Steve Zell, affectionately known as Z Man, was once Mike Benjamin's best buddy, best man, and business partner. But two years ago, Zell turned on Benjamin who eventually lost his business, his wife and child, and his lifestyle. It's taken two years, but Benjamin has carefully planned his revenge. He doesn't want to kill Zell. He just wants to ruin his life. Disguised as a homeless man named Howard Meeks, Benjamin kidnaps Zell, drugs him, cuts off his ten toes, cauterizes the wounds, and dumps his body where it can be easily found. Zell will never run or play tennis again. But the physical pain is only the beginning of his problems and only the beginning of what Benjamin plans to do to his former friend. Because of the past issues within their relationship, Benjamin quickly becomes the prime suspect in Zell's assault. Only time will tell if Benjamin is able to avoid detection and prosecution as he tries to bring about the downfall of Zell's entire family.
His best friend has been murdered, his daughter's in danger. There's only one answer. Going back to his old life. The one that cost him his wife... Michael Brady was a high-flying detective, working on a high-profile case. And much too close to the truth. Someone arranged a hit-and-run. But they missed Brady. And hit his wife. And after six months sitting by her bed, he took the only decision he could take. He turned the machine off. Now he's back home in Whitby. Trying to rebuild his life. And be a good dad to his teenage daughter. But when his best friend is murdered Brady - unwillingly at first - is drawn into the investigation. And when the only people he has left are threatened, he finds there's only one answer. Going back to his old life... Salt in the Wounds is the first novel from award winning writer and blogger Mark Richards. It's set in Whitby, on the North Yorkshire coast, and tells the story of former Detective Inspector Michael Brady. His wife's dead and he's back in his home town - trying to rebuild his life and be a good dad to his 13 year old daughter. So I had to make the decision. For my daughter. Her life was on hold. And she needs someone. At least I've got a sister here. God knows Ash isn't going to ask me if she has a problem with her periods. But then Brady's best friend is murdered. And if he's going to stop the wrong person going on trial, there's only one option. He has to act. He couldn't let someone else control his life. Especially when 'someone else' was Bill Calvert. He owed it to Grace, to Ash. Most of all he owed it to himself. He hadn't asked for this. But he had to deal with it. Sort it out, find the killer. And then start his new life. 'I love you, Grace,' he said. And walked back down the cliff path... ...And finally, Brady has to risk everything. This was the moment to turn back. Wait for some uniforms. Say, 'He's down there. At the end of the pier.' Leave it to someone younger, fitter. Someone without a daughter. But Gorse was waiting. And he had Carl. And he knew. He knew who'd killed Grace... Salt in the Wounds is the first book in a series of six. The second book in the series will be published just before Christmas
Caught between an international drug smuggling operation and murderous local gang warfare, Peter Barker must find a way out from the international web of violence and intrigue he finds in Nigeria and Brazil. Faced with threats from all sides, he uncovers more and more of the complex plot as the tentacles reach out to threaten not just him in Lagos but his family back in UK. Drawn into ever-increasing levels of violence, Peter realises this new job will lead to certain disaster and he must find an escape route before it is too late.
This volume explores the interaction between psychosocial considerations, social support and public attitudes in both individual and professional responses to HIV. The contributors explore the changing nature of relationships - on the personal level and with the caring professions and agencies - which the onset and//or disclosure of HIV sets in train.
AN INSTANT NEW YORK TIMES BESTSELLER THE WASHINGTON POST NOTABLE BOOK OF 2021 A GOOD MORNING AMERICA BOOK CLUB PICK WINNER of the Isabel Allende Most Inspirational Fiction Award, She Reads Best of 2021 Awards • FINALIST for the 2022 Southern Book Prize • LONGLISTED for Crook’s Corner Book Prize • NOMINEE for 2021 GoodReads Choice Award in Debut Novel and Historical Fiction A sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt. From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals—personal and political, self-inflicted and those done by others—that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.
Designed for health care professionals in multiple disciplines and clinical settings, this comprehensive, evidence-based wound care text provides basic and advanced information on wound healing and therapies and emphasizes clinical decision-making. The text integrates the latest scientific findings with principles of good wound care and provides a complete set of current, evidence-based practices. This edition features a new chapter on wound pain management and a chapter showing how to use negative pressure therapy on many types of hard-to-heal wounds. Technological advances covered include ultrasound for wound debridement, laser treatments, and a single-patient-use disposable device for delivering pulsed radio frequency.
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.
"Find her for me, Mr Brady. I know she's dead. I know I'll never see her again. But find her. Give me a place to go on her birthday. Christmas Day. Somewhere I can take her teddy bear. Lay flowers. Find Alice for me, Mr Brady. Please..." It's 20 years since Alice went missing. There's never been any trace. Until now. Until some bones are found in a shallow grave on the cold, bleak North York Moors. But is it Alice? Or Becky? The other girl - who disappeared a month earlier... Two local girls: two families that have finally learned to live with their grief. But now Michael Brady must tell one family their daughter has been found. And break the bad news to the other family. No-one was ever convicted. Everyone's convinced the killer is in jail. Everyone except Brady. He thinks the real killer is still out there. Brady has to re-open the old wounds. He has to find the real killer. And he has to stop seeing the similarities between his daughter and one of the murdered girls. With the local families waiting for the 'killer' to come out of jail, with a boss determined to stop him discovering the truth - and without Frankie Thomson to help him - this is a case that affects Michael Brady like no other. The Echo of Bones is the third book in the Michael Brady series. It follows Salt in the Wounds... "Had me gripped from the start. A truly captivating story, very well told. Really didn't want it to end and eagerly awaiting the next one in this series." "Fabulous! Had me gripped from start to finish. Brady reminds me of Mark Billingham's detective, Tom Thorne." "You know you're hooked when you really care what happens to the characters. Read it in three sittings." ...and The River Runs Deep. "I read a lot of detective books, but none has drawn me into another world like this one. Loved it. Cannot wait for the rest of the Michael Brady series." "Michael Brady book 1 was brilliant. Book 2 is every bit as good. Believable characters, strong plot, intriguing story." "Another thrilling read. Could not put it down! The depth of the characters is so good I couldn't stop thinking about the story after I'd finished it." "That's the trouble with a really good book - you want to keep reading but you don't want it to end. Loved the natural dialogue: witty and believable."
A collection of stories and essays by the award-winning author of Dark Emu, showcasing his shimmering genius across a lifetime of work. This volume of Bruce Pascoe’s best and most celebrated stories and essays, collected here for the first time, traverses his long career and explores his enduring fascination with Australia’s landscape, culture and history. Featuring new fiction alongside Pascoe’s most revered and thought-provoking nonfiction – including from his modern classic Dark Emu – Salt distils the intellect, passion and virtuosity of his work. It’s time all Australians know the range and depth of this most marvellous of our writers. ‘Salt demonstrates why Bruce Pascoe’s voice is important to the country.’ —Kim Scott ‘A paradigm shift ... a wonderful expanse of thinking and storytelling ... In prose that is funny in one moment and devastating the next, Pascoe moves us from wry humour [to] the deep sadness that follows the wonder of discovering a history of richness and fullness deliberately obscured.’ —Marie Matteson, Readings
