Here, at last back in print, is the classic dual biography of Ross Lockridge and Thomas Heggen, two authors who achieved sudden fame and fortune and then self-destructed. Ross Lockridge, the author of the spectacularly best-selling Raintree County, and Thomas Heggen, the creator of Mister Roberts, both were thrust in the 1940s into unexpected fame and money. Each was young and inexperienced in the ways of the world. John Leggett explores their lives, their loves, their friendships, and their writing and publishing experiences to discover what ultimately and tragically failed them. Ross and Tom portrays two gifted writers and their final descent into that Fitzgeraldian crack-up where "in the real dark night of the soul it is always three o'clock in the morning."
When he died in 1983, Ross Macdonald was the best-known and most highly regarded crime-fiction writer in America. Long considered the rightful successor to the mantles of Dashiell Hammett and Raymond Chandler, Ross Macdonald and his Lew Archer-novels were hailed by The New York Times as "the finest series of detective novels ever written by an American." Now, in the first full-length biography of this extraordinary and influential writer, a much fuller picture emerges of a man to whom hiding things came as second nature. While it was no secret that Ross Macdonald was the pseudonym of Kenneth Millar -- a Santa Barbara man married to another good mystery writer, Margaret Millar -- his official biography was spare. Drawing on unrestricted access to the Kenneth and Margaret Millar Archives, on more than forty years of correspondence, and on hundreds of interviews with those who knew Millar well, author Tom Nolan has done a masterful job of filling in the blanks between the psychologically complex novels and the author's life -- both secret and overt. Ross Macdonald came to crime-writing honestly. Born in northern California to Canadian parents, Kenneth Millar grew up in Ontario virtually fatherless, poor, and with a mother whose mental stability was very much in question. From the age of twelve, young Millar was fighting, stealing, and breaking social and moral laws; by his own admission, he barely escaped being a criminal. Years later, Millar would come to see himself in his tales' wrongdoers. "I don't have to be violent," he said, "My books are." How this troubled young man came to be one of the most brilliant graduate students in the history of the University of Michigan and how this writer, who excelled in a genre all too often looked down upon by literary critics, came to have a lifelong friendship with Eudora Welty are all examined in the pages of Tom Nolan's meticulous biography. We come to a sympathetic understanding of the Millars' long, and sometimes rancorous, marriage and of their life in Santa Barbara, California, with their only daughter, Linda, whose legal and emotional traumas lie at the very heart of the story. But we also follow the trajectory of a literary career that began in the pages of Manhunt and ended with the great respect of such fellow writers as Marshall McLuhan, Hugh Kenner, Nelson Algren, and Reynolds Price, and the longtime distinguished publisher Alfred A. Knopf. As Ross Macdonald: A Biography makes abundantly clear, Ross Macdonald's greatest character -- above and beyond his famous Lew Archer -- was none other than his creator, Kenneth Millar.
Cast out of the refrigerator because of a small crack, Eggbert sets out into the world, using his talent for painting to try to blend in. Eventually he realizes that cracks are everywhere and reminds us all that our flaws are perfectly natural.
"Hain't we got all the fools in town on our side? And ain't that a big enough majority in any town?" -- Mark Twain When Lucifer Dye is released from three months in a Hong Kong prison, debriefed, handed a false passport, a new wardrobe and a $20,000 check, his haughty control makes it clear that Dye's career with his country has been permanently terminated. But a good agent is always in demand, and just a few hours later Dye is being interviewed for a highly ingenious position. Victor Orcutt, although a not very good imitation of a British pre-war gent, has creative talents of his own. He has his sights a small southern city, with the ordinary run-of-the-mill corruption one would expect in such a place. The canny Orcott knows there's no profit in that. His creed is "To get better, it must be much worse." He and his two associates have looked up Dye's history, and he now offers the ex-spy a mission: for two and a half times the government's bounty, Dye is to thoroughly corrupt the town. And the sly Dye takes the offer.
