Roman Tales: A Reader’s Guide to the Art of Microhistory explores both the social and cultural life of Renaissance Rome and the mind-set and methods of microhistory. This book draws the reader deep into eight stories: a Christian-Jewish picnic plus an ill-aimed stone fight, an embassy-driven attack on Rome's police, a magic prophetic mirror, an immured mad hermit, a stolen dwarf, and the bizarre misadventures of a stolen roll of velvet, a truly odd elopement, and a thieving child who treats his cronies to dinner at the inn. It meditates on the resources and lacunae that shape the telling of these stories and, through them, it models an historical method that contrives to turn the limits of our knowledge into an advantage by writing honestly and movingly, to bring a dead past back to life, exemplifying and stretching the genre of microhistory. It also discusses strategies for teaching through intensive use of old documents, with a particular focus on criminal tribunal papers. Engagingly written, Roman Tales outlines the main principles of microhistorical research and draws the reader outwards towards a wider exploration and discovery of sixteenth-century Rome. It is ideal for researchers of microhistory, and of medieval and early modern Italy.
The first anthology to present the entire range of ancient Greek and Roman stories- from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes.
In ways no guide book can achieve, these twenty absorbing tales by Italian authors ranging from Boccaccio in the Middle Ages to Giacomo Casanova in the eighteenth century, to Pier-Paolo Pasolini in the twentieth and contemporary new writers such as Melania Mazzucco and Igiaba Scego, offer the delight of discovering and exploring one of the world's most unique cities thorough a wide variety of individual lives and epochs. The tales span seven hundred years but rather than being ordered chronologically, old and new appear alongside one another, reflecting the dual identity of Rome - thriving, modern metropolis and ancient city centre that is one of the wonders of the world. The tales are wonderfully varied in style, tone, and subject matter. Casanova sets about seducing the hotelier's daughter only minutes after his arrival, a notorious Spanish prostitute in Renaissance Rome endures a public hiding without flinching, a Danish tourist in her sixties finds an unusual lover, Pope John Paul II uncovers a vast conspiracy against him, a medieval revolutionary demagogue suffers almost the same fate as Mussolini. Each story is illustrated with a black-and-white photograph and there is a map of Rome to help readers locate the important sites which feature in the text. A deep sense of timelessness, of separate destinies entwined across a gulf of centuries, is the cumulative effect of this vivid mosaic of dramatic, comic, and tragic stories set in the Eternal City.
From the bestselling author of Horrible Histories, named 'the outstanding children's non-fiction author of the 20th century' by Books For Keeps ____________________ AD 113 The young boy Pertinax helps his grandmother prepare a feast in Pliny's household. As all the workers are busy in the kitchen, the young boy keeps Pliny company in the garden. He is told a story by the great Pliny himself. The tale is of a terrifying ghost that haunted a garden. But there's no truth in ghost stories ... or is there? A tale based on a key moment in Roman history, full of Terry Deary's dark humour and dry wit. ____________________ 'Bubbling with wit, language play and robust dialogue....just the right mix of ingredients to trigger young readers' interest in all things historical.' Books For Keeps
Here is a whimsical and captivating collection of odd facts, strange beliefs, outlandish opinions, and other highly amusing trivia of the ancient Romans. We tend to think of the Romans as a pragmatic people with a ruthlessly efficient army, an exemplary legal system, and a precise and elegant language. A Cabinet of Roman Curiosities shows that the Romans were equally capable of bizarre superstitions, logic-defying customs, and often hilariously derisive views of their fellow Romans and non-Romans. Classicist J. C. McKeown has organized the entries in this entertaining volume around major themes--The Army, Women, Religion and Superstition, Family Life, Medicine, Slaves, Spectacles--allowing for quick browsing or more deliberate consumption. Among the book's many gems are: BL Romans on urban living: The satirist Juvenal lists "fires, falling buildings, and poets reciting in August as hazards to life in Rome." BL On enhanced interrogation: "If we are obliged to take evidence from an arena-fighter or some other such person, his testimony is not to be believed unless given under torture." (Justinian) BL On dreams: Dreaming of eating books "foretells advantage to teachers, lecturers, and anyone who earns his livelihood from books, but for everyone else it means sudden death" BL On food: "When people unwittingly eat human flesh, served by unscrupulous restaurant owners and other such people, the similarity to pork is often noted." (Galen) BL On marriage: In ancient Rome a marriage could be arranged even when the parties were absent, so long as they knew of the arrangement, "or agreed to it subsequently." BL On health care: Pliny caustically described medical bills as a "down payment on death," and Martial quipped that "Diaulus used to be a doctor, now he's a mortician. He does as a mortician what he did as a doctor." For anyone seeking an inglorious glimpse at the underside of the greatest empire in history, A Cabinet of Roman Curiosities offers endless delights.
