The Legacy of the Civil War

The Legacy of the Civil War

Author: Robert Penn Warren

Publisher: U of Nebraska Press

Published: 2015-11

Total Pages: 83

ISBN-13: 0803299273

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In this elegant book, the Pulitzer Prize-winning writer explores the manifold ways in which the Civil War changed the United States forever. He confronts its costs, not only human (six hundred thousand men killed) and economic (beyond reckoning) but social and psychological. He touches on popular misconceptions, including some concerning Abraham Lincoln and the issue of slavery. The war in all its facets "grows in our consciousness," arousing complex emotions and leaving "a gallery of great human images for our contemplation."


All the King's Men

All the King's Men

Author: Robert Penn Warren

Publisher: Houghton Mifflin Harcourt

Published: 2002

Total Pages: 660

ISBN-13: 9780156012959

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Willie Stark's obsession with political power leads to the ultimate corruption of his gubernatorial administration.


Robert Penn Warren's All the King's Men

Robert Penn Warren's All the King's Men

Author: Jonathan S. Cullick

Publisher: University Press of Kentucky

Published: 2018-08-03

Total Pages: 145

ISBN-13: 0813175941

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Robert Penn Warren is one of the best-known and most consequential Kentucky writers of the twentieth century and the only American writer to have won three Pulitzers in two different genres. All the King's Men, generally considered one of the finest novels ever written on American politics, transcends sensationalism and topicality to stand as art. It was a bestseller, won the Pulitzer Prize, and became an Academy Award–winning movie. Depicting the rise and fall of a dictatorial southern politician—modeled on Huey Long of Louisiana—the timeless story and memorable characters raise questions about the importance of history, moral conflicts in public policy, and idealism in government. In Robert Penn Warren's All the King's Men: A Reader's Companion, author Jonathan S. Cullick considers the themes of this famous novel within the context of America's current political climate. He addresses the novel's continuing relevance and interviews a cross-section of elected and appointed officials, as well as journalists, in Kentucky to explore how Warren's novel has influenced their work and approach to politics. By focusing on what Warren's novel has to say about power, populism, ethics, and the force of rhetoric, Cullick encourages readers to think about their own identities and responsibilities as American citizens. This volume promises to be not only an indispensable companion to All the King's Men but it also provides context and a new diverse set of perspectives from which to understand this seminal novel.


Robert Penn Warren and the American Imagination

Robert Penn Warren and the American Imagination

Author: Hugh Ruppersburg

Publisher: University of Georgia Press

Published: 1990

Total Pages: 228

ISBN-13: 9780820312156

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The myth of America--the gap between American ideals and the actualities of American life--is a central and controlling metaphor in the works of Robert Penn Warren. Ranging across Warren's distinguished sixty-five year career, Robert Penn Warren and the American Imagination identifies the concerns that stem from Warren's vision of American history as a struggle to restore the lost ideals of the founding fathers and shows how they resonate through his writings. From his 1928 biography of the abolitionist John Brown to the late poems of Altitudes and Extensions, Warren returned again and again to themes related to democracy, regionalism, personal liberties, individual responsibilities, minority relations, and above all the loss of ideals. Ruppersburg initially focuses on Warren's expression of these themes in three major narrative poems: Brother to the Dragons portrays slavery in all its horror and its consequences for Jeffersonian idealism; Audubon: A Vision extols the power of imagination in one man's quest to assert an American identity in the wilderness; and Chief Joseph of the Nez Perce regards the victimization of Native Americans and their exclusion from traditional versions of American history as evidence of flaws in the founding vision. In his nonfiction works Segregation and Who Speaks for the Negro? Warren depicted the civil rights movement as a struggle for identity and individualism. Ruppersburg traces the development of Warren's attitudes, arguing that his support of the civil rights movement paradoxically stemmed from agrarianism, which by the 1950s meant something very different to him from the agrarianism of I'll Take My Stand. In addition, Warren hoped that the civil rights movement would restore some of the nation's original revolutionary ardor and idealism. The book closes with an examination of Warren's views on the future of democracy and the individual in a world dominated--and threatened--by science and technology. Looking particularly at The Legacy of the Civil War, Democracy and Poetry, and the poem "New Dawn," Ruppersburg concludes that Warren was skeptical about our prospects for survival. Still, through his advocacy of the arts and the primacy of the individual, Warren affirmed the values that he believed would help Western culture to endure. Robert Penn Warren sought to explore the meaning of the American experience, to validate the promise and the dangers of American ideals, and to urge the nation to take stock of itself and struggle for control of its fate in history. Through this obsessive search for America's identity, Ruppersburg demonstrates, Warren affirmed his own position as one of the most accomplished and significant of modern American writers.


