Ron Cart Solos, Book 2 includes 26 fantastic bass solos in bass clef from various recordings over Ron Carter's legendary career as a first-call bassist for many jazz greats. Titles: Autumn Leaves * Blue Daniel * Caminando * Bags Groove * Blue Monk * Django * Black and Blue * Blues in the Closet * Dolphin Dance * Golden Striker * Lavern Walk * I Can't Get Started * Loose Change * Indian Summer * Por-de-Sol * Someday My Prince Will Come * Star Dust * Spleen * Summer Night * Stablemates * Telephone * The Man I Love * Wide Load * You and the Night and the Music * Wave.
This is the centerpiece of the Ron Carter Library. (He refers to it as "THE book" when talking to his students) While other bass lesson books teach you arco techniques and how to audition for a classical orchestra, this book is completely different. It shows you how the bass functions, and the hand positions and locations on the instrument so you can find those beautiful notes too. And it has QR codes that link to video demos so you can watch the Maestro play the exercises himself. With this book you can do what Carter does every night. Play rhythm changes all the time, make wonderful blues choruses, or in the Maestro's case, play Little Waltz for 25 years. And have it be new and fresh every time.
This book features 22 fantastic bass solos in bass clef from various recordings over Ron Carter's legendary career as a first-call bassist for many jazz greats. Titles: Bass Blues * Bessie's Blues * Bohemia after Dark * Corcovado * Dance of the Sugar Plum Fairy * Embraceable You * Good Bait * Hi Fly * I Can Dream, Can't I? * I Could Write a Book * I Fall in Love too Easily * I Should Care * I Thought about You * Jesu, Joy of Man's Desiring * My Funny Valentine * My Romance * Overture Miniature * Que Pasa * Summertime * Sweet Lorraine * This Time the Dream's on Me * Toys * Ten Basic Exercises.
Take your playing to the next level. Whether you're a beginner or an accomplished pro, this Ron Carter book teach you how to create your own unique sound. A sound that will give you a lifelong career as a working bassist, that will be hired over and over again because people know that unique sound and want it on their records and at their performances.It takes you step by step through Ron Carter's Method of the "Connect the Dots" process of note choices. It's the system he created as a young player and he still uses it to this day.The bass is the heartbeat and the spine of any band. In the right hands it makes all the other players sound better.
"Both as a person and as a musician, he was number one in my book." --Benny Carter Bassist George Duvivier (1920-1985) was one of the most universally respected musicians in jazz. His impeccable musicianship graced the big bands in the 1940s and led to musical associations with virtually every important jazz and popular artist. His prolific recording career spanned all styles of music, from Eubie Blake to Eric Dolphy, Billie Holiday to Barry Manilow. Duvivier was a most astute and articulate observer of the musical scene. A large part of this book is devoted to his own reflections on growing up in Harlem in the 1920s and 1930s, the evolution of the bass, life in the commercial studios, and his memories of close associates--Coleman Hawkins, Jimmie Lunceford, Bud Powell, Lena Horne, and many others. In addition, twenty of Duvivier's colleagues, including Louie Bellson, Ron Carter, Milt Hinton, Ed Shaughnessy, Arthur Taylor, and Joe Wilder, have contributed, covering a variety of musical and social issues, as well as providing a loving portrait of an extraordinary artist. Duvivier's musical style is discussed by David Chevan, who has included transcriptions of several solos. An extensive discography/solography traces Duvivier's incredibly diverse recording career. With dozens of previously unpublished photos.
(Book). Jazz guitar legend Larry Coryell takes an unflinching look at his life and career, recounting his musical journey from his scuffling early days in New York City and his pioneering role in the jazz fusion movement to his current status as a world ambassador of jazz. Coryell reveals his own involvement in and eventual victory over the drug scene, and he gives his take on the musical giants he has known and performed with. Along the way, he details the development of his own style and provides inspirational words for fellow musicians. A special section presents a selection of Coryell's beloved Guitar Player magazine columns. Includes CD with audio lessons and original compositions recorded specifically for this book.
Teaching Music through Performance in Jazz continues in the best tradition of the Teaching Music series, bringing together insights from top jazz educators and invaluable analysis of the best repertoire published for jazz ensembles of all skill levels. This book is the ideal tool for anyone seeking a deeper understanding of the preeminent music for jazz ensembles by seminal jazz composers. In addition, leading jazz educators and musicians contribute chapters on topics such as: "Why Teach Jazz?" by Wynton Marsalis; "A Multi-Cultural approach to Jazz Education" by Ronald Carter; "Rehearsal Techniques: A holistic approach integrating composition, imporovisation, theory, and cultural considerations in the rehearsal" by Ron McCurdy; "The rhythm section: The band within the band" by Reginald Thomas; and "Promoting a high school jazz band" by Ron Modell. In addition, this book includes Teacher Resource Guides to more than 65 of the top jazz charts, broken down into developing, intermediate, and advanced categories. Each Teacher Resource Guide includes vital information on the composer, the composition, historical background, technical requirements, stylistic considerations, musical elements, form and structure, listening suggestions, and additional references. Teaching Music through Performance in Jazz is an essential resource for jazz leaders at all levels and a major contribution to the jazz field. -- from dust jacket.
