This volume comprises six interlocking novels which chart the wild lives of star-crossed lovers Sailor Ripley and Lula Pace Fortune. The bizarre and varied characters of the stories inhabit a surreal world where paradoxes abound.
On the twentieth anniversary of the publication of Barry Gifford's international bestseller, Wild at Heart, as well as the anniversary of the Palme d'Or–winning film adaptation by director David Lynch, Sailor & Lula: The Complete Novels presents all of the novels and novellas that comprise the saga of Sailor Ripley and Lula Pace Fortune, "the Romeo and Juliet of the South": Wild at Heart, Perdita Durango (also made into a feature film), Sailor’s Holiday, Sultans of Africa, Consuelo’s Kiss, Bad Day for the Leopard Man, and The Imagination of the Heart.
"The Romeo and Juliet of the South" are back in this new edition of the internationally best-selling Sailor and Lula novels, now including for the first time the culminating novel, The Up-Down, by American master Barry Gifford. "Barry Gifford invented his own American vernacular--William Faulkner by way of B-movie film noir, porn paperbacks, and Sun Records rockabilly--to forge the stealth-epic of Sailor & Lula"--Jonathan Lethem Here for the first time in print together are all eight of the books that comprise the saga of Sailor Ripley and Lula Pace Fortune, "the Romeo and Juliet of the South": Wild at Heart, Perdita Durango, Sailor's Holiday, Sultans of Africa, Consuelo's Kiss, Bad Day for the Leopard Man, The Imagination of the Heart, and The Up-Down.
Bad girl Perdita Durango and her dealer boyfriend Romeo Dolorosa get their kicks on a journey from Louisiana to Los Angeles that involves santeria rituals and kidnapping.
Gifford's Wild at Heart (and the award-winning film it inspired) introduced Sailor Ripley and Lula Pace Fortune, the most passion-driven, star-crossed lovers since Romeo and Juliet. Now they're back, in interlocking novellas that reaffirm the redemptive jujitsu of romance and the terminal weirdness of the world outside the bedroom.
The Sinaloa Story tells of DelRay Mudo and Ava Varazo, two down-and-outs looking for a reasonable life and maybe even a little redemption in a corrupt and violent world. Ava is a Mexican prostitute, beautiful and no victim of circumstance. When DelRay falls in love with her at the drive-in whorehouse where she is the prize, she seizes the chance to break free. They take off for Sinaloa ,Texas, the lone-dog state where "nothin’ good ever happens." The far-out border flunkies they meet — Thankful Priest, the one-eyed former football player; Indio Desacato, Ava’s pimp and a small-town racketeer; Arkadelphia Quantrill Smith, an octogenarian whose father marched with Shelby in the Iron Brigade; and many others — fill out the sinister and electrifying ride.
A tie-in to the new documentary, Roy's World, directed by Rob Christopher narrated by Lili Taylor, Matt Dillon and Willem Dafoe, these stories comprise one of Barry Gifford's most enduring works, his homage to the gritty Chicago landscape of his youth Barry Gifford has been writing the story of America in acclaimed novel after acclaimed novel for the last half-century. At the same time, he's been writing short stories, his "Roy stories," that show America from a different vantage point, a certain mix of innocence and worldliness. Reminiscent of Mark Twain's Huckleberry Finn and Ernest Hemingway's Nick Adams stories, Gifford's Roy stories amount to the coming-of-age novel he never wrote, and are one of his most important literary achievements--time-pieces that preserve the lost worlds of 1950s Chicago and the American South, the landscape of postwar America seen through the lens of a boy's steady gaze. The twists and tragedies of the adult world seem to float by like curious flotsam, like the show girls from the burlesque house next door to Roy's father's pharmacy who stop by when they need a little help, or Roy's mom and the husbands she weds and then sheds after Roy's Jewish mobster father's early death. Life throws Roy more than the usual curves, but his intelligence and curiosity shape them into something unforeseen, while Roy's complete lack of self-pity allow the stories to seem to tell themselves.
For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.