Robert Smithson

Robert Smithson

Author: Robert Smithson

Publisher: Univ of California Press

Published: 1996-04-10

Total Pages: 424

ISBN-13: 9780520203853

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Robert Smithson (1938-1973), one of the most important artists of his generation, produced sculpture, drawings, photographs, films, and paintings in addition to the writings collected here.


Robert Smithson in Texas

Robert Smithson in Texas

Author: Elyse Goldberg

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780984680948

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Catalogue printed on the occasion of the exhibition 'Robert Smithson in Texas' at the Dallas Museum of Art, November 24, 2013 - April 27, 2014


Earthworks

Earthworks

Author: Suzaan Boettger

Publisher: Univ of California Press

Published: 2002

Total Pages: 336

ISBN-13: 0520221087

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A comprehensive history of the Earthworks movement provides an in-depth analysis of the forms that initiated Land Art, profiling top contributors and achievements within a context of the social and political climate of the 1960s, and noting the form's relationship to ecological movements. (Fine Arts)


Robert Smithson

Robert Smithson

Author: Robert Smithson

Publisher: Univ of California Press

Published: 2004

Total Pages: 288

ISBN-13: 9780520244092

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Land Art in Close-up

Land Art in Close-up

Author: William Malpas

Publisher:

Published: 2006-01-01

Total Pages: 266

ISBN-13: 9781861710925

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This volume contains all of the major land, environmental and earthwork artists of the past 40 years, including James Turrell and his vast volcano site, Robert Smithson and his giant spiral, entropic earthworks, Christo's wrapped buildings and islands, Robert Morris's environments and Hamish Fulton's walks and words.


Landscape into Eco Art

Landscape into Eco Art

Author: Mark Cheetham

Publisher: Penn State Press

Published: 2018-02-09

Total Pages: 255

ISBN-13: 0271081422

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Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.


Earthwards

Earthwards

Author: Gary Shapiro

Publisher: Univ of California Press

Published: 1995

Total Pages: 286

ISBN-13: 0520212355

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The untimely death of Robert Smithson in 1973 at age 34 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks and installations of the 1960s and '70s anticipated concerns with environmentalism and site-specific artistic production. Gary Shapiro's insightful study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity.


Between Art Practice and Psychoanalysis Mid-Twentieth Century

Between Art Practice and Psychoanalysis Mid-Twentieth Century

Author: Beth Williamson

Publisher: Routledge

Published: 2017-07-05

Total Pages: 241

ISBN-13: 1351574159

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The work of mid-twentieth century art theorist Anton Ehrenzweig is explored in this original and timely study. An analysis of the dynamic and invigorating intellectual influences, institutional framework and legacy of his work, Between Art Practice and Psychoanalysis reveals the context within which Ehrenzweig worked, how that influenced him and those artists with whom he worked closely. Beth Williamson looks to the writing of Melanie Klein, Marion Milner, Adrian Stokes and others to elaborate Ehrenzweig?s theory of art, a theory that extends beyond the visual arts to music. In this first full-length study on his work, including an inventory of his library, previously unexamined archival material and unseen artworks sit at the heart of a book that examines Ehrenzweig?s working relationships with important British artists such as Bridget Riley, Eduardo Paolozzi and other members of the Independent Group in London in the 1950s and 1960s. In Ehrenzweig?s second book The Hidden Order of Art (1967) his thinking on Jackson Pollock is important too. It was this book that inspired American artists Robert Smithson and Robert Morris when they deployed his concept of ?dedifferentiation?. Here Williamson offers new readings of process art c. 1970 showing how Ehrenzweig?s aesthetic retains relevance beyond the immediate post-war era.


Large-Scale Urban Parks on Post-Industrial Sites in Contemporary Urban Landscape Conceptions

Large-Scale Urban Parks on Post-Industrial Sites in Contemporary Urban Landscape Conceptions

Author: Mengyixin Li

Publisher: MDPI

Published: 2023-08-09

Total Pages: 214

ISBN-13: 3036555609

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The theme is related to “Large Parks on Post-industrial Sites in Contemporary Urban Landscape Conceptions”, which is expounded in the fields of landscape architecture, landscape ecology and urban planning. A worldwide perspective is created so as to conduct cross-cultural research on the theories and practices of large-scale urban parks in North America, Germany and China. Through the scientific approach of ‘critical rationalism’, three design paradigms of large parks in different conceptions of contemporary urban landscapes are formulated based on quantitative and qualitative analysis, which are classified as the organic parks of North American ‘landscape urbanism’, the structural parks of German ‘landscape structuralism’ and the large parks of Chinese ‘urban inventory renewal’. By means of critical thinking in diverse cultural interpretations, the research aims to reveal remarkable similarities and differences between the cultures in the Western world according to their understanding of landscapes (coherent vs. creative), landscape and ecology (representation vs. metaphor), and landscape and life (diversity vs. unpredictability). Through theoretical analysis and case studies, it demonstrates that the international park paradigms characterised by complexity, diversity, sustainability, appropriation and identity can influence various socio-cultural, ecological, and aesthetic developments. Finally, the analytical results of the two park paradigms in Western countries are adopted in the examination of landscape architectural park models and urbanistic theoretical frameworks in China. This monograph is written primarily for scholars, professionals and students in the fields of landscape architecture, urban planning and architecture. The book, involving in-depth analysis about urban parks, green open spaces, green infrastructure and post-industrial landscapes, will have international appeal. It will appeal to readers at different levels. Above all, it may be of interest to professionals who are concerned with the topics urban parks and post-industrial landscapes, as well as Chinese scholars and experts, particularly those looking at China’s urban renewal and the ongoing transformation of post-industrial sites at different scales. This book will have strong implications for relevant urban landscape practices in China. Furthermore, it will be supported by the author’s colleagues from various countries such as Germany, Italy, USA, Canada, Brazil and China. Moreover, students to whom the author teaches courses of Landscape Architecture History and Theory and Landscape Planning and Design at BUCEA, as well as the international students at Collaborative Classes organized by BUCEA, TUM, and POLIMI (Politecnico di Milano, Italy), are encouraged to read this book.