Russian Art and the West

Russian Art and the West

Author: Rosalind Polly Blakesley

Publisher:

Published: 2007

Total Pages: 264

ISBN-13:

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"This book addresses the lively artistic dialogue that took place between Russia and the West - in particular with the United States, Britain, and France - from the 1860s to the Khrushchev Thaw. Offering new readings of cross-cultural exchange, it illuminates Russia's compelling, and sometimes combative, relation with western art in this period of profound cultural transformation." "This illustrated volume will appeal to students, scholars, and general readers seeking to understand the fuller context of Russian artistic culture during a remarkable century of social and political change."--BOOK JACKET.


Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s

Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s

Author: Ilia Dorontchenkov

Publisher: Univ of California Press

Published: 2009-06-10

Total Pages: 364

ISBN-13: 0520253728

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From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.


Russia and the Idea of the West

Russia and the Idea of the West

Author: Robert D. English

Publisher: Columbia University Press

Published: 2000

Total Pages: 420

ISBN-13: 9780231110594

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In most analyses of the Cold War's end the ideological aspects of Gorbachev's "new thinking" are treated largely as incidental to the broader considerations of power. English demonstrates that Gorbachev's foreign policy was the result of an intellectual revolution. He analyzes the rise of a liberal policy-academic elite and its impact on the Cold War's end.


Russian Architecture and the West

Russian Architecture and the West

Author: Dmitriĭ Olegovich Shvidkovskiĭ

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 474

ISBN-13: 0300109121

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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.


Russian Painting

Russian Painting

Author: Peter Leek

Publisher: Parkstone International

Published: 2012-05-08

Total Pages: 272

ISBN-13: 1780429754

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From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.


Russian Art of the Avant-garde

Russian Art of the Avant-garde

Author: John E. Bowlt

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9780500293058

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A major resource, collecting essays, articles, manifestos, and works of art by Russian artists and critics in the early twentieth century, available again at the 100th anniversary of the Russian Revolution


Russian Art Nouveau

Russian Art Nouveau

Author: Vsevolod Petrov

Publisher:

Published: 1997

Total Pages: 0

ISBN-13: 9781859953501

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The Art Nouveau movement in Russia was known under the name of The World of Art. This association grouped a remarkable collection of artist and poets at the end of the 19th century. Inspired by the poetic ideals of neo-Romanticism and Symbolism, they extended their influence into all forms of plastic and literary composition. Certain members of the group became world famous for book illustrations and theatrical decors. The illustrations include paintings, book illustrations, theatrical costumes and decors of such members as: Alexander Benois, Leon Bakst, Mstislav Dobujinsky, Boris Kustodiev, Evgeni Lanceray, Anna Ostrumova-Lebedeva, Konstantin Somov, Alexandre Golovin, Mikhail Vrubel, Valentin Serov Ivan Bilibin, Dimitri Mitrokin, Sergei Tchekonin and others.


Explodity

Explodity

Author: Nancy Perloff

Publisher: Getty Publications

Published: 2017-01-21

Total Pages: 210

ISBN-13: 1606065084

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The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.


Critical Theory in Russia and the West

Critical Theory in Russia and the West

Author: Alastair Renfrew

Publisher: Routledge

Published: 2009-12-04

Total Pages: 241

ISBN-13: 1135254966

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This book, with contributions from some of the best-known and most visible specialists in the field, re-examines the significant transfers, cross-fertilisations and synergies of cultural and literary theory between Russia and the West, from the 1920s through to the present day.