Russia in Britain explores the extent of British fascination with Russian and Soviet culture from the 1880s up to the Soviet Union's entry into the Second World War.
The untold story of how Russia refined the art and science of targeted assassination abroad: “A compelling rendering of Putin’s frightening extensions of power into Europe and the United States” (Associated Press). They thought they had found a safe haven in the green hills of England. They were wrong. One by one, the Russian oligarchs, dissidents, and gangsters who fled to Britain after Vladimir Putin came to power dropped dead in strange or suspicious circumstances. One by one, their British lawyers and fixers met similarly grisly ends. Yet, one by one, the British authorities shut down every investigation — and carried on courting the Kremlin. The spies in the riverside headquarters of MI6 looked on with horror as the scope of the Kremlin's global killing campaign became all too clear. And, across the Atlantic, American intelligence officials watched with mounting alarm as the bodies piled up, concerned that the tide of death could spread to the United States. Those fears intensified when a one-time Kremlin henchman was found bludgeoned to death in a Washington, D.C. penthouse. But it wasn't until Putin's assassins unleashed a deadly chemical weapon on the streets of Britain, endangering hundreds of members of the public in a failed attempt to slay the double agent Sergei Skripal, that Western governments were finally forced to admit that the killing had spun out of control. Unflinchingly documenting the growing web of death on British and American soil, Heidi Blake bravely exposes the Kremlin's assassination campaign as part of Putin's ruthless pursuit of global dominance — and reveals why Western governments have failed to stop the bloodshed. The unforgettable story that emerges whisks us from London's high-end night clubs to Miami's million-dollar hideouts ultimately renders a bone-chilling portrait of money, betrayal, and murder, written with the pace and propulsive power of a thriller. Based on a vast trove of unpublished documents, bags of discarded police evidence, and interviews with hundreds of insiders, this heart-stopping international investigation uncovers one of the most important — and terrifying — geopolitical stories of our time.
From Komisarjevsky in the 1920s, to Cheek by Jowl’s Russian ‘sister company’ almost a century later, Russian actor training has had a unique influence on modern British theatre. Russians in Britain, edited by Jonathan Pitches, is the first work of its type to identify a relationship between both countries’ theatrical traditions as continuous as it is complex. Unravelling new strands of transmission and translation linking the great Russian émigré practitioners to the second and third generation artists who responded to their ideas, Russians in Britain takes in: Komisarjevsky and the British theatre establishment. Stanislavsky in the British conservatoire. Meyerhold in the academy. Michael Chekhov in the private studio. Littlewood’s Theatre Workshop and the Northern Stage Ensemble. Katie Mitchell, Declan Donnellan and Michael Boyd. Charting a hitherto untold story with historical and contemporary implications, these nine essays present a compelling alternative history of theatrical practice in the UK.
A major re-interpretation of international relations in the period from 1919 to 1939. Avoiding such simplistic explanations as appeasement and British decline, Keith Neilson demonstrates that the underlying cause of the Second World War was the intellectual failure to find an effective means of maintaining the new world order created in 1919. With secret diplomacy, alliances and the balance of power seen as having caused the First World War, the makers of British policy after 1919 were forced to rely on such instruments of liberal internationalism as arms control, the League of Nations and global public opinion to preserve peace. Using Britain's relations with Soviet Russia as a focus for a re-examination of Britain's dealings with Germany and Japan, this book shows that these tools were inadequate to deal with the physical and ideological threats posed by Bolshevism, fascism, Nazism and Japanese militarism.
"The essays in this stimulating collection attest to the scope and variety of Russia's influence on British culture. They move from the early nineteenth century -- when Byron sent his hero Don Juan to meet Catherine the Great, and an English critic sought to come to terms with the challenge of Pushkin -- to a series of Russian-themed exhibitions at venues including the Crystal Palace and Earls Court. The collection looks at British encounters with Russian music, the absorption with Dostoevskii and Chekhov, and finishes by shedding light on Britain's engagement with Soviet film."--Back cover.
This book demonstrates the role of Count Aleksandr Benckendorff, the Russian ambassador in London between 1903 and 1916, in setting Russia on the road to war. Fearing the loss of Britain's friendship, he opposed all Russia's efforts at improving Russo-German relations and when the Sarajevo crisis struck, there was now no hope of appealing to German goodwill to help defuse the situation. Instead Russia's status within the Entente depended on a show of determination and strength, which lead inexorably to a disaster of the Great War.
At the height of her imperial power Britain clashed with Russia at many points from Turkey to China. But it was only in Persia and Central Asia that these two expansionist empires met face to face. The fear of a Russian drive against India had initially impelled the British to oppose the extension of Russian influence. Russia's subsequent advance into Central Asia and her spectacular conquests in the second half of the nineteenth century both startled Europe and narrowed the gap separating the Russians and the British. This classic work by distinguished historian Firuz Kazemzadeh provides an outstanding history of Anglo-Russian relations in Persia in the half century preceding the First World War. It affords both a comprehensive overview of British and Russian policy in Iran and detailed coverage of the most important events. The new introduction includes reflections upon of events after the First World War. Long unavailable this new edition will be welcomed by scholars and students alike and provides a fascinating backdrop to the motivations behind Iran's diplomatic posture today.
This book analyses contemporary war commemoration in Britain and Russia. Focusing on the political aspects of remembrance, it explores the instrumentalisation of memory for managing civil-military relations and garnering public support for conflicts. It explains the nexus between remembrance, militarisation and nationalism in modern societies.
Commercial competition between Britain and Russia became entangled during the eighteenth century in Iran, the Middle East, and China, and disputes emerged over control of the North Pacific. Focusing on the British Russia Company, Matthew P. Romaniello charts the ways in which the company navigated these commercial and diplomatic frontiers. He reveals how geopolitical developments affected trade far more than commercial regulations, while also challenging depictions of this period as a straightforward era of Russian economic decline. By looking at merchants' and diplomats' correspondence and the actions and experiences of men working in Eurasia for Russia and Britain, he demonstrates the importance of restoring human experiences in global processes and provides individual perspective on this game of empire. This approach reveals that economic fears, more than commodities exchanged, motivated actions across the geopolitical landscape of Europe during the Seven Years' War and the American and French Revolutions.