Original Rude Boy

Original Rude Boy

Author: Neville Staple

Publisher: Aurum

Published: 2013-07-08

Total Pages: 368

ISBN-13: 1781311986

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1979. The dawn of Thatcher’s Britain. It’s a country crippled by strikes, joblessness and economic gloom, divided by race and class - and skanking to a new beat: 2-Tone. The unruly offspring of white boy punk and rude boy ska, the new music’s undeniable leaders were The Specials. Bursting out of Coventry’s concrete jungle, their lyrics spoke of failed marriages, petty violence, crowded dance floors, gangsters and race hate - but with a wit that outshone their angry punk forebears. On stage they were electric, and at the heart of this energy was the vocal chemistry of the ethereal Terry Hall and Jamaican rude boy Neville Staple. In 1961, aged only five, Neville was sent to England to live with his father – a man for whom discipline bordered on child abuse. Growing up black in the Midlands of the Sixties and Seventies wasn’t easy, but then Nev was hardly an angel. His youth was marked by scuffles with skins, compulsive womanising, and a life of crime that led from shoplifting to burglary and eventually borstal and Wormwood Scrubs. But throughout there was music, and now Nev tells how a very bad boy became part of the most important band of the Eighties. He remembers sound system battles; the legendary 2-Tone tour with The Selecter, Madness and Dexy’s – and their clashes with NF thugs. He recalls the band’s increasing tensions and eventual split; his subsequent foray into bubblegum pop with Fun Boy Three; and a new found fame in America, as godfather to bands like Gwen Stefani’s No Doubt. Finally he reflects on The Specials’ reunion and how even now, thirty years on, they can’t help tearing themselves apart.Raucous and charming Original Rude Boy is the story of a man who done too much, much too young. Neville Staple was a frontman with The Specials, a member of the hugely successful pop trio Fun Boy Three and now tours the world with own his own ska act The Neville Staple Band. Visit him at: www.nevillestaple.co.uk Tony McMahon is a journalist and TV producer living in south London.


Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation

Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation

Author: Daniel Rachel

Publisher: Akashic Books

Published: 2024-06-04

Total Pages: 345

ISBN-13: 1636141900

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The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black —A Times/Sunday Times Book of the Year —An Uncut Book of the Year —Long-Listed for the Penderyn Music Book Prize —A Louder Than War Book of the Year —A Blitzed Magazine Book of the Year In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.


Return of the Rudeboy

Return of the Rudeboy

Author: Dean Chalkley

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780993201103

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The 'Return of the Rudeboy' exhibition has been encapsulated into a beautifully printed 128-page hard cover book. Containing unseen images, essays on Rudeboy heritage and culture and references to the curated spaces at the Somerset House exhibition. The book was released exclusively to the public at the Rudeboy Salon at The Hospital Club, London on the 5th and 6th June 2015. Limited numbers of the first edition are available online through select retailers.


Reggae, Rastafari, and the Rhetoric of Social Control

Reggae, Rastafari, and the Rhetoric of Social Control

Author: Stephen A. King

Publisher: Univ. Press of Mississippi

Published: 2014-07-10

Total Pages: 204

ISBN-13: 1496800397

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Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.


Ska

Ska

Author: Heather Augustyn

Publisher: McFarland

Published: 2014-01-10

Total Pages: 217

ISBN-13: 0786461977

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Before Bob Marley brought reggae to the world, before Jimmy Cliff and Peter Tosh, before thousands of musicians played a Jamaican rhythm, there were the men and women who created ska music, a blend of jazz, American rhythm and blues, and the indigenous music of the Caribbean. This book tells the story of ska music and its development from Jamaica to England, where the music took on a distinctively different tone, and finally to the rest of the world. Through the words of legendary artists, gleaned from more than a decade of interviews, the story of ska music is finally told by those who were there.


Wake the Town & Tell the People

Wake the Town & Tell the People

Author: Norman C. Stolzoff

Publisher: Duke University Press

Published: 2000

Total Pages: 332

ISBN-13: 9780822325147

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An ethnography of Dancehall, the dominant form of reggae music in Jamica since the early 1960s.


Backtalk

Backtalk

Author: Carolyn Crowder

Publisher: Simon and Schuster

Published: 2011-01-18

Total Pages: 154

ISBN-13: 1439147760

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"So what? All the other kids get to do it!" Few behavioral problems challenge and frustrate parents, caregivers, and teachers as does verbal rudeness in children of any age. Reinforced by the wise-cracking kids on TV and in the movies, backtalk has become all too common among today's youngsters. But there is nothing cute about this behavior. Remarks like "Yeah, right," "Big deal," and "Make me" -- form children as young as three -- get in the way of real communication between parents and kids, and can also be detrimental to a child's social and intellectual development. Now two experts in the field share their simple and specific four-step program for ending backtalk and restoring balance in relationships between parents and children, from preschoolers to teens. You'll learn how to recognize backtalk, how to choose and enact a response that will make sense to you and the backtalker, and when to disengage from the struggle and move forward. Full of advice and encouragement as well as suggestions on how to keep track of what works and what doesn't, Backtalk can be put to use immediately, before you hear another "Whatever."


Rude Hand Gestures of the World

Rude Hand Gestures of the World

Author: Romana Lefevre

Publisher: Chronicle Books

Published: 2011-10-21

Total Pages: 130

ISBN-13: 1452110174

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With this illustrated guide, discover what hand gestures can offend others around the world—and whether you avoid making them or not is up to you. A hand gesture is arguably the most effective form of expression, whether you’re defaming a friend’s mother or telling a perfect stranger to get lost. Learn how to go beyond just flipping the bird with this illustrated guide to rude hand gestures all around the world, from asking for sex in the Middle East to calling someone crazy in Italy. Detailed photographs of hand models and subtle tips for proper usage make Rude Hand Gestures of the World the perfect companion for globe-trotters looking to offend. “If you’ve resolved to make the most of your travels, a copy of Rude Hand Gestures of the World to know what gestures you should avoid while abroad. Better safe than sorry!” —Buzzfeed


They Don't Play Fair

They Don't Play Fair

Author: Clifford "Spud" Johnson

Publisher: Urban Books

Published: 2019-03-26

Total Pages: 273

ISBN-13: 1601622899

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Papio and Special are back! Their love for one another has withstood the drama and turmoil of their chaotic lives, but their thirst for the dollar has once again set them on a crash course for mayhem. They’ve accumulated a long list of enemies, and now it’s time to do battle. Calling on some strong allies to assist them, they insist that no one will be spared, and no one will get in their way. Papio and Special are going all out to get what they want and what they feel they deserve. Whatever it takes, their goals will be reached. There’s no rules in the game they are playing. They don’t care about rules anyway, because They Don’t Play Fair!