Known from the Old Testament as one of the tribes occupying the Promised Land, the Hittities were in reality a powerful neighbouring kingdom: highly advanced in political organization, administration of justice and military genius; with a literature inscribed in cuneiform writing on clay tablets; and with a rugged and individual figurative art ... Newly revised and updated, this classic account reconstructs a complete and balanced picture of Hittite civilization, using both established and more recent sources.
The most prominent woman in Renaissance Florence, Lucrezia Tornabuoni de' Medici (1425-1482) lived during her city's golden age. Wife of Piero de' Medici and mother of Lorenzo the Magnificent, Tornabuoni exerted considerable influence on Florence's political and social affairs. She was also, as this volume illustrates, a gifted and prolific poet. This is the first major collection in any language of her extensive body of religious poems. Ranging from gentle lyrics on the Nativity to moving dialogues between a crucified Christ and the weeping sinner who kneels before him, the nine laudi (poems of praise) included here are among the few such poems known to have been written by a woman. Tornabuoni's five storie sacre, narrative poems based on the lives of biblical figures-three of whom, Judith, Susanna, and Esther, are Old Testament heroines-are virtually unique in their range and expressiveness. Together with Jane Tylus's substantial introduction, these poems offer us both a fascinating portrait of a highly educated and creative woman and a lively sense of cultural and social life in Renaissance Florence.
"This book ... is concerned to open up some of the conditioning factors which reveal the concerns of the ecclesiastical authorities for the formal representation of Marian teaching. The following chapters aim to show how the Marian altarpiece was responsive both to developments in dogma and to major stylistic changes in the course of the period 1320-1630. These changes were grounded in the visual strategies by which the spatial and lighting systems of the painting reflected those of the viewer, so as to impart to the painted image the convition of reality derived from sensory experience. The book makes a distinction between the theological and the cult image in order to isolate those aspects of Marian devotion which the Church embraced as doctrinally important."--Preface, p. xii.
The volume discusses the world as it was known in the Medieval and Early Modern periods, focusing on projects concerned with mapping as a conceptual and artistic practice, with visual representations of space, and with destinations of real and fictive travel. Maps were often taken as straightforward, objective configurations. However, they expose deeply subjective frameworks with social, political, and economic significance. Travel narratives, whether illustrated or not, can address similar frameworks. Whereas travelled space is often adventurous, and speaking of hardship, strange encounters and danger, city portraits tell a tale of civilized life and civic pride. The book seeks to address the multiple ways in which maps and travel literature conceive of the world, communicate a 'Weltbild', depict space, and/or define knowledge. The volume challenges academic boundaries in the study of cartography by exploring the links between mapmaking and artistic practices. The contributions discuss individual mapmakers, authors of travelogues, mapmaking as an artistic practice, the relationship between travel literature and mapmaking, illustration in travel literature, and imagination in depictions of newly explored worlds.
Search for a sacredness has been a essential motives for any artists. Especially this is true in the sacred art. In the Christian sacred art, figures portray something greater; the visible manifestation of the invisible as we are made in the image of God. The Rebirth of the Figurative Sacred Art has already started and now is to flower even more.
What is the relationship between the sacred and the political, transcendence and immanence, religion and violence? And how has this complex relation affected the history of Western political reason? In this volume an international group of scholars explore these questions in light of mimetic theory as formulated by René Girard (1923-2015), one of the most original thinkers of our time. From Aristotle and his idea of tragedy, passing through Machiavelli and political modernity, up to contemporary biopolitics, this work provides an indispensable guide to those who want to assess the thorny interconnections of sacrality and politics in Western political thought and follow an unexplored yet critical path from ancient Greece to our post-secular condition. While looking at the past, this volume also seeks to illuminate the future relevance of the sacred/secular divide in the so-called 'age of globalization'.
People are born in one place. Traditionally humans move around more than other animals, but in modernity the global mobility of persons and the factors of production increasingly disrupts the sense of place that is an intrinsic part of the human experience of being on earth. Industrial development and fossil fuelled mobility negatively impact the sense of place and help to foster a culture of placelessness where buildings, fields and houses increasingly display a monotonous aesthetic. At the same time ecological habitats, and diverse communities of species are degraded. Romantic resistance to the industrial evisceration of place and ecological diversity involved the setting aside of scenic or sublime landscapes as wilderness areas or parks. However the implication of this project is that human dwelling and ecological sustainability are intrinsically at odds. In this collection of essays Michael Northcott argues that the sense of the sacred which emanates from local communities of faith sustained a 'parochial ecology' which, over the centuries, shaped communities that were more socially just and ecologically sustainable than the kinds of exchange relationships and settlement patterns fostered by a global and place-blind economy. Hence Christian communities in medieval Europe fostered the distributed use and intergenerational care of common resources, such as alpine meadows, forests or river catchments. But contemporary political economists neglect the role of boundaried places, and spatial limits, in the welfare of human and ecological communities. Northcott argues that place-based forms of community, dwelling and exchange – such as a local food economy – more closely resemble evolved commons governance arrangements, and facilitate the revival of a sense of neighbourhood, and of reconnection between persons and the ecological places in which they dwell.
Standing on Holy Ground in the Middle Ages illuminates how the floor surface shaped the ways in which people in medieval western Europe and beyond experienced sacred spaces. The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. By focusing on this surface as a point of encounter, Lucy Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities. Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.
