Saint Tikhon of Zadonsk, Inspirer of Dostoevsky

Saint Tikhon of Zadonsk, Inspirer of Dostoevsky

Author: Nadejda Gorodetzky

Publisher: Crestwood, NY : St. Vladimir's Seminary Press

Published: 1976

Total Pages: 318

ISBN-13: 9780913836323

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"If only I could depict a positive holy figure ... Tikhon, whom long ago I received with great delight into my heart." Thus wrote Dostoevsky to his friend the poet Maikov. Like so many others, Dostoevsky felt the power of Tikhon's sanctity. Yet it is difficult to analyze and to categorize this sanctity, so elusive remains the personality of that eighteenth-century bishop and ascetic. Again in the words of Dostoevsky, "The most important thing about Tikhon is Tikhon." This definitive biography explores St. Tikhon's life and writings to reveal the man himself: sensitive, retiring, fond of children, familiar with the writings of the Western pietists, but above all rooted in the Bible, the Fathers and the Church's sacramental life. At the same time St. Tikhon's uniquely positive love for God and his fellow man shines through. In the midst of a spiritual desert Tikhon was a reformer, but not in the usual sense of that word. He was not content simply to criticize, nor did he elaborate one-sided panaceas for society. Rather, he was the embodiment of the ideal Christian pastor, a source of wholeness and healing for others. In the words of the author, he was "a living reply to the anti-religious ideas generated in eighteenth-century Russia." Book jacket.


Dostoevsky's Incarnational Realism

Dostoevsky's Incarnational Realism

Author: Paul J. Contino

Publisher: Wipf and Stock Publishers

Published: 2020-08-17

Total Pages: 334

ISBN-13: 1725250748

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In this book Paul Contino offers a theological study of Dostoevsky’s final novel, The Brothers Karamazov. He argues that incarnational realism animates the vision of the novel, and the decisions and actions of its hero, Alyosha Fyodorovich Karamazov. The book takes a close look at Alyosha’s mentor, the Elder Zosima, and the way his role as a confessor and his vision of responsibility “to all, for all” develops and influences Alyosha. The remainder of the study, which serves as a kind of reader’s guide to the novel, follows Alyosha as he takes up the mantle of his elder, develops as a “monk in the world,” and, at the end of three days, ascends in his vision of Cana. The study attends also to Alyosha’s brothers and his ministry to them: Mitya’s struggle to become a “new man” and Ivan’s anguished groping toward responsibility. Finally, Contino traces Alyosha’s generative role with the young people he encounters, and his final message of hope.


Dostoevsky's Spiritual Art

Dostoevsky's Spiritual Art

Author: George Panichas

Publisher: Routledge

Published: 2017-09-04

Total Pages: 308

ISBN-13: 1351521705

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Fyodor Dostoevsky's highest and most permanent achievement as a novelist lies in his exploration of man's religious complex, his world and his fate. His primary vision is to be found in his last five novels: Crime and Punishment, The Idiot, The Devils, A Raw Youth, and The Brothers Karamazov. This volume culminates twenty years of studying, teaching, and writing on Dostoevsky. Here George A. Panichas critically analyzes the religious themes and meanings of the author's major works. Focusing on the pervasive spiritual consciousness at play, Panichas views Dostoevsky not as a religious doctrinaire, but as a visionary whose five great novels constitute a sequential meditation on man's human and superhuman destiny.


The Orthodox Way

The Orthodox Way

Author: Kallistos (Bishop of Diokleia)

Publisher: St Vladimir's Seminary Press

Published: 1979

Total Pages: 168

ISBN-13: 9780913836583

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First published in 1979.


Dostoevsky and the Christian Tradition

Dostoevsky and the Christian Tradition

Author: George Pattison

Publisher: Cambridge University Press

Published: 2001-09-06

Total Pages: 304

ISBN-13: 0521782783

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Dostoevsky is one of Russia's greatest novelists and a major influence in modern debates about religion, both in Russia and the West. This collection brings together Western and Russian perspectives on the issues raised by the religious element in his work. The aim of this collection is not to abstract Dostoevsky's religious 'teaching' from his literary works, but to explore the interaction between his Christian faith and his writing. The essays cover such topics as temptation, grace and law, Dostoevsky's use of the gospels and hagiography, Trinitarianism, and the Russian tradition of the veneration of icons, as well as reading aloud, and dialogism. In addition to an exploration of the impact of the Christian tradition on Dostoevsky's major novels, Crime and Punishment, The Idiot and The Brothers Karamazov, there are also discussions of lesser-known works such as The Landlady and A Little Boy at Christ's Christmas Tree.


