Rosaline Woodbridge. [A novel. By Hannah Maria Jones.]
Author: Rosaline WOODBRIDGE
Publisher:
Published: 1827
Total Pages: 320
ISBN-13:
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Author: Rosaline WOODBRIDGE
Publisher:
Published: 1827
Total Pages: 320
ISBN-13:
DOWNLOAD EBOOKAuthor: Rosaline WOODBRIDGE
Publisher:
Published: 1827
Total Pages: 308
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DOWNLOAD EBOOKAuthor: Hannah Maria Jones
Publisher:
Published: 1827
Total Pages: 744
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Publisher:
Published: 1859
Total Pages: 80
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DOWNLOAD EBOOKAuthor: Peter Garside
Publisher:
Published: 2000
Total Pages: 776
ISBN-13:
DOWNLOAD EBOOKThis bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1810-1829. The main listings include 2,256 entries, all but forty of which are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library. This book also includes an extensive historical introduction by Peter Garside that offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.
Author: Montague Summers
Publisher: Dalcassian Publishing Company
Published: 1940-01-01
Total Pages: 688
ISBN-13:
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Published: 1853
Total Pages: 454
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DOWNLOAD EBOOKAuthor: Charles Dickens
Publisher:
Published: 1853
Total Pages: 634
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DOWNLOAD EBOOKAuthor: Rebecca Nesvet
Publisher: Taylor & Francis
Published: 2024-07-30
Total Pages: 207
ISBN-13: 104009371X
DOWNLOAD EBOOKJames Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre’s creator James Malcolm Rymer (1814–1884). It argues that Rymer wrote his so-called ‘penny bloods’ and ‘dreadfuls’ for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer wrote for and edited family magazines early in that genre’s history, deployed Chartist domesticity to liberal ends, and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s–1860s penny serials published by George W.M. Reynolds, John Dicks, and Lloyd, Rymer showed how families might sustain Empire and advocated for patriarchal family dynamics in response to literary and political change. During the fin-de-siècle, Rymer’s penny fiction was demonised as hyper-masculine ‘bloods’ and ‘dreadfuls’, a reputation it retains today. Reading Victorian penny fiction’s most indicative author’s works as a corpus and with attention to their original textual, cultural, and political contexts reveals it as the family-oriented phenomenon it in fact was.