Ayn Rand and Song of Russia
Ayn Rand and Song of Russia

Author: Robert Mayhew

Publisher: Scarecrow Press

Published: 2005

Total Pages: 234

ISBN-13: 9780810852761

DOWNLOAD EBOOK

In October 1947, more than twenty years after leaving Russia, Ayn Rand testified before the House Un-American Activities Committee (HUAC), which was investigating communist infiltration of the motion picture industry. The focus of that testimony was Song of Russia, a 1944 pro-Soviet film that Rand decried for its unrealistic, absurdly flattering portrait of life in the communist country. Ayn Rand scholar Robert Mayhew focuses on this controversial period of American and Hollywood history by examining both the film and the furor surrounding Rand's HUAC testimony. His analysis provides the first detailed history of any of the pro-Soviet films to come out of 1940s Hollywood. Mayhew begins by offering a brief synopsis of the MGM film, followed by an account of its production, as well as its reception. Most significantly, Mayhew analyzes Rand's appearance before HUAC and discusses the response to her much-maligned testimony. By carefully scrutinizing this one episode in the history of communism and anti-communism in 1940s Hollywood, Mayhew presents a more accurate picture of those times and the issues surrounding them. His study allows for a re-evaluation of the role of communism in Hollywood, the nature of the HUAC, and even the Hollywood Ten. This book should be of interest to anyone interested in the life and thought of Ayn Rand, as well as to anyone interested in the history of Hollywood communism and of American film.

Cold War II
Cold War II

Author: Tatiana Prorokova-Konrad

Publisher: Univ. Press of Mississippi

Published: 2020-12-15

Total Pages: 264

ISBN-13: 1496831136

DOWNLOAD EBOOK

Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.

My Hollywood and Other Poems
My Hollywood and Other Poems

Author: Boris Dralyuk

Publisher: Paul Dry Books

Published: 2022-12-14

Total Pages: 63

ISBN-13: 1589881672

DOWNLOAD EBOOK

"The wit and daring of his rhymes and phrasing remind me of that old master, Donald Justice, who dazzled us with the elegance of his forms. Dralyuk carries this high style into the 21st century, and I, for one, am thrilled to be in the presence of his marvelous verbal art. Pay attention, readers: a new maestro is in our midst."—Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa "These [poems] are the souvenirs of an almost-vanished glamour, an ethnic, gritty, free-wheeling city, little fantasias encased in rhyme and meter."—Jesse Nathan, McSweeney's My Hollywood and Other Poems is a collection of lyric meditations on the experience of émigrés in Los Angeles. In forms ranging from ballades to villanelles to Onegin sonnets, the poems pursue the sublime in a tarnished landscape, seek continuity and mourn its loss in a town where change is the only constant. My Hollywood draws on the poet’s own life as a Jewish immigrant from the Soviet Union, honors the vanishing traces of the city’s past, and, in crisp and poignant translations, summons the voices of five Russian poets who spent their final years in LA, including the composer Vernon Duke. “Dralyuk embraces rhyme with a rare and admirable enthusiasm for sound and syllable, for musical variety and plays on words . . . [An] air of upbeat sorrow permeates My Hollywood. It’s an émigré mood, defined by the conviction that things could always be worse.”—New York Review of Books "Sophisticated, musical, and often humorous."—Booklist "Byronic rhymes are poetry’s answer to special effects, and Dralyuk’s skill at slipping them in—so that the art seems artless—is worthy of Industrial Light & Magic . . . What’s true of my favorite films is true of this book: the lines are first-rate, but it’s the images that linger.”— Austin Allen, The Hopkins Review "My Hollywood is a first-rate collection of precise, delightfully graceful poems, the poet as Fred Astaire tap-dancing up and down the lines."—Russian Life

Hollywood – a Challenge for the Soviet Cinema
Hollywood – a Challenge for the Soviet Cinema

Author: Franz, Norbert P.

Publisher: Universitätsverlag Potsdam

Published: 2020

Total Pages: 208

ISBN-13: 3869564903

DOWNLOAD EBOOK

This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.

