Russia's Capitalist Realism
Russia's Capitalist Realism

Author: Vadim Shneyder

Publisher: Northwestern University Press

Published: 2020-10-15

Total Pages: 247

ISBN-13: 0810142481

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Russia’s Capitalist Realism examines how the literary tradition that produced the great works of Leo Tolstoy, Fyodor Dostoevsky, and Anton Chekhov responded to the dangers and possibilities posed by Russia’s industrial revolution. During Russia’s first tumultuous transition to capitalism, social problems became issues of literary form for writers trying to make sense of economic change. The new environments created by industry, such as giant factories and mills, demanded some kind of response from writers but defied all existing forms of language. This book recovers the rich and lively public discourse of this volatile historical period, which Tolstoy, Dostoevsky, and Chekhov transformed into some of the world’s greatest works of literature. Russia’s Capitalist Realism will appeal to readers interested in nineteenth‐century Russian literature and history, the relationship between capitalism and literary form, and theories of the novel.

Russian Realisms
Russian Realisms

Author: Molly Brunson

Publisher: Northern Illinois University Press

Published: 2016-09-10

Total Pages: 283

ISBN-13: 1501757539

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One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century—from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.

The Cambridge History of Russian Literature
The Cambridge History of Russian Literature

Author: Charles Moser

Publisher: Cambridge University Press

Published: 1992-04-30

Total Pages: 724

ISBN-13: 9780521425674

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An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.

Russian Grotesque Realism
Russian Grotesque Realism

Author: Ani Kokobobo

Publisher:

Published: 2018-02-23

Total Pages: 186

ISBN-13: 9780814254684

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Offers a rereading of the Russian realist novel and proposes a hybrid genre, grotesque realism, to describe changes during the post-Reform era.

Russian Realism
Russian Realism

Author: Andrei P. Tsygankov

Publisher: Routledge

Published: 2022-03-17

Total Pages: 168

ISBN-13: 1000554384

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Russian Realism analyzes Russian contemporary geopolitical thinking, or realism, and explores the notion of Derzhava as the foundation of Russian realism. The author defines Russian realists as all those favoring actions by the Russian state in defense of its interests, including protection of national sovereignty, security, power, and prestige on the international scene. What makes Russian realism distinct is its "vision of Russianness" formed by the country’s historical, cultural/religious experience, and its semi-peripheral position in the international system. The vision stresses the importance of survival, preservation of strong state, and protection of national interests from external infringement. Mainstream literature, especially in the West, tends to ignore Russian theoretical debates and narratives; this book remedies this by providing significant insights into Russian realist thinking. It explores the historical unfolding of the longstanding national debates about Russia’s role in Europe/the West and how realists have reframed these debates in response to multiple international and domestic developments. The book also identifies distinct groups and debates within the broad school of Russian realism. This book will be of interest to students and scholars of Russian foreign policy, IR theory, diplomatic studies, political science, and European history. It will also appeal to a broader general audience of those interested in Russia and international politics.

Russian Legal Realism
Russian Legal Realism

Author: Bartosz Brożek

Publisher: Springer

Published: 2019-01-07

Total Pages: 183

ISBN-13: 3319988212

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This edited volume explores ideas of legal realism which emerge through the works of Russian legal philosophers. Apart from the well-known American and Scandinavian versions of legal realism, there also exists a Russian one: readers will discover fresh perspectives and that the collection of early twentieth century ideas on law discussed in Russia can be understood as a unified school of legal thought – as Russian legal realism. These chapters by renowned European and Eastern European legal philosophers add to ongoing discussions about the nature of law, especially in the context of developments around our scientific knowledge about the mind and behaviour. Analyses of legal phenomena carried out by legal realists in Russia offer novel arguments in favour of embracing psychological and sociological perspectives on the law. The book includes analysis of the St. Petersburg school of legal philosophy and Leon Petrażycki’s psychological theory of law. This original and multifaceted research on Russian realists is of considerable value to an international audience. Researchers and postgraduate students of law, legal theory and legal ethics will find the book particularly appealing, but it will also interest those investigating the philosophy or sociology of law, or legal history.

Dostoevsky and Soviet Film
Dostoevsky and Soviet Film

Author: Nikita M. Lary

Publisher: Cornell University Press

Published: 2019-06-30

Total Pages: 288

ISBN-13: 1501744062

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The Soviets have long struggled with the knotty problem of assimilating Dostoevsky into a revolutionary culture. Yet to filmmakers, he has been a continuing inspiration, a novelist of ideas with an unparalleled gift for visualization. The sensitive medium of film, with its popularity and high official status in the Soviet Union, provides a unique opportunity to study the interplay between art and ideology. Offering a vivid picture of Soviet culture, and comparing and contrasting the aesthetics of Socialist Realism and modernism, this book shrewdly demonstrates that film and Dostoevsky have served each other well. Dostoevsky and Soviet Film blends three major motifs with ease and elegance: an analysis of all films produced in the Soviet Union which used Dostoevsky's fiction, as well as those planned but never realized; a history of the Soviet film industry spanning prerevolutionary days to the present; and an exploration of the dual challenge of art and politics which Soviet film has consistently had to face. N. M. Lary demonstrates the ways in which a number of film artists—Eisenstein, Grigori Kozintsev, Viktor Shklovsky, and Fridrikh Ermler among them—altered and extended the language of film under Dostoevsky's influence. He has included substantial excerpts from Eisenstein's notes from his "Chapter on Dostoevsky," which appear here for the first time in any language, and he also draws upon other theoretical and critical writings, film scripts, project notes, interviews, contemporary reviews, and many autobiographical reminiscences. Besides discussing such Dostoevsky adaptations as Ivan Pyriev's The Brothers Karamazav, Alov and Naumov's suppressed Nasty Story, Kulidzhanov's Crime and Punishment, and Ermler's Great Citizen, Lary offers suggestive critical analyses of Eisenstein's Ivan the Terrible and Kozintsev's King Lear. He provides as well his own provocative readings of Dostoevsky, uncovering new layers of meaning in the texts through his close study of their filmic treatment. Lary's book tells the fascinating story of Dostoevsky and Soviet film as it unfolds both onscreen and off. It not only reveals some hidden sides of Soviet resistance to Dostoevsky's work, but through its insights contributes toward a new understanding of the uses of literature in film.

The Cambridge Companion to Twentieth-Century Russian Literature
The Cambridge Companion to Twentieth-Century Russian Literature

Author: Evgeny Dobrenko

Publisher: Cambridge University Press

Published: 2011-02-17

Total Pages: 327

ISBN-13: 1139828231

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In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.