Romanticism and the Letter is a collection of essays that explore various aspects of letter writing in the Romantic period of British Literature. Although the correspondence of the Romantics constitutes a major literary achievement in its own right, it has received relatively little critical attention. Essays focus on the letters of major poets, including Wordsworth, Byron, Shelley and Keats; novelists and prose writers, including Jane Austen, Leigh Hunt and Charles Lamb; and lesser-known writers such as Melesina Trench and Mary Leadbeater. Moving from theories of letter writing, through the period’s diverse epistolary culture, to essays on individual writers, the collection opens new perspectives for students and scholars of the Romantic period.
This study of correspondence in the Romantic period calls into question the common notion that letters are a particularly 'romantic', personal, and ultimately feminine form of writing.
Whether or not you're currently dating someone, if you're a young person thinking about romance, you probably have a lot of questions. Who should you date? How do you turn down an unwanted date, navigate a first date, or break up with someone? Is kissing OK? Is marriage really for you? The Bible is sufficient to help you to think through the concerns of singleness and dating, and it has crucial things to say about the thoughts, attitudes, actions, and situations that commonly arise in this exciting stage of life. In friendly, practical letters, Sean and Spencer (and sometimes their wives, Jenny and Taylor) explore God's Word for answers on singleness, the start of a relationship, and tough dating situations, from breakups to broken boundaries. Their biblical insights will help you to make informed decisions on the road ahead.
From sweet nothings to the profound insights of a person's soul, love letters capture a rare glimpse of our innermost thoughts and desires. Here we see love as defined by literary greats of the last two centuries, including Franz Kafka, Anais Nin, Jack London, and Vita Sackville-West.
The first years of marriage are filled with joys, sorrowsƒƒ‚‚ƒ‚‚"ƒƒ‚‚ƒ‚‚€ƒƒ‚‚ƒ‚‚"and surprises. They set patterns that can determine the course of the marriage for years to come. As you begin to work through the nitty-gritty details of home life together, you probably have some questions, and you know the stakes are high. If you want to navigate the early days of your marriage in a way that glorifies Christ and honors his Word, Letters to a Romantic: First Years of Marriage is a great resource for getting a conversation going. In warm, short, practical letters, Sean and Spencer guide couples through their common "firsts": from major choices like deciding when to start a family, to the everyday details of establishing holy household habits, to the concerns raised by common sexual issues in marriage. You will discover the resources you need to lay a foundation for a healthy and God-honoring lifelong relationship.
An exuberant, expansive cataloging of the intimate physical relationship between a reader and a book A way to leave a trace of us, who we were or wanted to be, what we read and could imagine, what we did and what we left for you. Readers of physical books leave traces: marginalia, slips of paper, fingerprints, highlighting, inscriptions. All books have histories, and libraries are not just collections of books and databases but a medium of long-distance communication with other writers and readers. Letter to a Future Lover collects several dozen brief pieces written in response to library ephemera—with "library" defined broadly, ranging from university institutions to friends' shelves, from a seed library to a KGB prison library—and addressed to readers past, present, and future. Through these witty, idiosyncratic essays, Ander Monson reflects on the human need to catalog, preserve, and annotate; the private and public pleasures of reading; the nature of libraries; and how the self can be formed through reading and writing.
"[A] gripping, emotional Victorian romance...Historical romance fans should snap this one up." -Publishers Weekly, STARRED review A Proud Beauty When the tragic death of her gamester father leaves her destitute and alone, society beauty Sylvia Stafford finds work as a governess in a merchant's household in Cheapside. Isolated from the fashionable acquaintance of her youth, she resigns herself to lonely spinsterhood...until a mysterious visitor convinces her to temporarily return to her former life--and her former love. A Scarred Beast Colonel Sebastian Conrad is no longer the dashing cavalry officer Sylvia once fell in love with. Badly scarred during the Sepoy Rebellion, he has withdrawn to his estate in rural Hertfordshire where he lives in near complete seclusion. Brooding and tormented, he cares nothing for the earldom he has inherited--and even less for the faithless beauty who rejected him three years before. A Second Chance A week together in the remote Victorian countryside is the last thing either of them ever wanted. But when fate intervenes to reunite them, will a beastly earl and an impoverished beauty finally find their happily-ever-after? Or are some fairy-tale endings simply not meant to be?
