Rodin's Art

Rodin's Art

Author: the late Albert E. Elsen

Publisher: Oxford University Press

Published: 2003-03-13

Total Pages: 681

ISBN-13: 0198030614

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The late Albert Elsen was the first American scholar to study seriously the work of the French sculptor Auguste Rodin, and the person most responsible for a revival of interest in the artist as a modern innovator--after years during which the sculpture had been dismissed as so much Victorian bathos. After a fortuitous meeting with the financier, philanthropist, and art collector B. Gerald Cantor, Elsen helped Cantor to build up a major collection of Rodin's work. A large part of this collection, consisting of more than 200 pieces, was donated to the Stanford Museum by Mr. Cantor, who died recently. In size it is surpassed only the by the Musée Rodin in Paris and rivaled only by the collection in Philadelphia. In scope the collection is unique in having been carefully selected to present a balanced view of Rodin's work throughout his life. Rodin's Art encompasses a lifetime's thoughts on Rodin's career, surveying the artist's accomplishments through the detailed discussion of each object in the collection. It will begin with essays on the formation of the collection, the reception of Rodin's work, and his casting techniques. The entries that follow are arranged topically and include extensive discussions of Rodin's major projects.


Rodin : Sculpture from the Iris and B. Gerald Cantor Collection

Rodin : Sculpture from the Iris and B. Gerald Cantor Collection

Author: Kirk Varnedoe

Publisher:

Published: 2001

Total Pages: 198

ISBN-13:

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The work of the master French sculptor Auguste Rodin (1840-1917) is instantly recognizable throughout the world. This is due in no small part to the proselytizing efforts of B. Gerald Cantor (1916-1996), widely acknowledged as the preeminent collector and proponent of Rodin in America during the second half of the twentieth century. He purchased his first piece, a bronze of The Hand of God, in 1946, after being profoundly moved by seeing a marble version of it at the Metropolitan Museum of Art, New York. For five decades, Cantor focused all of his efforts on researching and acquiring works by Rodin. Joined by his wife, Iris, in 1977, they built the largest and most comprehensive private collection of Rodin sculpture, drawings, prints, photographs, and memorabilia. Of the approximately 750 works that the Cantors collected, including casts of each of Rodin's major monuments, The Monument to Balzac, The Gates of Hell, The Burghers of Calais, and The Monument to Victor Hugo, 450 have been given away to over 70 museums around the world. Lavishly illustrated, accompanying a worldwide touring exhibition, Rodin: A Magnificent Obsession chronicles the growth of the collection, offering a comprehensive overview that includes works bequeathed to the Cantor Foundation from the Cantor personal collection, as well as new insights into Rodin's working methods and the histories of his most famous masterpieces.


Rodin

Rodin

Author: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University

Publisher: Iris & B. Gerald Cantor Center for

Published: 2003

Total Pages: 83

ISBN-13: 9780937031223

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The Sketchbooks Revealed

The Sketchbooks Revealed

Author: Richard Diebenkorn

Publisher: Stanford University Press

Published: 2015

Total Pages: 0

ISBN-13: 9780804799171

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Foreword / Connie Wolf and Alison Gass -- Private to Public / Gretchen Diebenkorn Grant -- Understanding Diebenkorn / Steven A. Nash -- Two Sides of a Coin: Reflections on Artistic Practice / Enrique Chagoya -- The Ace of Spades / Alexander Nemerov -- (With)Drawing from Mastery / Peggy Phelan -- The Sketchbooks -- Notes to Myself of Beginning a Painting / Richard Diebenkorn


Rodin

Rodin

Author: Joan Vita Miller

Publisher: Metropolitan Museum of Art

Published: 1986

Total Pages: 194

ISBN-13: 0870994433

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Rodin and Michelangelo

Rodin and Michelangelo

Author: Flavio Fergonzi

Publisher:

Published: 1997

Total Pages: 235

ISBN-13: 9780876331095

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Published to accompany an exhibition of sculptures and drawings by two of history's greatest artists. While examining the career of Auguste Rodin, the book discusses his debt to Michelangelo.