Though he speaks no words in Scripture, St. Joseph’s message to us is resounding: he wants to lead us to Jesus. In Through the Heart of St. Joseph, Fr. Boniface Hicks reveals the path St. Joseph has laid. Discover how St. Joseph’s vulnerability, littleness, silence, and hiddenness can transform and heal us. Fr. Hicks also looks to the saints who lived the “Joseph Option” to show how we too can embrace a life of humble trust and steadfast courage. Through the Heart of St. Joseph proves with quiet conviction that if we entrust ourselves to the foster father of Our Lord, he will give us his love and protection—just as he gave it to Jesus.
Thirty years after the smashing success of Zelda, Nancy Milford returns with a stunning second act. Savage Beauty is the portrait of a passionate, fearless woman who obsessed American ever as she tormented herself. If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. The first woman ever to win the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction and her impact on crowds, and on men, was legendary. Yet beneath her studied act, all was not well. Milford calls her book "a family romance"—for the love between the three Millay sisters and their mother was so deep as to be dangerous. As a family, they were like real-life Little Women, with a touch of Mommie Dearest. Nancy Milford was given exclusive access to Millay's papers, and what she found was an extraordinary treasure. Boxes and boxes of letter flew back and forth among the three sisters and their mother—and Millay kept the most intimate diary, one whose ruthless honesty brings to mind Sylvia Plath. Written with passion and flair, Savage Beauty is an iconic portrait of a woman's life.
A mesmerizing journey through a chain of tropical islands in a little known part of the Eastern Caribbean. The peaceful azure waters, lagoons, untouched rainforests and stunning white sand beaches will have you packing your bags to leave the world behind. There is a country of small islands in the West Indies, lost in time. Its mountainous terrain has helped in keeping its vast natural beauty intact. Thirty two islands with mystical names like Bequia and Mustique, St Vincent and the Grenadines is in the most blessed part of the Caribbean—dramatic mountains and beaches, fertile soil and plentiful rain. This idyllic setting has nurtured a gentle and simple way life yet one rich in adventure, social contact, and a dazzling variety of locally grown cuisine. Explore the rare flora, taste the fresh fruits, local fish and spices, and partake in Vincentian “liming” —sharing food, drink, jokes and anecdotes, with no other intent than enjoying life. This collection of breathtaking photographs will revitalize both body and soul.
Commissioned by Our Lord Himself to preach His Gospel, St. Vincent began at age 50 an apostolate of preaching that would extend to France, Italy, Spain, Belgium, Switzerland, Austria, Germany and a few other countries as well. Travelling with him were as many as 10,000 people, including at least 50 priests. The throngs that gathered to hear him came from many miles around, such that he was forced to preach in the open--no church being large enough to hold all the people.
The theology of Vincent of Lérins is often reduced to a memorable slogan: "We hold that faith which has been believed everywhere, always, and by everyone." Thomas Guarino argues that this "Vincentian canon" has frequently been taken out of context. This book introduces Vincent's thought and its reception in Christian history, exploring Vincent's creative and innovative understanding of the development of doctrine and showing how it informed the thought of John Henry Newman. Guarino contends that Vincent's theology contributes significantly to theology and ecumenism in the twenty-first century. The volume is the second in a series on the church fathers edited by Hans Boersma and Matthew Levering. About the Series The Foundations of Theological Exegesis and Christian Spirituality series critically recovers patristic exegesis and interpretation for contemporary theology and spirituality. Each volume covers a specific church father and illuminates the exegesis that undergirds the Nicene tradition.
Vincent Ferrer (1350–1419), a celebrated Dominican preacher from Valencia, was revered as a living saint during his lifetime, receiving papal canonization within fifty years of his death. In The Saint and the Chopped-Up Baby, Laura Ackerman Smoller recounts the fascinating story of how Vincent became the subject of widespread devotion, ranging from the saint's tomb in Brittany to cult centers in Spain, Italy, France, Germany, and Latin America, where Vincent is still venerated today. Along the way, Smoller traces the long and sometimes contentious process of establishing a stable image of a new saint. Vincent came to be epitomized by a singularly arresting miracle tale in which a mother kills, chops up, and cooks her own baby, only to have the child restored to life by the saint’s intercession. This miracle became a key emblem in the official portrayal of the saint promoted by the papal court and the Dominican order, still haunted by the memory of the Great Schism (1378–1414) that had rent the Catholic Church for nearly forty years. Vincent, however, proved to be a potent religious symbol for others whose agendas did not necessarily align with those of Rome. Whether shoring up the political legitimacy of Breton or Aragonese rulers, proclaiming a new plague saint, or trumpeting their own holiness, individuals imposed their own meanings on the Dominican saint. Drawing on nuanced readings of canonization inquests, hagiography, liturgical sources, art, and devotional materials, Smoller tracks these various appropriations from the time of Vincent’s 1455 canonization through the eve of the Enlightenment. In the process, she brings to life a long, raucous discussion ranging over many centuries. The Saint and the Chopped-Up Baby restores the voices of that conversation in all its complexity.
