This study examines the role of British newspapers during the July Crisis of 1914. The author argues that decision-makers in Berlin and London framed their policies on a reading of the British press, which expressed deep skepticism about involvement in a general European war after the Sarajevo murders. British newspapers and journalists encouraged German hopes for British neutrality, as well as the indecisive nature of Sir Edward Grey's foreign policy in 1914, helping spark the Great War.
A renowned military historian closely examines the first month of World War I in France. On August 1, 1914, war erupted into the lives of millions of families across France. Most people thought the conflict would last just a few weeks . . . Yet before the month was out, twenty-seven thousand French soldiers died on the single day of August 22 alone—the worst catastrophe in French military history. Refugees streamed into France as the German army advanced, spreading rumors that amplified still more the ordeal of war. Citizens of enemy countries who were living in France were viciously scapegoated. Drawing from diaries, personal correspondence, police reports, and government archives, Bruno Cabanes renders an intimate, narrative-driven study of the first weeks of World War I in France. Told from the perspective of ordinary women and men caught in the flood of mobilization, this revealing book deepens our understanding of the traumatic impact of war on soldiers and civilians alike. “An exceptional book, a brilliant, moving, and insightful analysis of national mobilization.” —Martha Hanna, author of Your Death Would Be Mine: Paul and Marie Pireaud in the Great War “This book deserves a wide readership from historians, critics and anyone interested in the catastrophe of war.” —Mary Louise Roberts, Distinguished Lucie Aubrac and Plaenert-Bascom Professor of History, University of Wisconsin, Madison “The sounds, sights and emotions of August, 1914 are all evoked with exceptional skill.” —David A. Bell, author of The First Total War: Napoleon’s Europe and the Birth of Warfare as We Know It
Since its release in 2006, 'Finding the Lost Battalion' by Robert J. Laplander has become the benchmark work against which all things Lost Battalion related have been measured. Now, in this updated 3rd edition released to coincide with the centennial of America's entry into WW1, Mr. Laplander again takes us to the Charlevaux Ravine to delve deeper into the story than ever before! Meticulously chronicling what would become arguably the most famous event of America's part in the war, we find the truths behind the legend. Spanning twenty years of research and hundreds of sources (most never before seen), the reader is led through the Argonne Forest during September and October, 1918 virtually hour by hour. The result is the single most factual accounting of the Lost Battalion story and their leader, Charles W. Whittlesey, to date. Told in an entertaining, fast moving style, the book has become a favorite the world over! With new Forward by Major-General William Terpeluk, US Army (Ret).
An "account of the continuing ethnic and state violence after the end of WWI--conflicts that more than anything else set the stage for WWII"--Provided by publisher.
From a bestselling historian, a daringly revisionist history of World War I The Pity of War makes a simple and provocative argument: the human atrocity known as the Great War was entirely England's fault. According to Niall Ferguson, England entered into war based on naive assumptions of German aims, thereby transforming a Continental conflict into a world war, which it then badly mishandled, necessitating American involvement. The war was not inevitable, Ferguson argues, but rather was the result of the mistaken decisions of individuals who would later claim to have been in the grip of huge impersonal forces. That the war was wicked, horrific, and inhuman is memorialized in part by the poetry of men like Wilfred Owen and Siegfried Sassoon, but also by cold statistics. Indeed, more British soldiers were killed in the first day of the Battle of the Somme than Americans in the Vietnam War. And yet, as Ferguson writes, while the war itself was a disastrous folly, the great majority of men who fought it did so with little reluctance and with some enthusiasm. For anyone wanting to understand why wars are fought, why men are willing to fight them and why the world is as it is today, there is no sharper or more stimulating guide than Niall Ferguson's The Pity of War.
Recent bestsellers by Niall Ferguson and John Keegan have created tremendous popular interest in World War I. In America's Great War prominent historian Robert H. Zieger examines the causes, prosecution, and legacy of this bloody conflict from a frequently overlooked perspective, that of American involvement. This is the first book to illuminate both America's dramatic influence on the war and the war's considerable impact upon our nation. Zieger's engaging narrative provides vivid descriptions of the famous battles and diplomatic maneuvering, while also chronicling America's rise to prominence within the postwar world. On the domestic front, Zieger details how the war forever altered American politics and society by creating the National Security State, generating powerful new instruments of social control, bringing about innovative labor and social welfare programs, and redefining civil liberties and race relations. America's Great War promises to become the definitive history of America and World War I.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.
The first English translation of writings that capture the lives and thoughts of German soldiers fighting in the trenches and on the battlefields of WWI. German Soldiers in the Great War is a vivid selection of firsthand accounts and other wartime documents that shed new light on the experiences of German frontline soldiers during the First World War. It reveals in authentic detail the perceptions and emotions of ordinary soldiers that have been covered up by the smokescreen of official military propaganda about “heroism” and “patriotic sacrifice.” In this essential collection of wartime correspondence, editors Benjamin Ziemann and Bernd Ulrich have gathered more than two hundred mostly archival documents, including letters, military dispatches and orders, extracts from diaries, newspaper articles and booklets, medical reports and photographs. This fascinating primary source material provides the first comprehensive insight into the German frontline experiences of the Great War, available in English for the first time in a translation by Christine Brocks.
Nonfiction master Russell Freedman illuminates for young readers the complex and rarely discussed subject of World War I. The tangled relationships and alliances of many nations, the introduction of modern weaponry, and top-level military decisions that resulted in thousands upon thousands of casualties all contributed to the "great war," which people hoped and believed would be the only conflict of its kind. In this clear and authoritative account, the Newbery Medal-winning author shows the ways in which the seeds of a second world war were sown in the first. Numerous archival photographs give the often disturbing subject matter a moving visual counterpart. Includes source notes, a bibliography, and an index.
