The English Novel, 1770-1829: 1800-1829

The English Novel, 1770-1829: 1800-1829

Author: Peter Garside

Publisher:

Published: 2000

Total Pages: 776

ISBN-13:

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This bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1810-1829. The main listings include 2,256 entries, all but forty of which are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library. This book also includes an extensive historical introduction by Peter Garside that offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.


James Malcolm Rymer, Penny Fiction, and the Family

James Malcolm Rymer, Penny Fiction, and the Family

Author: Rebecca Nesvet

Publisher: Taylor & Francis

Published: 2024-07-30

Total Pages: 207

ISBN-13: 104009371X

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James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre’s creator James Malcolm Rymer (1814–1884). It argues that Rymer wrote his so-called ‘penny bloods’ and ‘dreadfuls’ for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer wrote for and edited family magazines early in that genre’s history, deployed Chartist domesticity to liberal ends, and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s–1860s penny serials published by George W.M. Reynolds, John Dicks, and Lloyd, Rymer showed how families might sustain Empire and advocated for patriarchal family dynamics in response to literary and political change. During the fin-de-siècle, Rymer’s penny fiction was demonised as hyper-masculine ‘bloods’ and ‘dreadfuls’, a reputation it retains today. Reading Victorian penny fiction’s most indicative author’s works as a corpus and with attention to their original textual, cultural, and political contexts reveals it as the family-oriented phenomenon it in fact was.