A useful resource for people of all ages who want to know more about rock history, Rock 'n' Roll and the Cleveland Connection links national and international events in music and the world, though the primary focus is on Cleveland. Rock 'n' Roll and the Cleveland Connection is the first in-depth look at the people, venues and artists that made Cleveland the "Rock 'n' Roll Capital of the World." Author Deanna Adams conducted personal interviews with more than 150 musicians, managers, DJ's, promoters, record executives, journalists, and club owners--all pioneers of this new musical movement--to compile these chapters of musical history.
Music fans who grew up with Rock and Roll in Cleveland remember a golden age. We were young, so was the music, and the sense of freedom and excitement the Rock and Roll scene delivered was electric. There were so many great clubs, like the Agora, where every big band seemed to break in the 1970s. The trendsetting radio stations, from A.M.'s WIXY to F.M.'s groundbreaking "Home of the Buzzard," WMMS. And all those memorable shows. The free Coffee Break Concerts--remember Sprinsteen just when he hit it big? The gigantic World Series of Rock. Nights on the lawn at Blossom (including local favorites the Michael Stanley Band and their record-setting sellout streak). This book collects the favorite memories of Clevelanders who made the scene: fans, musicians, DJs, reporters, club owners, and more. Includes rare photographs and other memorabilia such as concert posters, bumper stickers, pins, and ticket stubs.
Ever since Cleveland disc jockey Alan Freed first called the records he was playing "rock and roll," northeast Ohio has been a driving force in this musical phenomenon. From the disc jockeys who spun the music to the musicians who played it, the clubs that welcomed it and fans who encouraged it, rock and roll has been as much a part of this north coast as the lake that hugs it. It was those early years, from the 1950s on, that led Cleveland to becoming the "Rock and Roll Capital of the World" and ultimately home to the Rock and Roll Hall of Fame and Museum. While the city spawned several widely recognized names, such as the James Gang (with Joe Walsh), the Raspberries (with Eric Carmen), and Bobby Womack, it is the music itself that will keep this town rocking on the shores of Lake Erie, and beyond, for a long time to come.
Cleveland has always been a music town. And thanks to Cleveland deejay Alan Freed, who booked the first venue for rock enthusiasts, music fans have never lacked for places to go see their favorite acts perform in person. This book honors the astute owners and their venues--from yesterday to today--that present fans with the music they crave. The early clubs helped usher in Cleveland as the designated Rock and Roll Capital of the World. Today's venues continue the tradition, thus ensuring that music lovers of all ages, and attitudes, get to enjoy their rock and roll on the North Coast, with all its variety and talent. Because of them, musical memories continue to be made.
This book presents a case study of popular music heritage to address why, and how, Cleveland, Ohio has claimed to be the "birthplace of rock 'n' roll" and became the home of the Rock and Roll Hall of Fame. It explores the role of radio DJs, record stores, concerts and myths in shaping the relations between people, places, and the past.
The behind-the-scenes battle for the Rock Hall For 25 years, the Rock and Roll Hall of Fame has defined Cleveland's image as the "Rock and Roll Capital of the World." But while the Rock Hall has become an iconic landmark for the city of Cleveland and for fans of rock and roll around the world, it was just one missed phone call away from never being built in Cleveland. If the prominent singer and actress Leslie Gore hadn't contacted radio personality Norm N. Nite in August 1983, the Hall of Fame would not be in Cleveland--period. Earlier that summer, Gore had learned that the newly formed Rock and Roll Hall of Fame Foundation was looking for a city to house their planned museum honoring the history of rock. Gore knew that a year earlier, Nite had pitched an idea for a similar museum, so she reached out to let him know that other figures in the music industry were working to turn his dream into a reality. Nite immediately joined the project's Rules and Nominating Committee and spearheaded the campaign to bring the museum to Cleveland. At the time, the search committee was considering several other cities, including Memphis, Detroit, and New York, but Nite argued that the city's deep historical connection to rock music through Alan Freed and the Moondog Coronation Ball made Cleveland the perfect location. He began lobbying local and state politicians, fundraising with music moguls and civic leaders, and promoting the museum to the broader Cleveland public. As fans got involved, especially with their overwhelming response to a USA Today phone poll, Nite's campaign to bring the Hall to Cleveland was ultimately successful. This book, told from Nite's insider perspective, draws on both first-person accounts and exclusive interviews with influential business leaders, government officials, and giants of the music industry. A detailed record of the Rock Hall's inception and creation, The House That Rock Built becomes a true tribute to the people who made it happen--through Herculean efforts--and to the music it celebrates.
What made the summertime special to a Cleveland kid? Building sandcastles in your clam diggers at Edgewater Park. Pulling up to Manners Big Boy in your parents' car for a burger and a Big Ghoulardi. An ornate sundae at Boukair's. Watching the Indians lose (again) at Municipal Stadium. Being terrified by Laughing Sal at Euclid Beach Park. And more!
If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats—constructed mainstreams designed to appeal to distinct populations—showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status—for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished. Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard’s stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs.
Award-winning journalist and Cleveland native Douglas Trattner knows the best way to experience this often overlooked mecca. After investigating every nook and cranny of his favorite city, he now shares his expertise in Moon Cleveland. Whether you're interested in exploring the 20,000 acres of Cleveland's Metroparks or spending the afternoon indoors at the famous Rock and Roll Hall of Fame, Trattner guides you to exciting activities for all ages—including hot-air ballooning over Amish Country, angling for Walleye on Lake Erie, and zipping through town on a Segway. Packed with insider's information on dining, transportation and accommodations, Moon Cleveland gives travelers the tools they need to create a more personal and memorable experience.
This book seeks to trace the rise of popular music, identify its key figures and track the origins and development of its multiple genres and styles, all the while seeking to establish historical context. It is, fundamentally, a ready reference guide to the broad field of popular music over the past two centuries. It has become a truism that popular music, so pervasive in the modern world, constitutes a soundtrack to our lives – a constant though changing presence as we cross thresholds and grow from children to teenagers to adults. But it has become more than a soundtrack; it has become a narrative. Not just an accompaniment to our daily lives but incorporating our lives, our sense of identity, our lived experiences, into it. We have become part of the music just as the music has become part of us. The Historical Dictionary of Popular Music contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on major figures across genres, definitions of genres, technical innovations and surveys of countries and regions. This book is an excellent resource for students, researchers, and anyone wanting to know more about popular music.