The Revolution of Marina M.
The Revolution of Marina M.

Author: Janet Fitch

Publisher: Hachette+ORM

Published: 2017-11-07

Total Pages: 925

ISBN-13: 0316125776

DOWNLOAD EBOOK

From the mega-bestselling author of White Oleander and Paint It Black, a sweeping historical saga of the Russian Revolution, as seen through the eyes of one young woman. St. Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear, before being betrayed in turn. As her country goes through almost unimaginable upheaval, Marina's own coming-of-age unfolds, marked by deep passion and devastating loss, and the private heroism of an ordinary woman living through extraordinary times. This is the epic, mesmerizing story of one indomitable woman's journey through some of the most dramatic events of the last century.

Blockbuster History in the New Russia
Blockbuster History in the New Russia

Author: Stephen M. Norris

Publisher: Indiana University Press

Published: 2012-10-19

Total Pages: 406

ISBN-13: 0253007089

DOWNLOAD EBOOK

Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.

Essays on Ayn Rand's "We the Living"
Essays on Ayn Rand's

Author: Robert Mayhew

Publisher: Lexington Books

Published: 2012-02-16

Total Pages: 440

ISBN-13: 0739149717

DOWNLOAD EBOOK

Ayn Rand remains a truly significant figure of modern philosophy. Her unique vision of a world in which man, relying on reason, acts wholly for his own good is skillfully developed and illustrated in her most famous novels, Atlas Shrugged and The Fountainhead. But Rand's first novel, We the Living, a lesser-known but no less important book, offers an early form of the author's nascent philosophy—the philosophy Rand later called Objectivism. In the second edition, Robert Mayhew once again brings together pre-eminent scholars of Rand's writing. The edition includes three new chapters, as well as an epilogue by renowned Rand-scholar Leonard Peikoff. In part a history of We the Living, from its earliest drafts to the Italian film later based upon it, Mayhew's collection goes on to explore the enduring significance of Rand's first novel as a work both of philosophy and of literature. For Ayn Rand scholars and fans alike, this enhanced second edition is a compelling examination of a novel that set the tone for some of the most influential philosophical literature to follow.

"It's the Pictures That Got Small"

Author: Charles Brackett

Publisher: Columbia University Press

Published: 2014-12-16

Total Pages: 463

ISBN-13: 0231538227

DOWNLOAD EBOOK

“Brackett’s diaries read like a funnier, better-paced version of Barton Fink.” —Newsweek Screenwriter Charles Brackett is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as “the happiest couple in Hollywood,” collaborating on such classics as The Lost Weekend and Sunset Boulevard. He was also a perceptive chronicler of the entertainment industry, and in this annotated collection of writings from dozens of Brackett’s unpublished diaries, film historian Anthony Slide clarifies Brackett's critical contribution to Wilder’s films and enriches our knowledge of Wilder’s achievements in writing, direction, and style. Brackett’s diaries re-create the initial meetings of the talent responsible for Ninotchka, Hold Back the Dawn, Ball of Fire, The Major and the Minor, Five Graves to Cairo, The Lost Weekend, and Sunset Boulevard, recounting the breakthroughs and the breakdowns that ultimately forced these collaborators to part ways. In addition to a portrait of Wilder, this is rare view of a producer who was a president of the Academy of Motion Picture Arts and Sciences and the Screen Writers Guild, a New Yorker drama critic, and a member of the Algonquin Round Table. With insight into the dealings of Paramount, Universal, MGM, and RKO, and legendary figures such as Alfred Lunt, Lynn Fontanne, Edna Ferber, and Dorothy Parker, this book reveals the political and creative intrigue at the heart of Hollywood’s most significant films. “A fascinating look at Hollywood in its classic period, and a unique and indispensable must-have for any movie buff.” —Chicago Tribune “This feels as close as we can get to being in the presence of Wilder’s genius, and he emerges as the cruelest as well as the wittiest of men.” —The Guardian “Not only rare insight into their often-stormy partnership but also an insider’s view of Hollywood during that era.” —Los Angeles Times “Very entertaining.” —Library Journal