"In an important literary discovery, Macdonald biographer, Tom Nolan, unearthed three previously unpublished private-eye stories by Ross Macdonald. 'Death by Water, ' written in 1945, features Macdonald's first detective Joe Rogers, and two novelettes from 1950 and 1955, 'Strangers in Town' and 'The Angry Man, ' are detailed cases of Lew Archer."--
The mayor’s six-year-old son, Ben Carter, is missing—and Lauren’s brother, Tom, is the main suspect. Lauren knows her brother would never harm anyone, but the police don’t agree. Ben’s stepbrother doesn’t agree. The mayor certainly doesn’t agree. To some people in Resurrection Falls, Tom is the freak who, rumor has it, once tried to lure a kid into the woods. But if Tom is innocent, why was he lurking around outside the mayor’s house the night Ben disappeared? And why has he also vanished? After teaming up with Tom’s friend, Grady, a computer enthusiast and part-time hacker, Lauren decides that rather than try to prove Tom’s innocence, they should simply give the police some more options. Because everyone, even the mayor’s apparently perfect family, has secrets.
"Turn yourself into a marketing master and make tens of thousands of extra dollars with the ideas in this one-of-a-kind resource. Get your books into catalogs, rack up lucrative bulk premium sales, and do author signings and radio interviews that get outrageous results. Find the secret to generating tons of free publicity, then discover how to capitalize on it." "Add to that insider information on how to make the Internet a fabulous sales generator, penetrate libraries, sell to book clubs, and get onto the QVC Home Shopping Network - and you can't do without this guide."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
From dreams of soccer glory to the realities of the minor leagues, the high-stakes world of English football comes to life in this vivid coming-of-age novel for fans of Nick Hornby and The Art of Fielding. After his unceremonious release from a Premier League academy at nineteen, Tom feels his bright future slipping away. The only contract offer he receives is from a lower-level club. Away from home for the first time, Tom struggles on and off the field, anxious to avoid the cruel pranks and hazing rituals of his teammates. Then a taboo encounter upends what little stability he has, forcing Tom to reconcile his suppressed desires with his drive to succeed. Meanwhile, the team’s popular captain, Chris, is in denial about the state of his marriage. His wife, Leah, has almost forgotten the dreams she once held for her career. As her husband is transferred from club to club, and raising their first child practically on her own, she is lost, disillusioned with where life has taken her. A Natural delves into the heart of a professional soccer club: the pressure, the loneliness, the threat of scandal, the fragility of the body, and the struggle of conforming to the person everybody else expects you to be. Praise for A Natural “This is a bold novel. [Raisin has a] deep and unwavering empathy for others, and an ability to find flashes of beauty in life’s unforgiving ugliness. His language might be spare, but his turn of phrase is strikingly elegant. . . . The way is lit by his keen perceptions; the novel suggests the frustrations that arise when lived experience fails to align with what was imagined, and analyzes the gap between spectatorship and participation. . . . If Raisin has chosen to focus on that which stifles rather than frees us, he has done so to demonstrate precisely why we need all the things that society and circumstance suppress. . . . The confidence and skill with which he pursues his vision is not just persuasive, it’s powerful.”—The New York Times Book Review “Raisin’s transporting and acutely observed novel speaks to us all. First-rate.”—Booklist (starred review) “An intimate picture of life in the lower reaches of professional British football . . . a bold theme . . . is rendered with restraint and sympathy. . . . [A Natural] is a sensitive treatment of very different kinds of solitude and pain.”—Kirkus Reviews
This book addresses every aspect of the analysis and reconstruction of the events surrounding a crime. Beginning with established protocols for crime scene processing, the authors outline their unique methodology for event analysis. This technique defines specific actions, discusses the order of those actions, and offers significant insight into determining what did or did not happen in the course of the incident under investigation. Using case studies and more than 200 color photos, the book demonstrates how the method can be used to explain clues that would otherwise be puzzling or ambiguous.
