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In 1926 Silent Film Icon, Rudolph Valentino, died unexpectedly at the age of 31. That same year, he had finalized a bitter divorce from his wife of four years, Natacha Rambova. Valentino had been madly in love with the gorgeous and very talented designer, yet they had been unable to make their marriage work. Since their first marriage in 1922, the public had been critical of Rambova, blaming her for any mistakes in Valentino's career or life. As Valentino laid on his deathbed in New York, Rambova was in Paris. The two exchanged telegrams to the very end, with both sides believing they would soon reunite and a reconciliation had taken place. Upon hearing the news of his death, Rambova was so distraught she locked herself in her room for three days. With many estate issues to fulfill, Valentino's manager George Ullman took the reigns. To help keep Valentino's name in the spotlight, Ullman wrote a book detailing his time with the gifted actor. Ullman and Rambova had never gotten along, fighting for control of Valentino's career. Feeling she had been unfairly portrayed not only by Ullman, but also by the press, Rambova decided to write her own book. First published in the UK in 1927, "Rudy: An Intimate Portrait by His Wife," presented Rambova's side of the story, providing many amusing stories and anecdotes about her time with Valentino. Both Valentino and Rambova had been firm believers in the practice of Spiritualism. Rambova decided to utilize her beliefs for this book, adding a section titled "Revelations," consisting of things supposedly told to her by Valentino's soul, through seances. Rambova felt the need to publish these 'messages', believing these were things his soul wished to communicate with the world. However things soon got out of hand, with boisterous fans and attention seekers bombarding the legacy of Rudolph Valentino with their own claims. Rambova would remain firm in her beliefs, eventually becoming a renowned Egyptologist. After the publication of this book, she never spoke of her time with Valentino again. "Rudolph Valentino: An Intimate Portrait by his wife" is proudly reprinted by The Rudolph Valentino Society for the first time in over 80 years, under a new title, "Rudolph Valentino: A Wife's Memories of an Icon." In addition to the original text there is a new section containing biographies, filmographies, bibliographies, notes, and new forwards. This section also contains groundbreaking biographies on screenwriter and film executive June Mathis; as well as silent film vamp Nita Naldi. 70% of proceeds from this book benefit The Rudolph Valentino Society and Film Festival.
This definitive biography of the founder of Anthroposophy provides insight into his life and work with new forms of medicine, agriculture, architecture, and the Waldorf education system. Steiner's Spiritual Science offers a powerful tool for self-realization and a practical system for improving and mastering daily life.
In this series of previously-untranslated lectures, Rudolf Steiner describes how myths and legends portray humanity's most ancient evolutionary and spiritual history. Folklore presents ancient mystical wisdom in the form of stories – clothed in pictures by initiates – that enable individuals to understand their content in a more intellectual form at a later time.Focusing on Greek and Germanic mythology, the lectures in the first part of this volume cover the chronicles of Prometheus, Daedalus and Icarus, Parzival and Lohengrin, the Argonauts and the Odyssey, and the heroic dragon-slayer Siegfried. From these focal points, Rudolf Steiner discusses a variety of themes – from the mysteries of the Druids and the founding of Rome to the esoteric background of Wolfram von Eschenbach; from good and evil and the unjust death sentence on Socrates to the significance of marriage..The second part of this book features lectures on the nature and significance of the musical dramas of Richard Wagner. Wagner's works, from his earliest attempts to his most mature opera Parsifal, are discussed from spiritual viewpoints. Although Wagner did not have a fully conscious awareness of the deeper meanings of his compositions, Steiner suggests that his shaping of Germanic legends was driven by an instinctive, creative and artistic certainty that accords with deep occult truths.
The present book Transformation of Shiva from Myth to Man is an effort to decode the symbols related to the Shiva of Devdutt Pattanaik and Amish Tripathi in the light of mythological stance and present the most humane side of him. He is studied as a myth, as a man, a family man and God of transformation. His blue throat, Somras as Evil, Number Three, God of Destruction and Ash Bearer, Snake or Nagas, Aum, Ardhnarishwar, snow-clad mountain, all these core symbols that enwrap persona of Shiva are elucidated. Its an effort to demystify the myth of this ancient lord and awake young generation about enriched and the most valued Indian culture.
"Borsch has not answered all the questions, of course. Who can? But his view of the Man tradition makes more sense to me than, for example, Perrin's rather cavalier dismissal of the evidence, and it not only enlightens but also enlivens the discussion. As against the extreme skeptics, Borsch is also convincing to me in arguing the case for a large measure of authenticity in the Son of man tradition in the Gospels. If the proof of the pudding is in the eating, the book constantly calls me back to its pages for insight regarding the problem, both in its historical dimension and in its bearing upon the meaning of Jesus of Nazareth for faith today. --'Theology' "The author is well aware of the difficulties involved in entering a field wherein so much investigation has been done. And of this, with the positive and negative conclusions, he gives an excellent survey, crisp and critical . . . . The lines opened up will engage the attention of a new and more positive chapter in the form-critical argument. --'London Quarterly and Holborn Review'
Rudolph! is a first-person account of the behind-the-scenes workings at the North Pole. Narrated by Bernard Rosewood, one of the elves of the North Pole Consortium, the story begins with Santa's realization that a young girl's request to get her dad back for Christmas isn't going to happen. Dad, you see, died in a car accident on a snowy road shortly after Thanksgiving. The NPC can do a lot, but they can't do miracles. Enter Rudolph, who has been hairless, cranky, and perpetually irradiated since the unfortunate malfunction of the Nuclear Clock in 1964. Rudolph is a survivor of the worst accident in the 400-plus years of NPC delivery, and if there is anyone on staff who believes in miracles more than jolly Saint Nick, it's Rudolph. Bernie, in a valiant effort to keep Christmas from going off the rails, is swept up into a Heaven-storming, Hell-crusading, Night of Bad Musical Numbers adventure to ensure that every child wakes up with presents on Christmas morning. Rudolph! is a funny and fast-paced reaction to 40 years of world-weary cynicism, technological advances, and post-millennial ennui since Rankin/Bass brought a stop motion reindeer into our living rooms.