Encyclopedia of American Poetry: The Twentieth Century

Encyclopedia of American Poetry: The Twentieth Century

Author: Eric L. Haralson

Publisher: Routledge

Published: 2014-01-21

Total Pages: 2479

ISBN-13: 1317763211

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The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.


American Oracle

American Oracle

Author: David W. Blight

Publisher: Harvard University Press

Published: 2011-09-26

Total Pages: 326

ISBN-13: 0674062701

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“The ghosts of the Civil War never leave us, as David Blight knows perhaps better than anyone, and in this superb book he masterfully unites two distant but inextricably bound events.”―Ken Burns Standing on the steps of the Lincoln Memorial on August 28, 1963, a century after the signing of the Emancipation Proclamation, Martin Luther King, Jr., declared, “One hundred years later, the Negro still is not free.” He delivered this speech just three years after the Virginia Civil War Commission published a guide proclaiming that “the Centennial is no time for finding fault or placing blame or fighting the issues all over again.” David Blight takes his readers back to the centennial celebration to determine how Americans then made sense of the suffering, loss, and liberation that had wracked the United States a century earlier. Amid cold war politics and civil rights protest, four of America’s most incisive writers explored the gulf between remembrance and reality. Robert Penn Warren, the southern-reared poet-novelist who recanted his support of segregation; Bruce Catton, the journalist and U.S. Navy officer who became a popular Civil War historian; Edmund Wilson, the century’s preeminent literary critic; and James Baldwin, the searing African-American essayist and activist—each exposed America’s triumphalist memory of the war. And each, in his own way, demanded a reckoning with the tragic consequences it spawned. Blight illuminates not only mid-twentieth-century America’s sense of itself but also the dynamic, ever-changing nature of Civil War memory. On the eve of the 150th anniversary of the war, we have an invaluable perspective on how this conflict continues to shape the country’s political debates, national identity, and sense of purpose.


Audubon, a Vision

Audubon, a Vision

Author: Robert Penn Warren

Publisher:

Published: 1969

Total Pages: 56

ISBN-13:

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Gedichten geïnspireerd door leven en werk van John James Audubon


A Disturbing and Alien Memory

A Disturbing and Alien Memory

Author: Douglas L. Mitchell

Publisher: LSU Press

Published: 2008-12-01

Total Pages: 274

ISBN-13: 0807133736

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In the late nineteenth century, as the study of history shifted from the domain of letters into the social sciences, novelists in the North and the West generally turned away from writing history. Many southern novelists and poets, however, continued to undertake historical writing as an extension of their art form. What made southern literary figures differ from their northern and western counterparts? In A Disturbing and Alien Memory, Douglas L. Mitchell addresses this intriguing question by tracing a line of southern writers from the early nineteenth century to the mid-twentieth, finding that an obsessive need to defend the South and the oft-noted "rage to explain" drove some creative writers to continue to make forays into history and biography in an effort to enter a more public sphere where they could more decisively influence interpretations of the past. In the Romantic history of the nineteenth century, Mitchell explains, men of letters saw themselves as keepers of memory whose renderings of the past could help shape the future of the nation. He explores the historical writing of William Gilmore Simms to trace the failure of Romantic nationalism in the growing split between North and South, then turns to Thomas Nelson Page's effort to resurrect the South as a "spiritual nation" with a redeemed history after the Civil War. Mitchell juxtaposes their work with that of William Wells Brown, the pioneering African American historian and novelist who used the authority of history to write blacks into the American story. Moving into the twentieth century, Mitchell analyzes the historical component of the Southern Agrarian project, focusing on the tension between modernist aesthetics and polemical aims in Allen Tate's Civil War biographies. He then traces a path toward a viable historical vision, Robert Penn Warren's recovery of a tragic understanding, and the creation of a compelling historical art in the work of Shelby Foote. Throughout, Mitchell examines the peculiar dilemma of southern writers, the changing nature of history and its relation to the realm of letters, and the question of public authority, shedding light on several neglected texts in the process -- including Simms's The Sack and Destruction of Columbia, S.C., Brown's The Negro in the American Rebellion, Tate's Jefferson Davis, and Warren's John Brown. Offering a new perspective on a perennial debate in southern letters, A Disturbing and Alien Memory provides a critical framework for a neglected genre in the southern literary canon.