A bold and provocative book about Australia's national identity and a plea to keep Australia's famed open-mindedness, Cater tracks the seismic changes in Australian culture and outlook since Donald Horne published THE LUCKY COUNTRY in 1964. 'A great book.' Rupert Murdoch A bold and provocative book about Australia's national identity and how it is threatened by the rise of a ruling class. Nick Cater, senior editor at the Australian, tracks the seismic changes in Australian culture and outlook since Donald Horne wrote the Lucky Country in 1964. His belief is that countries don't get lucky; people do. the secret of Australia's good fortune is not found in its geography or history. the key to its success is the Australian character, the nation's greatest renewable resource. Liberated from the constraints of the old world, Australia's pioneers mined their reserves of enterprise, energy and ingenuity to build the great civilization of the south. their over-riding principle was fairness: everybody had a right to a fair go and was obliged to do the right thing by others. today that spirit of egalitarianism is threatened by the rise of a new breed of sophisticated Australians - the 'bunyip alumni' - who claim to better understand the demands of the age. their presumption of elitism and superior virtue tempts them to look down on others and dismiss opposing views. Half a century after Donald Horne named Australia 'the Lucky Country', Nick Cater takes stock of the new battle to define Australia and the rift that divides a presumptive ruling class from a people who refuse to be ruled. the Lucky Culture is a lively and original take on 21st century Australia and its people. Sometimes rousing, often provocative and always good-humoured, its unexpectedly moving message cannot be ignored. 'tHE LUCKY CULtURE is a great book and particularly relevant as it comes in a moment of high political excitement. I particularly loved Nick Cater's passion for the great Australian dream. It is the first step in restoring that dream.' Rupert Murdoch
This is a study of the Australian ruling class - the main companies, the leading political groups and the links and conflicts among them. The author also analyses class inequalities in education, the development of children's ideas about class, the role of the mass media and the way class relations are cemented culturally and psychologically. He introduces his book with a brief discussion of the literature on class theory, and a critical evaluation of Australian writing on class. Professor Connell's major aims are to describe and analyse Australia in the 1970s, to show how class theory is a useful tool in understanding the situation and to develop the theory by working through some practical cases. Apart from its obvious importance for Australian readers, this book should be of interest in other countries, both for comparison and for its original ideas on a number of important issues, such as conflict in the ruling class, and class consciousness in young people.
"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--
A ruling class have emerged in America against the hopes and designs of our Founding Fathers. Over the last hundred years, they have rejected the Constitution and expanded their own power, slowly at first and now rapidly. These people believe their actions are justified because they think they are smarter than the rest of us -- so smart they can run our lives better than we can. But for all the power and resources at their command, they have failed. Miserably. Society has become increasingly unequal, even as we're promised "equality." Our government finances are out of control, our basic infrastructure is broken, and education is unaffordable and mediocre. And yet the Ruling Class think the solution is for us to grant them ever more control. We can stop this -- but to do so we must unite. Lawrence Lindsey, economic advisor to three Republican presidents, lays out his plan for how we can use common sense to change the way our country is run, with liberty for every person to pursue his or her own dreams.
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In this profound and incisive work, Angelo M. Codevilla introduces readers to the Ruling Class, the group of bipartisan political elites who run America. This Ruling Class, educated at prestigious universities and convinced of its own superiority, has everything to gain by raising taxes and expanding the reach of government. This class maintains that it knows what is best and continually increases its power over every facet of American life, from family and marriage to the environment, guns, and God. It is becoming increasingly apparent that this Ruling Class does not represent the interests of the majority of Americans, who value self-rule and the freedom on whose promise America was founded. Millions of Americans are now reasserting our right to obey the Constitution, not the Ruling Class. This desire transcends all organizations and joins independents, Republicans, and Democrats into The Country Party, whose members embody the ideas and habits that made America great. The majority of Americans feel that the Ruling Class is demeaning us, impoverishing us, demoralizing us, and want to be rid of it.
In this original and perceptive study Donna J. Amoroso argues that the Malay elites' preeminent position after the Second World War had much to do with how British colonialism reshaped old idioms and rituals _ helping to (re)invent a tradition. In doing so she illuminates the ways that traditionalism reordered the Malay political world, the nature of the state and the political economy of leadership. In the postwar era, traditionalism began to play a new role: it became a weapon which the Malay aristocracy employed to resist British plans for a Malayan Union and to neutralise the challenge coming groups representing a more radical, democratic perspective and even hijacking their themes. Leading this conservative struggle was Dato Onn bin Jaafar, who not only successfully helped shape Malay opposition to the Malayan Union but was also instrumental in the creation of the United Malays National Organisation (UMNO) that eventually came to personify an ïacceptable Malay nationalismÍ. Traditionalism and the Ascendancy of the Malay Ruling Class in Colonial Malaya is an important contribution to the history of colonial Malaya and, more generally, to the history of ideas in late colonial societies.
The #1 New York Times bestseller from FOX News star of Tucker Carlson Tonight offers “a targeted snipe at the Democrats and Republicans and their elite enablers” (New York Journal of Books) in a funny political commentary on how America’s ruling class has failed everyday Americans. “Informal and often humorous…an entertainingly told narrative of elite malfeasance” (Publishers Weekly), Tucker Carlson’s Ship of Fools tells the truth about the new American elites, a group whose power and wealth has grown beyond imagination even as the rest of the country has withered. The people who run America now barely interact with it. They fly on their own planes, ski on their own mountains, watch sporting events far from the stands in sky boxes. They have total contempt for you. In Ship of Fools, Tucker Carlson offers a blistering critique of our new overlords and answers the all-important question: How do we put the country back on course? Traditional liberals are gone, he writes. The patchouli-scented hand-wringers who worried about whales and defended free speech have been replaced by globalists who hide their hard-edged economic agenda behind the smokescreen of identity politics. They’ll outsource your job while lecturing you about transgender bathrooms. Left and right, Carlson says, are no longer meaningful categories in America. “The rift is between those who benefit from the status quo, and those who don’t.” Our leaders are fools, Carlson concludes, “unaware that they are captains of a sinking ship.” But in the signature and witty style that viewers of Tucker Carlson Tonight enjoy so much, Ship of Fools is “bulging with big and interesting ideas, presented succinctly with wit and precision, each chapter a potential book in itself” (The Washington Times).