This chronicle of ten controversial mid-Victorian trials features brother versus brother, aristocrats fighting commoners, an imposter to a family's fortune, and an ex-priest suing his ex-wife, a nun. Most of these trials--never before analyzed in depth--assailed a culture that frowned upon public displays of bad taste, revealing fault lines in what is traditionally seen as a moral and regimented society. The author examines religious scandals, embarrassments about shaky family trees, and even arguments about which architecture is most likely to convert people from one faith to another.
The nineteenth-century was a time of accelerated change and stark contradictions. It was marked by stability, advancement and reform, but also by widening inequalities, spiritual crisis and social unrest. Identity and gender came under pressure, religious belief was called into question, and the condition of women and children seemed to belie the much-vaunted idea of progress. Essays in this book explore how these contradictions and concerns are reflected in nineteenth-century literature. In discussing historical figures, characters and plots that are variously vulnerable and/or resilient, the essays reflect the breadth of nineteenth-century literature, from realist and sensational fiction to autobiography and poetry. Besides providing insights into the transfigurative role writing played, both as a means to express vulnerability and as a resilience process, the essays also foster further reflection on two timeless dimensions of the human condition.
The Routledge International Handbook of Working-Class Studies is a timely volume that provides an overview of this interdisciplinary field that emerged in the 1990s in the context of deindustrialization, the rise of the service economy, and economic and cultural globalization. The Handbook brings together scholars, teachers, activists, and organizers from across three continents to focus on the study of working-class peoples, cultures, and politics in all their complexity and diversity. The Handbook maps the current state of the field and presents a visionary agenda for future research by mingling the voices and perspectives of founding and emerging scholars. In addition to a framing Introduction and Conclusion written by the co-editors, the volume is divided into six sections: Methods and principles of research in working-class studies; Class and education; Work and community; Working-class cultures; Representations; and Activism and collective action. Each of the six sections opens with an overview that synthesizes research in the area and briefly summarizes each of the chapters in the section. Throughout the volume, contributors from various disciplines explore the ways in which experiences and understandings of class have shifted rapidly as a result of economic and cultural globalization, social and political changes, and global financial crises of the past two decades. Written in a clear and accessible style, the Handbook is a comprehensive interdisciplinary anthology for this young but maturing field, foregrounding transnational and intersectional perspectives on working-class people and issues and focusing on teaching and activism in addition to scholarly research. It is a valuable resource for activists, as well as working-class studies researchers and teachers across the social sciences, arts, and humanities, and it can also be used as a textbook for advanced undergraduate or graduate courses.
This chronicle of ten controversial mid-Victorian trials features brother versus brother, aristocrats fighting commoners, an imposter to a family's fortune, and an ex-priest suing his ex-wife, a nun. Most of these trials--never before analyzed in depth--assailed a culture that frowned upon public displays of bad taste, revealing fault lines in what is traditionally seen as a moral and regimented society. The author examines religious scandals, embarrassments about shaky family trees, and even arguments about which architecture is most likely to convert people from one faith to another.
Nineteenth-century America was rife with Protestant-fueled anti-Catholicism. Elizabeth Hayes Alvarez reveals how Protestants nevertheless became surprisingly and deeply fascinated with the Virgin Mary, even as her role as a devotional figure who united Catholics grew. Documenting the vivid Marian imagery that suffused popular visual and literary culture, Alvarez argues that Mary became a potent, shared exemplar of Christian womanhood around which Christians of all stripes rallied during an era filled with anxiety about the emerging market economy and shifting gender roles. From a range of diverse sources, including the writings of Anna Jameson, Anna Dorsey, and Alexander Stewart Walsh and magazines such as The Ladies' Repository and Harper's, Alvarez demonstrates that Mary was represented as pure and powerful, compassionate and transcendent, maternal and yet remote. Blending romantic views of motherhood and female purity, the virgin mother's image enamored Protestants as a paragon of the era's cult of true womanhood, and even many Catholics could imagine the Queen of Heaven as the Queen of the Home. Sometimes, Marian imagery unexpectedly seemed to challenge domestic expectations of womanhood. On a broader level, The Valiant Woman contributes to understanding lived religion in America and the ways it borrows across supposedly sharp theological divides.
