(Guitar Method). This premier method for the beginning classical guitarist, by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andres Segovia, is now completely revised and updated! Guitarists will learn basic classical technique by playing over 50 beautiful classical pieces, 26 exercises and 14 duets, and through numerous photos and illustrations. The method covers: rudiments of classical technique, note reading and music theory, selection and care of guitars, strategies for effective practicing, and much more!
(Guitar Collection). Seven more selections from the album Sacred Music for the Guitar: Hymn of Christian Joy (guitar and harpsichord) * Simple Gifts * Fairest Lord Jesus * Stir Thy Church, O God Our Father * All Creatures of Our God and King * Glorious Things of Thee Are Spoken * Praise Ye the Lord (2 guitars).
(Guitar Method). This premier method for the beginning classical guitarist, by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andres Segovia, is now completely revised and updated! Guitarists will learn basic classical technique by playing over 50 beautiful classical pieces, 26 exercises and 14 duets, and through numerous photos and illustrations. The method covers: rudiments of classical technique, note reading and music theory, selection and care of guitars, strategies for effective practicing, and much more!
Since the 19th century beginnings of the flamenco guitar style in Spain, the flamenco/classical guitar relationship has always existed; this 3-book method series—begun by Juan Serrano and Corey Whitehead and extended by Whitehead’s collaboration with Richard Marlow—is simply the first to point out and dive deep into what has always been a single cross-cultural relationship. In addition to the unique classical/flamenco repertoire included in this book, the flamenco history presented here is essential. It makes the origins of dozens of rhythmic flamenco song and dance forms crystal clear. Why, for example, does the Spanish word, palo (stick), continually pop up in flamenco literature? This book reveals that, even before the guitar was used in flamenco song and dance accompaniment, the actual stick from a butter churn was used to mark time. Most guitarists are familiar with the CAGED guitar chord system, i.e., the use of the five basic first-position key/chord patterns to explore the mid and upper regions of the fretboard with or without a capo. Volume 2 includes a comprehensive introduction to fretboard harmony and explores the CAGED system thoroughly with standard notation and chord grids. Whitehead goes so far as to develop an entire scale system based on the CAGED concept. Imagine what that system might do for your intuitive fretboard knowledge and sightreading ability. While unfamiliar with rasgueado (strumming) or alzapúa (“raise the thumb”) techniques, classical guitarists already have a head start in their approach to flamenco; good guitar technique is simply good technique in either style. Through its reasoned, progressive blending of history and flamenco/classical repertoire, this series removes the perceived barriers in thinking about and playing the two styles, revealing that they are truly one tradition as the series title clearly states. To encourage better sightreading, The Flamenco/Classical Guitar Tradition series is written in standard notation only; each book includes extensive online audio tracks for authenticity and ease of learning.
The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. Students are taught using the "mother-tongue" approach. Suzuki Guitar School materials include: Guitar Part (Vol. 1-7) * Guitar Accompaniments (Vol. 1) * CD (Vol. 1-4). Suzuki Method Core Materials are available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.
(Guitar Method). An outstanding source for the technique and repertoire of the classical guitar, this book continues where Vol. 1 leaves off. It teaches: all notes in the upper position; tone production; advanced techniques such as tremolo, harmonics, vibrato, pizzicato and slurs; practice tips; stylistic interpretation; and more. The first half of the book deals primarily with technique, while the second half of the book applies the technique with repertoire pieces. As a special bonus, this book includes 32 previously unpublished Parkening edition pieces by composers including Dowland, Bach, Scarlatti, Sor, Tarrega and others, plus three guitar duets.
(Vocal Collection). Contents: Bach: Prepare thyself, Zion * Slumber, beloved, and take thy repose Benedict: Father, whose blessing we entreat * O Thou afflicted Bennett: O Lord, Thou hast searched me out Blumner: My warning heed..Thine, O Saviour, is love unending Costa: Lord, from my bed again I rise * It is a good thing to give thanks..This night I lift my heart to Thee Cowen: Like as a father pitieth his children Dvorak: Within what gloomy depths forest..Thy leading would had not followed Gade: O, with pure devotion * When onward I am gazing Gaul: Eye hath not seen * Now go your ways, my daughters well- beloved..O gracious Lord, cast down Thine eyes * Thou art the guide of our youth Handel: O Judah, Judah! chosen seed!..O Lord, whom we adore * Great Prophetess! my soul's on fire..In the battle, fame pursuing * The smiling hours, a joyful train * Thou shalt bring them in * But who is this? tremendous to behold..Awful, pleasing being, say * Now give the army breath..Heroes, when with glory burning * Father of heav'n! From Thy eternal throne * Behold a virgin shall conceive..O thou that tellest good tidings to Zion * He was despised and rejected * Return, O God of Hosts * O Lord, whose mercies numberless * What tho' I trace each herb and flower * A love like mine, so faithful..When first I saw my lovely maid * Lord, to Thee, each night and day Kiel: He was oppress'd and afflicted sore * For my soul is athirst for God * Turn again to thy rest Mackenzie: Gladness is taken away Marechal: He is dead the child I cherish!..One would say, he reposes Mendelssohn: O rest in the Lord * And he journeyed with companions..But the Lord is mindful of His own Parry: The Lord is long-suffering and merciful Raff: Thrust in Thy sickle, and reap..Great and wonderful are all Thy works * Behold, the House of God is with men Reinthaler: The Lord will not be ever wroth Saint-Saens: Patiently have I waited for the Lord * Thou, O Lord, art my protector Sullivan: The Lord is risen * Love is not the world Vierling: From swarming Highways I now have escaped..Lord, for whom my soul is burning Williams: As Thou wilt, Father.
"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "
