The late eighteenth century witnessed the emergence of the literary family: a collaborative kinship network of family and friends that, by the end of the century, displayed characteristics of a nascent corporation. This book examines different models of collaboration within English literary families during the period 1760-1820. Beginning with the sibling model of Anna Barbauld and John Aikin, and concluding with the intergenerational model presented by the Godwins and the Shelleys, this study traces the conflict and cooperation that developed within and among literary families as they sought to leave their legacies on the English world of letters.
The Instant New York Times bestseller A TODAY Show Read with Jenna Book Club Pick A captivating debut novel about the tangled fates of two best friends and daughters of the Italian mafia, and a coming-of-age story of twentieth-century Brooklyn itself. Two daughters. Two families. One inescapable fate. Sofia Colicchio is a free spirit, loud and untamed. Antonia Russo is thoughtful, ever observing the world around her. Best friends since birth, they live in the shadow of their fathers’ unspoken community: the Family. Sunday dinners gather them each week to feast, discuss business, and renew the intoxicating bond borne of blood and love. But the disappearance of Antonia’s father drives a whisper-thin wedge between the girls as they grow into women, wives, mothers, and leaders. Their hearts expand in tandem with Red Hook and Brooklyn around them, as they push against the boundaries of society’s expectations and fight to preserve their complex but life-sustaining friendship. One fateful night their loyalty to each other and the Family will be tested. Only one of them can pull the trigger before it’s too late.
Romanticism and Civilization examines romantic alternatives to modern life in Rousseau’s foundational novel Julie. It argues that Julie is a response to the ills of modern civilization, and that Rousseau saw that the Enlightenment’s combination of science and of democracy degraded human life by making it bourgeois. The bourgeois is man uprooted by science and attached to nothing but himself. He lives a commercial life and his materialism and calculations penetrate all aspects of his existence. He is neither citizen, nor family man, nor lover in any serious sense: his life is meaningless. Rousseau’s romanticism in Julie is an attempt to find connectedness through the sentiments of private life and wholeness through love, marriage, and family.
INSTANT #1 BESTSELLER! A brand-new book from the #1 bestselling author of The Break and The Woman Who Stole My Life. They're a glamorous family, the Caseys. Johnny Casey, his two brothers Ed and Liam, their beautiful, talented wives and all their kids spend a lot of time together--birthday parties, anniversary celebrations, weekends away. And they're a happy family. Johnny's wife, Jessie--who has the most money--insists on it. Under the surface, though, conditions are murkier. While some people clash, other people like each other far too much . . . Still, everything manages to stay under control--that is, until Ed's wife, Cara, gets a concussion and can't keep her thoughts or opinions to herself. One careless remark at Johnny's birthday party, with the entire family present, and Cara starts spilling all their secrets. As everything unravels, each of the adults finds themselves wondering if it's--finally--the time to grow up.
Selected as One of the Best Books of the 21st Century by The New York Times Set amid the havoc of the War on Drugs, this New York Times bestseller is an "astonishingly intimate" (New York magazine) chronicle of one family’s triumphs and trials in the South Bronx of the 1990s. “Unmatched in depth and power and grace. A profound, achingly beautiful work of narrative nonfiction…The standard-bearer of embedded reportage.” —Matthew Desmond, author of Evicted In her classic bestseller, journalist Adrian Nicole LeBlanc immerses readers in the world of one family with roots in the Bronx, New York. In 1989, LeBlanc approached Jessica, a young mother whose encounter with the carceral state is about to forever change the direction of her life. This meeting redirected LeBlanc’s reporting, taking her past the perennial stories of crime and violence into the community of women and children who bear the brunt of the insidious violence of poverty. Her book bears witness to the teetering highs and devastating lows in the daily lives of Jessica, her family, and her expanding circle of friends. Set at the height of the War on Drugs, Random Family is a love story—an ode to the families that form us and the families we create for ourselves. Charting the tumultuous struggle of hope against deprivation over three generations, LeBlanc slips behind the statistics and comes back with a riveting, haunting, and distinctly American true story.