Hagiography and Modern Russian Literature

Hagiography and Modern Russian Literature

Author: Margaret Ziolkowski

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 280

ISBN-13: 1400859409

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The heritage of medieval hagiography, the diverse and voluminous literature devoted to saints, was much more important in nineteenth-century Russia than is often recognized. Although scholars have treated examples of the influence of hagiographic writing on a few prominent Russian writers, Margaret Ziolkowski is the first to describe the vast extent of its impact. Some of the authors she discusses are Kondratii Ryleev, Aleksandr Bestuzhev-Marlinskii, Fedor Dostoevsky, Leo Tolstoy, Nikolai Leskov, Gleb Uspenskii, Dmitrii Merezhkovskii, and Maksimilian Voloshin. Such writers were often exposed to saints' lives at an early age, and these stories left a deep impression to be dealt with later, whether favorably or otherwise. Professor Ziolkowski identifies and analyzes the most common usages of hagiographic material by Russian writers, as well as the variety of purposes that inspired this exploitation of their cultural past. Tolstoy, for instance, employed hagiographic sources to attack the organized church and the institution of monasticism. Individual chapters treat the influence of hagiography on the poetry of the Decembrists, reworkings of specific hagiographic legends or tales, and the application of hagiographic conventions and features to contemporary characters and situations. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Holy Foolishness

Holy Foolishness

Author: Harriet Murav

Publisher: Stanford University Press

Published: 1992

Total Pages: 244

ISBN-13: 9780804720595

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This book examines the ways in which Dostoevsky's adoption and reinvention of the medieval Russian holy fool - in Russian Orthodoxy, a person who feigned madness or folly as an ascetic feat of self-humiliation - serves as a locus for a critique of his culture's increasing reliance on the scientific paradigms of Claude Bernard's physiology, and as a source of formal narrative innovation in his novels. The author first explores the paradoxical hagiography of the holy fool, whose saintly acts are disguised under the mask of demonic folly. She then traces the rise of medical science in the nineteenth century and the increasing authority of the new scientific models of human behavior, especially the all-important notion of "the normal and the pathological." The book then shifts to close readings of four of Dostoevsky's major novels - Crime and Punishment, The Idiot, The Devils, and The Brothers Karamazov - always keeping the double focus of cultural critique and formal innovation. The author examines how Dostoevsky develops a specific literary procedure that is itself "holy foolishness." That is, his novels in their structure and, in particular, in the voice of their narrators mislead, tempt, and "scandalize" the reader, much like the street theater of the medieval holy fool. This difficult relationship between reader and text is mirrored in what is represented in the text as the interaction between the holy fool and other characters. In its theoretical orientation, the book both builds from and criticizes Bakhtin's work on carnival. The author offers a less optimistic account, showing how in Dostoevsky carnival is more demonic than jubilant, particularly in The Devils, where carnival leads to a frightening chaos.


Barth and Dostoevsky

Barth and Dostoevsky

Author: P. H. Brazier

Publisher: Wipf and Stock Publishers

Published: 2008-04-01

Total Pages: 291

ISBN-13: 1556358687

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A work of historic and systematic theology, Barth and Dostoevsky, examines the influence of the Russian writer and prophet Fyodor Mikhailovich Dostoevsky on the Swiss theologian Karl Barth. This is a study that demonstrates that the writings of Dostoevsky affected the development of the theology of Karl Barth. This was an influence mediated by his friend and colleague Eduard Thurneysen and was in the form of a key element of Barth's thought: his understanding of sin and grace. Therefore, this study explicates first, the reading of Dostoevsky by Barth, 1915-1916, and the influence on this understanding of sin and grace; second, a study of Eduard Thurneysen in so far as his life and work complements and influences Barth; third, Barth's illustrative use of Dostoevsky, around 1918-1921, the period of the rewriting of his seminal commentary on Romans--the bombshell on the playground of the theologians, as Karl Adams put it.


Dostoevsky

Dostoevsky

Author: P.H. Brazier

Publisher: BoD – Books on Demand

Published: 2018-01-01

Total Pages: 218

ISBN-13: 0718895363

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As a writer and prophet Dostoevsky was no academic theologian, yet his writings are deeply theological: his life, beliefs, even his epilepsy, all had a role in generating his theology and eschatology. Dostoevsky's novels are riven with paradoxes, are deeply dialectical, and represent a criticism of religion, offered in the service of the gospel. In this task he presented a profound understanding and portrait of humanity. Dostoevsky's novels chart the movement of the human into death: either the movement through paradox and Christlikeness into Christ's cross (a soteriology often characterized by the apophatic negation and self-denial; what we may term "the Mark of Abel") leading to salvation and resurrection; or, conversely, the movement of those who refuse Christ's invitation to be redeemed, and continue to fall into a self-willed death and a self-generated hell (the Mark of "Cain"). This eschatology becomes a theological axiom which he unceasingly warned people of in his mature works. Startlingly original, stripped of all religious pretence (some prostitutes and criminals might just have a better understanding of salvation than some of the pietistic, wealthy, and cultured classes), Dostoevsky as a prophet forewarned of the politicized humanistic delusions of the twentieth century: a prophet crying out through the wilderness.