What would you do if the love of your life had no memory of you? A man tries to win back the love of his life after an accident has her in a coma in this emotional, romantic drama from #1 ebook phenomenon J. L. Perry writing as Jodi Perry The 19th of January, 1996 ... I'll never forget it. It was the day we met. I was seven and she was six. It was the day she moved in next door, and the same day I developed my first crush on a girl. Then tragedy struck. Nineteen days after our wedding day, she was in an accident that would change our lives forever. When she woke from her coma, she had no memory of me, of us, of the love we shared. That's when I started writing her letters.The stories of our life. Of when we met. About the happier times, and everything we'd experienced together. What we had was far too beautiful to be forgotten. If you love Nicholas Sparks' bestselling novel THE NOTEBOOK you will devour the compelling, emotional storytelling of Jodi Perry's NINETEEN LETTERS, winner of the Romantic Book of the Year 2018 from the Romance Writers of Australia. It will make you laugh, and it will make you cry. 'This book is gorgeous. Jodi Perry is a wonderful storyteller. I wanted to take Braxton home and eat him for breakfast!' NATASHA LESTER, bestselling author of A KISS FROM MR FITZGERALD and HER MOTHER'S SECRET 'A timeless love story so beautiful and riveting it will leave you breathless' MARGARET MCHEYZER, New York Times bestselling author of UGLY and MISTRUST 'an emotional, romantic drama' Yours magazine 'A true love story. This book jumped off the page and pulled every emotion from me. Beautiful and heartbreaking, it ripped me apart and wrapped me up tight again' PENELOPE DOUGLAS, USA Today and Wall Street Journal bestselling author 'An emotional and beautiful story about the power of unconditional love, with a hero so sweet that you will fall hard for' NINA LEVINE 'the greatest love story ever told... better than ROMEO AND JULIET and THE NOTEBOOK' Jessica's Bookworld 'This beautifully tender story will have you reaching for the tissues, wishing you had a love like Jemma and Braxton have' GemsBookNook 'Move over Mr Sparks because Miss Perry is... hot on your heels!' Goodreads reviewer 'I never wanted it to end' Reader review
In today’s world of Tinder and texting, do we write and save love letters anymore? Are we more likely to save a screenshot of a text exchange or a box of paper letters from a lover? How might these different ways to store a love letter make us feel? Sociologist Michelle Janning’s Love Letters: Saving Romance in the Digital Age offers a new twist on the study of love letters: what people do with them and whether digital or paper format matters. Through stories, a rich review of past research, and her own survey findings, Janning uncovers whether and how people from different groups (including gender and age) approach their love letter "curatorial practices" in an era when digitization of communication is nearly ubiquitous. She investigates the importance of space and time, showing how our connection to the material world and our attraction to nostalgia matter in actions as seemingly small and private as saving, storing, stumbling upon, or even burning a love letter. Janning provides a framework for understanding why someone may prefer digital or paper love letters, and what that preference says about a person’s access and attachment to powerful cultural values such as individualization, taking time in a hectic world, longevity, privacy, and keeping cherished things in a safe place. Ultimately, Janning contends, the cultural values that tell us how romantic love should be defined are more powerful than the format our love letters take.
This study focuses on the six writing men who have been throughout decades regarded as the alpha and omega of British Romanticism: Byron, Coleridge, Keats, Scott, Shelley, and Wordsworth. It sees these men as a representative cohort of their time and examines their letters as results of a reading process. Although letters are usually seen as additional sources of reference in literary studies, in this book they are treated as the dominant information material: correspondence enables to reconsider British Romanticism on the basis of the epistolary communication of the first half of the nineteenth century. The target information from the letters are references to women writers and to their writings. A detailed analysis of the correspondence manages to answer the question whether male Romantics regarded writing women as “provoking” from time to time, as Duncan Wu assumes, and whether the gender identity of the woman author influenced the way male readers read her literary works. The examination of the correspondence thus takes a gendered perspective on British Romanticism. This approach to the target research data discloses a long list of almost 120 names of women writers from different periods and of different literary genres. Whereas the male readers in question have acquired a well-established, stable long-term position within literary history, the women were often marginalized, even forgotten. The study presents plentiful examples proving the discrepancies between what the twenty-first-century reader regards as the core of women’s Romantic literary tradition, and what the Romantic reader did. The following women writers are discussed in the study in detail: Susannah Centlivre, Anne Finch (Lady Winchelsea), Ann Radcliffe, Mary Robinson, Felicia Hemans, Mary Shelley, Joanna Baillie, Maria Edgeworth, Maria Jane Jewsbury, Catherine Grace Godwin, and Emmeline Fisher.
