Rupert ́s Ambition
Author: Horatio Alger
Publisher: BoD – Books on Demand
Published: 2019-09-25
Total Pages: 234
ISBN-13: 3734072115
DOWNLOAD EBOOKReproduction of the original: Rupert ́s Ambition by Horatio Alger
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Author: Horatio Alger
Publisher: BoD – Books on Demand
Published: 2019-09-25
Total Pages: 234
ISBN-13: 3734072115
DOWNLOAD EBOOKReproduction of the original: Rupert ́s Ambition by Horatio Alger
Author: Horatio Alger (Jr.)
Publisher:
Published: 1899
Total Pages: 396
ISBN-13:
DOWNLOAD EBOOKRupert is the sole supporter of his widowed mother and sickly sister. When he loses his job due to the financial troubles of his employer, he unwittingly comes to the aid of a rich man and is rewarded with a new job as a bell boy in a hotel. His mother also receives employment as a housekeeper and the family's fortunes take a turn for the better.
Author: Horatio Alger
Publisher: Litres
Published: 2018-08-11
Total Pages: 317
ISBN-13: 5041270163
DOWNLOAD EBOOKAuthor: Jake Horsley
Publisher: Scarecrow Press
Published: 1999
Total Pages: 516
ISBN-13: 9780810836709
DOWNLOAD EBOOKIncreasingly, society questions the connection between violence in entertainment and violence in life. Moralists and censors would reply resoundingly that media violence and social violence are directly linked, but others ask the deeper question: Why do people feel the need to create images of violence, and why do audiences continually watch them? In this thought-provoking and insightful study of American violent cinema, author Jake Horsley attempts to answer these questions by tying together the multiple disciplines of psychology, criminology, censorship, and anthropology. Horsley divides the forty years of his study into two volumes: American Chaos: From Touch of Evil to The Terminator, and Millennial Blues: From Apocalypse Now to The Matrix. These volumes aim to provide both a critical overview of the films themselves and a cultural study of the social and psychological factors relating to the demand for screen violence. By doing so, Horsley raises a new dialogue between scholars and movie buffs to examine the need to portray and the need to watch violent films.
Author: Rupert Read
Publisher: A&C Black
Published: 2007-11-29
Total Pages: 209
ISBN-13: 1441165509
DOWNLOAD EBOOKA key development in Wittgenstein Studies over recent years has been the advancement of a resolutely therapeutic reading of the Tractatus. Rupert Read offers the first extended application of this reading of Wittgenstein, encompassing Wittgenstein's later work too, to examine the implications of Wittgenstein's work as a whole upon the domains especially of literature, psychopathology, and time. Read begins by applying Wittgenstein's remarks on meaning to language, examining the consequences our conception of philosophy has for the ways in which we talk about meaning. He goes on to engage with literary texts as Wittgensteinian, where 'Wittgensteinian' does not mean expressive of a Wittgenstein philosophy, but involves the literature in question remaining enigmatic, and doing philosophical work of its own. He considers Faulkner's work as productive too of a broadly Wittgensteinian philosophy of psychopathology. Read then turns to philosophical accounts of time, finding a link between the division of time into discrete moments and solipsism of the present moment as depicted in philosophy on the one hand and psychopathological states on the other. This important book positions itself at the forefront of a revolutionary movement in Wittgenstein studies and philosophy in general and offers a new and dynamic way of using Wittgenstein's works.
Author: Egerton Castle
Publisher:
Published: 1900
Total Pages: 464
ISBN-13:
DOWNLOAD EBOOKAuthor: Katarina Gephardt
Publisher: Routledge
Published: 2016-03-03
Total Pages: 249
ISBN-13: 1317028120
DOWNLOAD EBOOKThe nineteenth century was the heyday of travel, with Britons continually reassessing their own culture in relation to not only the colonized but also other Europeans, especially the ones that they encountered on the southern and eastern peripheries of the continent. Offering illustrative case studies, Katarina Gephardt shows how specific rhetorical strategies used in contemporary travel writing produced popular fictional representations of continental Europe in the works of Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker. She examines a wide range of autobiographical and fictional travel narratives to demonstrate that the imaginative geographies underpinning British ideas of Europe emerged from the spaces between fact and fiction. Adding texture to her study are her analyses of the visual dimensions of cross-cultural representation and of the role of evolving technologies in defining a shared set of rhetorical strategies. Gephardt argues that British writers envisioned their country simultaneously as distinct from the Continent and as a part of Europe, anticipating the contradictory British discourse around European integration that involves both fear that the European super-state will violate British sovereignty and a desire to play a more central role in the European Union.