Over 800 color photos display the ceramic art pottery made by Rookwood Pottery from 1880 through 1967. Hand-painted decoration by Albert R. and Anna Marie Valentien, Matt Daly, William Hentschel, Kate C. Matchette, Mary Nourse, and Kataro Shirayamadani, among others, are shown on vases, urns, candlesticks, and plates. The text provides a history of the company, a detailed bibliography, and an index.
Rookwood Pottery products and its glaze lines presented with the Cincinnati, Ohio, pottery's history from 1880 until 1967. Ellis, curator of the Cincinnati Art Museum, conclusively explains and illustrates in color both the Decorated Wares and Commercial Wares, which are categorized and defined for the first time. The most complete record of Rookwood pottery, marks, glossary of terms and all the glaze lines identified.
Warman's Rookwood Pottery teaches you how to identify, value and affordably collect this exquisite style of pottery, while deepening your passion for it. With insight into the history of Rookwood Pottery, including 1,000 brilliant color photos and an explanation of the exclusive marking dating system, this book delivers more than pricing and identifying details. It demonstrates why there is such interest in this pottery.
The nation's premier private collection of Rookwood art pottery featuring American Indian portraiture is on display at the Cincinnati Art Museum from October 2007 to January 2008. Rookwood and the American Indian: Masterpieces of American Art Pottery from the James J. Gardner Collection is a remarkable exhibition catalogue that will be of interest well beyond the exhibition because of its unique subject matter. Fifty-two pieces produced by the Rookwood Pottery Company are showcased, many accompanied by black-and-white photographs of the American Indians portrayed by the ceramic artist. In addition, the catalogue includes a brief biography of each artist as well as curators' comments about the Rookwood pottery and the Indian apparel seen in the portraits. The catalogue also presents two essays. The first, "Enduring Encounters: Cincinnatians and American Indians to 1900," by ethnologist and co-curator Susan Labry Meyn, describes American Indian activities in Cincinnati from the time of the first settlers to 1900 and relates these events to national policy, such as the 1830 Indian Removal Act. Rookwood and the American Indian, by art historian Anita J. Ellis, concentrates on Rookwood's fascination with the American Indian and the economic implications of producing that line. Rookwood and the American Indian blends anthropology with art history to reveal the relationships between the white settlers and the Native Americans in general, between Cincinnati and the American Indian in particular, and ultimately between Rookwood artists and their Indian friends.
The Rookwood Pottery was probably the most famous company making art pottery in the United States in the late nineteenth century into the twentieth century, achieving an international reputation and consistently promoting artistic innovation. Proud that the pottery was 'an artist's studio, not a factory', Rookwood Pottery is known for its exceptionally fine glazes and successful experimental designs. By assimilating the strengths of myriad aesthetic movements from the American Art Pottery Movement to Art Nouveau and Art Deco, Rookwood Pottery encouraged decorators to try unusual subjects and to explore new techniques. Gerald and Virginia Gordon have created a magnificent collection fully representing all aspects of Rookwood pottery production, which they have generously given to the Philadelphia Museum of Art. This museum has one of the finest and most comprehensive collections of Rookwood pottery in existence. Each piece is gloriously reproduced in colour. This collection has never before been pub
"Maria Longworth Storer: From Music and Art to Popes and Presidents tells the story of one of Cincinnati's most prominent women activists and socialites, Maria Longworth Storer. A philanthropist and talented artist, known as the founder of Rookwood Pottery, Maria pushed the boundaries of women's involvement in the public sphere and established close diplomatic relationships with a number of religious figures and political leaders, including then president Teddy Roosevelt. When a 1906 scandal inflicted considerable damage on her second husband's and her positions, Maria managed to recover and devote her life to the causes she held dearest--religion, art, and philanthropy. Her activist spirit left a lasting impression and remains an important part of Cincinnati and American history"--
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} At the height of the Arts and Crafts era in Europe and the United States, American ceramics were transformed from industrially produced ornamental works to handcrafted art pottery. Celebrated ceramists such as George E. Ohr, Hugh C. Robertson, and M. Louise McLaughlin, and prize-winning potteries, including Grueby and Rookwood, harnessed the potential of the medium to create an astonishing range of dynamic forms and experimental glazes. Spanning the period from the 1870s to the 1950s, this volume chronicles the history of American art pottery through more than three hundred works in the outstanding collection of Robert A. Ellison Jr. In a series of fascinating chapters, the authors place these works in the context of turn-of-the-century commerce, design, and social history. Driven to innovate and at times fiercely competitive, some ceramists strove to discover and patent new styles and aesthetics, while others pursued more utopian aims, establishing artist communities that promoted education and handwork as therapy. Written by a team of esteemed scholars and copiously illustrated with sumptuous images, this book imparts a full understanding of American art pottery while celebrating the legacy of a visionary collector.
