cultural meanings to turn a more curious eye to the visual and physical forms of a specific text or genre. As the contributors show, closer inspection of those forms can yield fresh insights into the significance of a text's material presentation, leading readers to appreciate better how presentation shapes understandings of the text's meanings and values. The case studies included in the volume amplify its two overarching themes: one set explores the roles of printers and publishers in manipulating, willingly or not, the meaning and reception of texts through typographic choices; the other group examines the efforts of authors to circumvent or subvert such mediation by directly controlling the typographic presentation of their texts. Together these essays demonstrate that choices about type selection and arrangement do indeed help to orchestrate textual meaning. In addition to the editors, contributors include Sarah A. Kelen, Beth McCoy, Steven R. Price, Leon Jackson, and Gene Kannenberg Jr.