Introduction. "Bravo Figaro, Bravo Bravissimo!" -- A Whirlwind of Change -- Early Revivals : Almaviva, Bartolo, and Their Many Ways -- The World of Rosina and the Prima Donna's Playground -- A Return to Rossini -- The Untethered Splendor of Il barbiere di Siviglia.
A French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.
A comprehensive guide to Rossini's THE BARBER OF SEVILLE, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with over 35 Music Highlight Examples, a complete, newly translated LIBRETTO with English/Italian side-by-side, selected Discography and Videography, Dictionary of Opera and Musical Terms, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.
Opera and Ideas is a study of the connections between music and intellectual history. Through lucid analysis of six operas and two song cycles, Paul Robinson shows how operas give musical and dramatic expression to ideas about the self, society, and history.