Saint Vincent and the Grenadines is a small island country located in the southeastern Caribbean Sea. It consists of the main island of Saint Vincent and a chain of smaller islands known as the Grenadines. The country has a population of just over 100,000 people and its economy is largely dependent on agriculture, particularly bananas and coconuts, as well as tourism, offshore financial services, and fishing. The indigenous Carib people inhabited Saint Vincent before it was colonized by Europeans in the 18th century. The island became a British colony and was a major center for the production of sugar and other crops using enslaved labor. In 1979, Saint Vincent and the Grenadines gained independence from Britain and became a sovereign nation. Today, it is known for its beautiful beaches, tropical climate, and vibrant culture.
"Before the entitled lived here exclusively, the marginalized died in droves." Founded in 1849 to care for indigent immigrants in Greenwich Village, St. Vincent's Hospital was sold in 2010 to create multi-million-dollar homes. In its 161 years of existence, the legendary institution treated survivors of the Titanic, tended to victims of both World Trade Center attacks, and served as Ground Zero of the AIDS Crisis. With honesty, humor, and flights of historical fancy, GHOSTS OF ST. VINCENT'S tells the hospital's story through the eyes of a man who spent a winter on its 7th floor AIDS ward and survived just in time for the drug "cocktail" that saved so many lives. Featuring appearances by indomitable icons (from Edna St. Vincent Millay to Robert Mapplethorpe, Sidney Lumet to Vito Russo, Ed Koch and The Ramones), GHOSTS OF ST. VINCENT'S explores coming out and coming back from the dead, gender fluidity and gentrification, the price of forgiveness, the cost of survival, and the ephemeral nature of New York City.
This book makes available the previously unpublished correspondence of Michael Keane, an eighteenth-century Irish attorney general of St Vincent.From Ballylongford, Co. Kerry, Keane's Irish-West Indian odyssey brought him first to the British colony of Barbados and after 1763 to the Ceded Islands, which Great Britain acquired at the conclusion of the Seven Years War. From his base in St Vincent, he founded sugar estates rose through the ranks of colonial society and established a West Indian fortune. As Keane's correspondence shows, he worked on behalf of Irish Atlantic interests that had become dispersed throughout the colonial world, including Catholic, Protestant and Non-Conformist merchants, as well as absentee Irish-West Indian planters and merchants in Barbados, Nevis and St Kitts, who looked to him to protect their interests in the colony. His letter book provides a rare look into the world of the plantation attorney and manager.
Poetry. Latinx Studies. Romina Freschi's ECHO OF THE PARK is a philosophical long poem that surveys made spaces, both elevated and debased. In dialogue with First Dream by Sor Juana In�s de la Cruz, Freschi captures fleeting states of grace, such as "ecstasy" and "bliss," and the ensuing gravitational pull of urban life's "imperfect terrain." All urban spaces are interior and exterior, private and public, confining and freeing. Ultimately the park, and the "parkified" speech of the poem, are sites of mourning. Can a former site of political violence be converted into a public green space? Jeannine Marie Pitas's nuanced translation presents Romina Freschi as one of the most singular and startling voices in contemporary Argentine poetry. "Romina Freschi's ECHO OF THE PARK explores dualities of capture and flight. Held by power, routine, poison, cultivation, gravity's many forms? Her language honors ecstatic break through, a feathered bird named Sor Juana, an interspecies heart, introspective focus, and passage to deep grief, and altogether punctuates turbulence with a rare calm...Read Romina Freschi's poetry: like her work as a publisher, professor, and instigator of cultural conversation, it startles us with vulnerable yet durable language. Be a cloud. A shadow-casting amorphous volume in flight for a short time. Be an ant. A ghost."�Deborah Meadows "Romina Freschi's ECHO OF THE PARK is one long poem that lets the reader chose whether to wander through the pages or rush from one short line to the next as it moves from the mystical dream world of Sor Juana to fallen Eden of the present, from the contemporary to the eternal, from speech to silence, from the smell of fallen, rotting avocados to the scent of wet cement, as effortlessly as a small finch flits through the sky. In this fluid, masterful translation by Jeannine Pitas, ECHO OF THE PARK is a book to read in one sitting, then read again�slowly savoring each line."�Jesse Lee Kercheval "The poems of Romina Freschi are a welcome addition to American poetry, where we have a tendency to be isolationist by default. This potent voice from Buenos Aires employs vivid imagery and fierce intellect and sprays candlelight into the cave of what it means to be human, lost between realms, where memory takes many forms�an impossible road, a small basket, a chute we slide down�none of them satisfying. But Freschi's poetry itself engages the mind and ear."�Jeffrey Mcdaniel "Tracing the language of paradise, Romina Freschi's ECHO OF THE PARK, in Jeannine Marie Pitas' brilliant, searing translation, explores a paradise lost, one never-had, in which the poem traverses various registers of pastoral and urban life and asks the reader to 'inhabit then / imperfect terrain.' Through negation�'There is no nature / in the park'�and accumulation alike, this book explores impermanence in its most entropic and lasting forms, leaving its mark on terrain that pushes through the literary and into its liminal outskirts, settling somewhere between 'the dream and its scar.'"�Alexis Almeida
