A comprehensive collection exploring the role of ideas, institutions, and movements in the evolution of Russian religious thought, Contains cutting-edge scholarship that expands understanding of one of the richest aspects of Russian cultural and intellectual life, Considers the influence of Russian religious thought in the West and the role of religion in aesthetics, music, poetry, art, film, and the novel, An authoritative reference for students and scholars Book jacket.
Contains 11 essays on four seminal thinkers from the modern Russian tradition: Vladimir Soloviev (1853-1900), Pavel Florensky (1882-1937), Sergei Bulgakov (1871-1944), and Semen Frank (1877-1950). Despite their various approaches they all share the predominant dual focus of most Russian religious thought on the doctrines of Incarnation and Deification, and the attendant stress on moral and social issues, the philosophy of history, and the relation of religion and culture. Paper edition (unseen), $21.95. Annotation copyright by Book News, Inc., Portland, OR
Faith and Science in Russian Religious Thought provides a comprehensive analysis of the relationship between science and faith in Russian religious thought. Teresa Obolevitch offers a synthetic approach on the development of the problem throughout the whole history of Russian thought, starting from the medieval period and arriving in contemporary times. She considers the relationship between science and religion in the eighteenth century, the so-called academic philosophy of the 19th and 20th century, the thought of Peter Chaadaev, the Slavophiles, and in the most influential literature figures, such as Fedor Dostoevsky and Lev Tolstoy. The volume also analyses two channels of the formation of philosophy in the context of the relationship between theology and science in Russia. The first is connected with the attempt to rationalize the truths of faith and is exemplified by Vladimir Soloviev and Nikolai Lossky; the second wtih the apophatic tradition is presented by Pavel Florensky and Semen Frank. The book then describes the relation to scientific knowledge in the thought of Lev Shestov, Nikolai Berdyaev, Sergius Bulgakov, and Alexei Losev as well as the original project of Russian Cosmism (on the examples of Nikolai Fedorov, Konstantin Tsiolkovsky, and Vladimir Vernadsky). Obolevitch presents the current state of the discussion on this topic by paying attention to the Neopatristic synthesis (Fr Georges Florovsky and his followers) and offers the brief comparative analyse of the relationship between science and religion from the Western and Russian perspectives.
A study of the reception of the Eastern Christian Orthodox doctrine of deification by Russian religious thinkers of the immediate pre-revolutionary period.
This book considers a movement within Russian religious philosophy known as "full unity" (vseedinstvo), with a focus on one of its main representatives, Pavel Florensky (1882–1937). Often referred to as "the Russian Leonardo," Florensky was an important figure of the Russian religious renaissance around the beginning of the twentieth century. This book shows that his philosophy, conceptualized in his theory of the icon, brings together the problem of the "religious turn" and the "pictorial turn" in modern culture, as well as contributing to contemporary debates on religion and secularism. Organized around the themes of full unity and visuality, the book examines Florensky’s definition of the icon as "energetic symbol," drawing on St. Gregory Palamas, before offering a theological reading of Florensky’s theory of the pictorial space of the icon. It then turns to Florensky’s idea of space in the icon as Non-Euclidean. Finally, the icon is placed within wider debates provoked by Bolshevik cultural policy, which extend to current discussions concerning religion, modernity, and art. Offering an important contribution from Russian religious philosophy to issues of contemporary modernity, this book will be of interest to scholars of religious philosophy, Russian studies, theology and the arts, and the medieval icon.
Nineteenth- and twentieth-century Russian religious intellectuals devoted a great deal of attention to the concept of agape, or Divine Love, arguing that the Christian church is a reflection of the triune, self-sacrificing God and his love for all of creation. On account of their deliberations, these intellectuals played a key role in mediating between the Orthodox Church and modern society. Their quest for dialogue between the 'mystery of the sacred' and the 'ordinary of everyday life' remains relevant for Western societies today. In God as Love Johannes Oravecz presents a comprehensive summation of twenty-five prominent Russian religious thinkers and their thought on the concept of agape, showing in detail how they broke new ground in their various affirmations of the truth that God is love. No other book in any language treats this topic with such breadth and depth.
This collection of essays on Russian religious thought focuses on the extent to which Russian culture and ideology has been informed by the nation's roots in Orthodox Christianity.
Holy Russia, Sacred Israel examines how Russian religious thinkers, both Jewish and Christian, conceived of Judaism, Jewry and the 'Old Testament' philosophically, theologically and personally at a time when the Messianic element in Russian consciousness was being stimulated by events ranging from the pogroms of the 1880s, through two Revolutions and World Wars, to exile in Western Europe. An attempt is made to locate the boundaries between the Jewish and Christian, Russian and Western, Gnostic-pagan and Orthodox elements in Russian thought in this period. The author reflects personally on how the heritage of these thinkers - little analyzed or translated in the West - can help Orthodox (and other) Christians respond to Judaism (including 'Messianic Judaism'), Zionism, and Christian anti-Semitism today.