Explores the developing cultural tensions and connections that created a 'sister-art' movement between creative visual art and its literary counterparts.
Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the reader to identify major trends and explore artists of the period. This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic art.
In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.
American Gothic Art and Architecture in the Age of Romantic Literature analyses the influence of British Gothic novels and historical romances on American art and architecture in the Romantic era.
The Art of Love tells the stories of the most fascinating couples of the art world – uncovering the passionate, challenging and loving relationships behind some the world's greatest works of art. Kate Bryan (broadcaster, writer and curator) delves into the complex world of artistic relationships, exploring the nuanced ways in which art and love can share the same space. When two married artists collaborate, do they ever get a moment off? What happens when love fades and two artists, known by one moniker, part? When a couple work independently, how do they manage jealousy and competition? In this book, you’ll meet love in all its glorious and complicated forms, including unlikely couples with conflicting philosophies (Yayoi Kusama & Joseph Cornell); unconventional marriages that prove love has many guises (Frida Kahlo & Diego Rivera); couples who suffered from intense, public burnout (Marina Abramovic & Ulay); soul mates who found safety in each other (Ethel Mars & Maud Hunt Squire); and bitter rivalries that weren't built to last (Jasper Johns & Robert Rauschenberg). Through evocative stories and beautiful illustrations, Kate tells of the formation, and sometimes breakdown, of each romance – documenting their highs and lows and revealing just how powerful love can be in the creative process. Whether long-lasting, peaceful collaborations, or short-lived tumultuous affairs, The Art of Love, opens the door on some of the greatest love stories of the twentieth century.
The Morgan Library Museum has assembled an impressive array of trend-setting texts and outstanding works of art that reveal the origins and impact of the stylistic innovations of the Romantic Garden, in a broad cultural context, roughly from 1700 to 1900. Romantic Gardens provides a compelling overview of these groundbreaking ideas and shows how they were implemented in private estates and public parks in England, France, Germany, and America.
Traces the Nazarene "art of the concept" from its Romantic inception to its academic transformation in the 1830s. Arguing that the Nazarenes, despite their revivalist agenda, were a quintessentially modern movement, the book provides a revisionist understanding of modernity in nineteenth-century art.
In the age of revolutions, at the end of the eighteenth century, the mental and spiritual life of North America and Europe began to undergo a historic and irreversible change. The ideas of spontaneity, direct expression and natural feeling transformed the arts, encouraging artists to explore the extremes in human nature, from heroism to insanity and despair. Widely praised on its previous appearance as Romantic Art and now revised, William Vaughan's classic study analyzes the achievement of the leading artists of the age - masters such as Goya, Blake, Gericault, Turner and Delacroix - and sets in context a host of fascinating figures in painting, sculpture and architecture: Palmer, Runge, Soane, Gros, Overbeck, Schinkel, Flaxman, Pugin, Bingham and many more. The result is an invaluable account of a dramatic and contradictory artistic epoch.