This fun, inclusive board book celebrates the one thing that makes every family a family . . . and that's LOVE. Love is baking a special cake. Love is lending a helping hand. Love is reading one more book. In this exuberant board book, many different families are shown in happy activity, from an early-morning wake-up to a kiss before bed. Whether a child has two moms, two dads, one parent, or one of each, this simple preschool read-aloud demonstrates that what's most important in each family's life is the love the family members share.
A wry and addictive debut about a modern-day American dynasty and its unexpected upheaval when the patriarch wills his dwindling fortune to his youngest, adopted son—setting off a chain of events that unearths secrets and tests long-held definitions of love and family. The money is old, the problems are new. Meet the Whitbys: an American dynasty once inundated with ungodly real estate wealth and now facing a new millennium of unfamiliar obstacles. There was a time when the death of a Whitby would have made national news, but when the family patriarch, Roger, dies, he is alone. Word of his death travels from the long-suffering family lawyer to Roger’s clan of children (from four different marriages), and the outlook isn’t good. Roger has left everything to his twenty-one-year-old son Nick, a Whitby only in name—and Nick is nowhere to be found. Brooke, an older daughter who is both overwhelmingly nostalgic and unexpectedly pregnant, leads the search for Nick, hoping to convince him to let her keep her Boston home. Shelley, the only child from the third marriage, hasn’t told anyone that she’s dropped out of college just months before graduation and is currently working as an amanuensis for a blind architect, with whom she crosses complicated boundaries. And when Nick, on the run from the law after a misguided act of political activism, finally appears at Shelley’s New York home, worlds collide and explode in spectacular fashion. Soon, the three siblings are faced with the question they have been running from their whole lives: What do they want their future to look like, if they can finally escape their past? Weaving together multiple perspectives to create a portrait of the American dream gone awry, Baby of the Family is a vivid, absorbing debut about family secrets and how they define us, bind us together, and threaten to blow us apart.
No matter your size, shape, or pedigree--if you love each other, you are a family! Moms, dads, sisters, brothers — and even Great Aunt Sue — appear in dozens of combinations, demonstrating all kinds of nontraditional families! Silly animals are cleverly depicted in framed portraits, and offer a warm celebration of family love. From School Library Journal PreS-Gr 1—Imagine a house with many rooms, whose walls each have a different color or wallpaper, accenting a family portrait hanging there. On a rustic wooden wall hangs the first portrait—a large family of ducks posing beside a still pond. The next spread shows three pandas in pink vests, much like the pink oriental wallpaper behind them. Each portrait features a gently rhyming line: "Some children live with their grandparents…/and some live with an aunt./Some children have many pets…/and some just have a plant." All of these appealing images demonstrate different ways of being a family. "Some children live with their father./ Some children have two mothers./Some children are adopted./Some have stepsisters and—brothers." The cartoon-style critters contrast pleasantly with more realistic elements—a bamboo plant, a slender ceramic dog, a fat ceramic cat. Families of hippos, tigers, lions, ostriches, and whales join the other family groups in the final spread. The loud-and-clear message is that "if you love each other, then you are a family." And imagine the many children who will be reassured because they have found a portrait of a family they will recognize as their own. A solid choice for most libraries.—Mary Jean Smith, formerly at Southside Elementary School, Lebanon, TN
Stephen Crane was a prodigious American author whose bohemian ways seemed to contradict his conscientious upbringing. Drawing on little-known and unpublished documents by Crane's father, mother, and sister, and preeminent scholar Thomas A. Gullason shows how their vitality and versatility galvanized Crane's imagination, spurred his literary career, and affected his lifestyle. The Cranes emerge as a spirited and serious lot who were passionately concerned with social and cultural issues of the day. Newly discovered papers—from reflections on the Civil War to a funeral oration for Lincoln—paint Crane's pastor father as a man of sardonic wit whose obsession with alcohol would be mirrored in his son's work. Crane's mother is revealed to have had an eye for politics and an ear for dialogue that would vastly inform Crane's masterpiece, The Red Badge of Courage. His sister Agnes rounds out the portrait with recently recovered stories and poems. Replete with rare works and keen insights, this edition is a crucial reference for students of nineteenth century American literature and devotees of Stephen Crane.
