St Suniti and the Dragon

St Suniti and the Dragon

Author: Suniti Namjoshi

Publisher: Spinifex Press

Published: 1993

Total Pages: 148

ISBN-13: 9781875559183

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Annotation. An original imagination full of surprises from Beowulf to Bangladesh.


The Fabulous Feminist

The Fabulous Feminist

Author: Suniti Namjoshi

Publisher: Zubaan

Published: 2014-03-11

Total Pages: 245

ISBN-13: 9383074221

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It was on a sabbatical in England in the late seventies that Suniti Namjoshi discovered feminism—or rather, she discovered that other feminists existed, and many among them shared her thoughts and doubts, her questions and visions. Since then, she has been writing—fables, poetry, prose autobiography, children’s stories—about power, about inequality, about oppression, effectively using the power of language and the literary tradition to expose what she finds absurd and unacceptable. This new collection brings together in one volume a huge range of Namjoshi’s writings, starting with her classic collection, Feminist Fables, and coming right up to her latest work. Published by Zubaan.


Feminist Fables

Feminist Fables

Author: Suniti Namjoshi

Publisher: Virago Press

Published: 1981

Total Pages: 125

ISBN-13: 9781853816604

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Feminist Fables is a reworking of fairy tale s and mixes mythology with the author''s original material an d imagination to make this a feminist classic. '


Home Truths: Fictions of the South Asian Diaspora in Britain

Home Truths: Fictions of the South Asian Diaspora in Britain

Author: Susheila Nasta

Publisher: Bloomsbury Publishing

Published: 2017-04-20

Total Pages: 320

ISBN-13: 1403932689

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The figure of the disaporic or migrant writer has recently come to be seen as the 'Everyman' of the late modern period, a symbol of the global and the local, a cultural traveller who can traverse the national, political and ethnic boundaries of the new millennium. Home Truths: Fictions of the South Asian Diaspora in Britain seeks not only to place the individual works of now world famous writers such as VS Naipaul, Salman Rushdie, Sam Selvon or Hanif Kureishi within a diverse tradition of im/migrant writing that has evolved in Britain since the Second World War, but also locates their work, as well as many lesser known writers such as Attia Hosain, GV Desani, Aubrey Menen, Ravinder Randhawa and Romesh Gunesekera within a historical, cultural and aesthetic framework which has its roots prior to postwar migrations and derives from long established indigenous traditions as well as colonial and post-colonial visions of 'home' and 'abroad'. Close critical readings combine with a historical and theoretical overview in this first book to chart the crucial role played by writers of South Asian origin in the belated acceptance of a literary poetics of black and Asian writing in Britain today.


Comparatively Queer

Comparatively Queer

Author: W. Spurlin

Publisher: Springer

Published: 2010-10-11

Total Pages: 377

ISBN-13: 0230113443

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These innovative essays take a comparative approach to queer studies while simultaneously queering the field of comparative literature, strengthening the interdisciplinary of both. The book focuses not only on comparative praxis, but also on interrogating our assumptions and categories of analysis.


Counterrealism and Indo-Anglian Fiction

Counterrealism and Indo-Anglian Fiction

Author: Chelva Kanaganayakam

Publisher: Wilfrid Laurier Univ. Press

Published: 2006-01-01

Total Pages: 224

ISBN-13: 0889207496

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What do R.K. Narayan, G.V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi, and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of the historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political, and textual questions. This book is about the need to look at the tradition of Indian writing in English from the perspective of counterrealism. The departure from the conventions of mimetic writing not only challenges the limits of realism but also enables Indo-Anglian authors to access formative areas of colonial experience. Kanaganayakam analyzes the fiction of writers who work in this vibrant Indo-Anglian tradition and demonstrates patterns of continuity and change during the last five decades. Each chapter draws attention to what is distinctive about the artifice in each author while pointing to the features that connect them. The book concludes with a study of contemporary writing and its commitment to non-mimetic forms.


Children's Stories in Play Therapy

Children's Stories in Play Therapy

Author: Ann Cattanach

Publisher: Jessica Kingsley Publishers

Published: 1997

Total Pages: 258

ISBN-13: 9781853023620

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Ann Cattanach extends her acclaimed earlier published work to explore further the therapeutic value of story-making with children. Incorporating stories from children and authors, the book examines the common themes and metaphors that emerge, the purpose of stories, and the communication that they can engender between the therapist and the child.


Engendering Realism and Postmodernism

Engendering Realism and Postmodernism

Author: Beate Neumeier

Publisher: Rodopi

Published: 2001

Total Pages: 432

ISBN-13: 9789042014374

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This volume assembles critical essays on, and excerpts from, works of contemporary women writers in Britain. Its focus is the interaction of aesthetic play and ethical commitment in the fictional work of women writers whose interest in testing and transgressing textual boundaries is rooted in a specific awareness of a gendered multicultural reality. This position calls for a distinctly critical impetus of their writing involving the interaction of the political and the literary as expressed in innovative combinations of realist and postmodern techniques in works by A. S. Byatt, Maureen Duffy, Zoe Fairbairns, Eva Figes, Penelope Lively, Sara Maitland, Suniti Namjoshi, Ravinder Randhawa, Joan Riley, Michele Roberts, Emma Tennant, Fay Weldon, Jeanette Winterson. All contributions to this volume address aspects of these writers' positions and techniques with a clear focus on their interest in transgressing boundaries of genre, gender and (post)colonial identity. The special quality of these interpretations, first given in the presence of writers at a symposium in Potsdam, derives from the creative and prosperous interactions between authors and critics. The volume concludes with excerpts from the works of the participating writers which exemplify the range of concrete concerns and technical accomplisments discussed in the essays. They are taken from fictional works by Debjani Chatterjee, Maureen Duffy, Zoe Fairbairns, Eva Figes, Sara Maitland, and Ravinder Randhawa. They also include the creative interactions of Suniti Namjoshi and Gillian Hanscombe in their joint writing and Paul Magrs' critical engagement with Sara Maitland.