From the bestselling author of Horrible Histories, named 'the outstanding children's non-fiction author of the 20th century' by Books For Keeps ____________________ AD 51 Bran is a slave, a prisoner of Rome, but dreams of one day returning to his homeland, Britannia, to fight against the Romans. When the proud young slave is overheard criticizing Rome, he is thrown into prison and faces execution the next day. Luckily, his cell mate Caratacus is a very special prisoner indeed - a British chief. He believes he has a way to save both their skins, but he'll need Bran's help. A tale based on a key moment in Roman history, full of Terry Deary's dark humour and dry wit. ____________________ 'Bubbling with wit, language play and robust dialogue....just the right mix of ingredients to trigger young readers' interest in all things historical.' Books For Keeps
From the bestselling author of Horrible Histories, named 'the outstanding children's non-fiction author of the 20th century' by Books For Keeps ____________________ 387 BC Rome is under attack from the vicious Gauls and the barbarian army is now preparing to besiege the Temple of Juno on Capitol Hill, home of Brutus, a trainee priest. The temple's inhabitants are offered help from the army of Lord Furius, but are not sure if he is to be trusted. However, when rescue eventually comes it is from an even more unlikely source... A tale based on one of the most famous of all Roman legends, full of Terry Deary's dark humour and dry wit. ____________________ 'Bubbling with wit, language play and robust dialogue....just the right mix of ingredients to trigger young readers' interest in all things historical.' Books For Keeps
From the bestselling author of Horrible Histories, named 'the outstanding children's non-fiction author of the 20th century' by Books For Keeps ____________________ AD 64 Rome is a frightening place. But little does Christian slave girl Mary realise the dangers that await her when she accompanies her master to the city. It is the day of the chariot races and Mary finds herself the only witness to a terrible crime. Soon it is not just the thieves and drunks she has to worry about, but someone far more cruel and powerful... A tale based on a key moment in Roman history, full of Terry Deary's dark humour and dry wit. ____________________ 'Bubbling with wit, language play and robust dialogue....just the right mix of ingredients to trigger young readers' interest in all things historical.' Books For Keeps
At another time one would have to spend hours in listening to detached incidents altogether lacking a thread to connect them, or stories of which the point had been so completely lost that they could only have been made available by means of a reconstruction too integral to be honestly attempted. As, e.g., ‘Oh yes! I know a story of an enchantress who had a gown which made her invisible, and a pair of boots which would carry her a thousand miles without walking, but I quite forget what she did with them.’ Or else it might be, ‘I knew a story of a king whose wife had been fatata (subjected to magic influence), and maligned by her mother-in-law while the king was gone to the wars; but that’s all I remember, except that in the end the queen was rehabilitated, and the mother-in-law punished’—incidents of stories recurring in every collection, but tantalisingly lacking all means of further particular identification with any. Sometimes, too, it would be only a title that could be recalled, and nothing more, as in the case of a certain ‘Uccello Biverde,’ which I have been several times assured is ‘a most beautiful story,’ but I have never yet succeeded in meeting with any one who could supply the narrative. I have further felt called sometimes to exercise a difficult forbearance in withholding some specimens which at first promised to afford singular instances of interchanged episodes, but which there afterwards appeared reason to conclude were merely jumbled in the bad memory of the narrator, and had, therefore, no individual interest, but were rather calculated to mislead. One of my worst disappointments was the case of a very old woman, who, I am assured, knows more of such things than anyone in the world, but whom nothing can induce to repeat them now. She has grown so toothless and tremulous and inconsecutive, that it is not easy to understand her; but I think her arguments are not difficult to appreciate in the following way,—that having had a long run of weary bad fortune, she had rather not dwell on stories where things turned out as one could wish to have them. She wants to go to heaven, she says, and so she believes in God, and whatever else she mustbelieve; but for anything more, for special interpositions of Providence, and anything one is not obliged to believe, she had rather say nothing about all that. ‘But don’t tell them then as if you believed them; tell them only as a pastime; just to oblige me.’ I thought I had moved her, but the utmost she would yield was to promise to think about it before I came again: and when I came again she was as rigid as ever. It is vexatious to think that a vast store is going to the grave with her under one’s very eyes and that one cannot touch it.
